If you're looking for an action and "turn brain off now" film, just don't watch it and spare us the 6-7 hearts review.
I for one, am very tired from 500$m crap like Indi Day and Marvel's poop. So I was very excited to watch this one.
This one is more like Spielberg's Encounters from the Third Kind. It's more about the characters in the film and the amazing journey they go through. It's mostly about the human behavior that will make you think.
While it's not an End of the World aliens movie like Battle: Los Angeles, it still offers great amount of military presence and plenty of stuff that's going on.
So if you actually want to care about an intelligent movie and use your head - go. Otherwise, go watch an X men.
Highly recommended for some audience 10/10.
2-feb-2017 edit: Just came out on Bluray and I saw it again. Definitely keeping my rating.
Watching again at July-2023, excited towards Dune II : Excellent. Excellent film. So called plot-holes listed here are negligible when the overall product is really thoughtful and masterfully crafted.
The movie is way too unrealistic. No one plugs in a USB cable on the first try.
Tatiana Maslany is so underrated, what a brilliant actress.
The story is captivating and doesn't shy away from violence and more adult themes.
The animation is gorgeous.
The character development is on point. The characters are deep, relatable and they each have their struggles and growth.
Don't worry if you know nothing about League of Legends. Solid character development and world-building make Arcane an enjoyable watch regardless of having no background knowledge of the universe.
This show is a masterpiece.
Dune Part 2 is visually spectacular. The picture is stunning. Ignoring the worn-out tropes, the problem with the film is the lack of emotional attachment to characters. The scope is too big for its runtime which leads to underdeveloped players. The movie is so impressive, yet hollow.
so im just supposed to go on with my life after this?????????
Altough I'm german I rarely check out german TV shows. The last one was Deutschland 83 and that was like two years ago. Germany just hasn't figured TV out yet but that's another discussion.
When I heard Netflix was producing a german show I just had to check it out because Netflix has a great track record so far and Germany does have talent infront and behind the camera. But overall I think this show just fell flat. Good, but nothing great.
Fantastic visuals that are shot very beatifull, the actors IMO are mostly great and the music/score can be beautiful but often gets obnoxious. But unfortunetly there are too many characters that are hard to keep track off which distracts from the story.
The story is already confusing enough even without trying to keep up with the many characters over different decades and it heavily sets up future seasons without answering a lot of questions about this one and just left me unsatisfied at the end.
Still worth watching tough IMO and very bingeable similarly to Stranger Things.
But if you do watch it then choose the subbed version. I checked out the dub really quick and it sounded horrible. And also don't browse your phone as you might do on other shows. You're going to miss so much important shit.
EDIT after Season 2:
I'm not actually sure what just happened and what I think about it. But the one thing I'm sure of is that the casting in this show is absolutely phenomenal. The actors look so much like their younger counterparts that I'm not fully convinced they aren't actually related.
Plus the cinematography is still fantastic and the music monatages are really beautiful (and they got rid of those obnoxious sound effects).
And altough the story is still very confusing I found it more easier to follow and more engaging than Season 1 because I now know all the charcters and their background. And it seems that the writers had this all planned out and aren't just making shit up as they go.
Changed my rating from 8 to 9.
EDIT after my first rewatch just before S3 is released.
Changing my rating again. This time to a 10. After S1 I thought it was good but confusing show (8), after S2 I thought it was great and really well thought out one (9). Now after rewatching both seasons for the first time I think the show is fucking masterpiece. (10). Once you can watch it without being confused and actually knowing what is happening your just in awe throughout all of it.
If they stick the landing with season 3 it could be up there with the best ever.
EDIT after Season 3
Masterpiece. Simple as that.
Writing. Directing. Cinematography. Casting. Acting. Soundtrack. Everything is perfect.
I'm going to miss the beautiful music montages at the end.
I had not seen the trailer and had absolutely no idea what the premise was. I can definitely imagine that it would be a more enjoyable experience this way, since I was surprised throughout. A fairly inventive movie, clever plot, and strong performances from the leads. The scares all add to the story, too! It's not purely jump scares for no reason