This movie stressed me the fuck out.
This movie was great because I fell asleep in the theater and had an amazing nap
I'm exhausted. This tension, the politics, the intrigue, even to the last second. So much is happening in this episode. So much concealed under such elegant garments.
In one way I look forward to the finale next week, however I'm not sure how they are going to fit what I was anticipating to be in this episode into the last, unless it is a 3hr episode, but I think it won't be such.
The other way I'm looking forward to the finale, is I no longer will need to invest all my emotion and attention in this concentration of spectacle and the craft of each Actor performing to perfection their role, and appreciating each word, glance, and interaction with their counterparts in such a magnificent, stunning location.
I'll be ready for this finale but until then I'll be soaking in what I've watched today. What a pleasure it is to witness what the Arts can deliver if given a proper opportunity.
Thank you to the Creators, Actors, Crew, and Those That have painstakingly brought this masterpiece to us.
The conundrum has set in... I desperately want to see the last episode now, but I don't want it to be the last show. 10/10
This was a loud non stop chaotic trip. There were very few breaks to catch your breath. Some people are going to hate it. Adam Sandler is terrific, it's great to see him doing something different than his normal Netflix crap. The music is trippy.
This is a really special movie. It honours the originals and serves as a direct sequel, expanding the lore of their universe and creating new characters that are fun to follow. It feels like an old-style adventure movie of the likes of "The Goonies", "The Sandlot" or "E.T."
"Why tell a deadman the future?"
I couldn't have asked for a more fitting finale for this "piece of an art" mini-series. The bar was set high. It could've been either like the GoT finale or Breaking Bad finale. So glad they stayed consistent from start to finish. Undoubtedly, this ranks among the greatest miniseries ever produced.
Many people may be dissatisfied with the finale if they expected to watch an all-out war, which contradicts the entire idea of the show.
A comedy should be judged by if you laugh. A horror movie should be judged by if it is frightening. If this movie was judged by its ability to put an audience to sleep, it would be great. It's a horror movie, though, so a fail. I'm not saying I saw the end coming, but all the characters acted like they were just serving the plot instead of being actual people. Toni Collette's performance (or was it the script?) was incredibly uneven as she moved from unaffected to completely traumatized...sometimes within the same sequence. I actually liked the final story reveal and it was certainly built throughout. The problem is it took forever to get there and I hated every character so much, I couldn't care less if they lived or died. Garbage that every critic wanted to use "heightened" in a review will be lining up to kiss its ass. Here's the thing...my theater was full and never even a gasp. Did hear one dude snoring, though. See at your own risk.
This episode should've been named "Toda Mariko". She is one hell of a strong character.
This is a very weird movie, but not by its content. Hard to tell whether it was worth watching.
Visually it's nice, extremely clean and ordered. But 90% of what happens has absolutely no interest. Family picnic. Wife showing the garden to her mother. Some random conversations. Dictation of work letters. Administrative work. It is very boring, soporific even.
The only interest comes from knowing who those people are and the whole context, and the contrast with the banality of their lives, with the clinical simplicity of administrative decisions.
The whole camp is hidden behind a wall. There is just a background noise, far away, muffled, some cries, some gunshots. And the chimneys smoke.
Among what is banal but extremely shocking by the context:
- The mother complaining she could not get her neighbour's curtains.
- The commander getting a new post, but her wife complaining about losing her garden
- The sales pitch of the new generation crematorium
- Being so happy that the plan is named after him that he calls his wife in the middle of the night
- Ashes used as fertilizer in the garden
The only small moments that acknowledge the violence are:
- the wife, upset, threatening the maid that she could have her incinerated just like that
- the commander having a young girl sent to his office
- in the commanders meeting, the word "extermination" is said once, but all the rest is just logistics and quotas
At the end, a cutscene shows people cleaning the camp, and it takes a while to realize they are cleaning the current day Auschwitz museum, I guess showing the continuity of mundane tasks in all circumstances.
So in the end, this is definitely a work of art that succeeds in what it's trying to achieve. However the boringness is what makes it special, and you can't avoid the fact that it is mostly boring. Not to watch when sleepy or tired.
Adam Sandler is phenomenal here. Seeing Howard failing over and over was unbearable... That last sequence got me speechless.
I think I loved this one even more than Fury Road. Yes it didn't revolutionised what was done before but it goes way further in the lore of the Mad Max saga and and that's what truly captivated me!
Once again, it's visually stunning, with action unfolding nearly every minute. Although I'm usually not a fan of movies with chapters, here it's executed superbly, which I believe greatly contributes to maintaining the movie's pace.
Anya Taylor-Joy and Chris Hemsworth have both delivered outstanding performances as well.
Edit : I watched it again today, still a rock-solid 9/10!
This episode broke me. Masterful episode!
I won't lie, I actually liked the previous episode more. It was a good ending, but it could have ended a bit further into the future, leaving the rest to our imagination isn't too much of a problem. I could listen to Lady Ochiba's speech for hours, she is magnificent. The conversation between Toranaga and Yabushige was really good too. Thank you for one of the best series of recent times. Here's hoping to see more productions that portray Japanese culture and history in such a high-quality manner...
I secretly wanted Fuji and Anjin to be together, I'm sorry Mariko-sama. (˘･_･˘)
100% believable representation of the hubris of men.
Snoozefest. mother! 2. The way people were talking about this movie like it was the scariest thing ever in the world is just insane. I was bored for most of it. I'm done with movies that stay on the same slow zoom on a stationary character with increased buzzing and then CUT to silence. It's been done to death. And the scene that is supposedly so traumatizing, that was a great scene, I shouted, it was pretty sweet, but it's not a "things are different now" situation. This falls right in line with other "modern classics" that were hyped beyond for me like It Follows, The Babadook, and the Witch. I don't care for any of those and a lot of people do. But I'm just not seeing it. Same thing with this. I will give props to the trailer though. Great trailer.
Can’t wait to rewatch this all over again, and again, and again.
I told myself years ago that I would have no expectations, that I’m just happy we’re getting a live action Fallout. Although there are some things I wish were different, I am definitely a satisfied fan. Season 2 when?
This was an absolute great show. To bad they cancelled it. Some shows now have less potential. Really disappointed, season 3 would be awesome!!
A very interesting portrayal of the banality of evil. The horror is not in what’s shown, but what isn’t. The compartmentalization, the routine. While gunshots and screams echo and smoke billows, they have their idyllic little life, better than they dreamed. Anything that brings too much attention to the other side of their life is an intrusion, an annoyance, like the mother who can’t stand the flames. The droning score and the bright colors underscore this, banging at the door to be let in and acknowledged and shut out by this family. Most striking of these was Rudolf under a blindingly white sky while a soundscape of death paints the picture, and a close up of the flowers of their happy garden while the ashes of the people they’ve murdered rest in the soil.
The revulsion the film inspires with Rudolf sharing how the only thing he could think about at a party was the logistics of how to gas them all, as if it’s a fun thought experiment and anecdote, is impressive. As is Hedwig’s entitlement towards her idea of a perfect life and her lashing out at the Jewish servants when it’s threatened. Or the eldest son playing a cruel trick on his younger brother, licking him in a greenhouse door and imitating a gas chamber.
It’s all so innocuous to them. Just background noise of their life. The repetition is as droning as the score, leaving you desperate to escape this mindset and terrified of the ways that we too suffer from it.
Uneven, but gripping nonetheless.
Jake Gyllenhaal was fine. Dar Salim was amazing.
(In case it's driving you crazy too: Parker is Homelander. I had to look it up :joy:)
Coincidence that Alexander Skarsgård — aka. Eric Northman — stars in this movie? I think not!
If you read this comment, it means you liked the series too. It ended leaving many questions in my mind. I'm glad the cowboy and the girl got together and her dad was a jerk. As always, as every good thing has an end, we have come to the end of this beautiful thing. Who will wait for the second season now? It's an excellent series, I've played and watched more or less the game. The acting, the environment, the effects, everything was good. Your efforts are like health and medicine.:blush:
Quite the butt-clenching, nail-biting, edge of your seat experience! It looked so realistic and the landscape was beautiful. The two leads did great. It does suffer from being overlong and lost some heat in the third act.
It was a episode that approached the quality of legendary television episodes like "Ozymandias" from Breaking Bad and "The Rains of Castamere" from GoT, it's the best episode of the series so far, and it got me hyped for the finale. :star_struck:
Anyone get the feeling that this is what preceded the events in the Expanse?
Canceling this show was an absolute travesty of any kind of sense or logic.
Everyone's crazy for not giving this a 10. The tension was so good, music and lighting great. Acting superb. Mariko drew a line in the sand and forced all the other lords to acknowledge it. The music during the stand off was amazing. Some big pay offs like the last minute intervention by Ishido, the short intimacy, the betrayal, the meeting between former friends, and twists and reversals was crazy. I loved this episode. Can't wait to see what happens in the finale. I'll miss the romance subplot though =(
One of the most captivating shows of the decade ended with this episode. I can’t sing Shogun enough praise. What an absolute masterpiece.
Maybe they’ll continue it, maybe they won’t. I know I’ll be following the crew to see what they do next.
Well, Peacemaker’s time of holding the the title of best opening credits dance sequence of the year turns out to be short lived.
This is like a great Black Mirror episode (the philosophical kind, not the dystopian kind).
I’d also highly recommend it if you’re a fan of Alex Garland (the visuals in this reminded me a lot of Devs).
We’ve seen this concept of humans and AI living together done before (Westworld, Blade Runner), but this is more focussed on family relationships and drama, which makes it very fresh.
The cinematography is out of this world, acting is top notch across the board, good score, interesting storytelling that goes in directions you don’t expect, thematically rich, tight editing, it’s really great stuff.
Just know what you’re getting into: it’s reflective and meant to give you food for thought, it’s not a pulpy thriller about AI taking over the world.
8.5/10
Very poorly written. Strong messages shouldn't feel like forced propaganda. It's just sad
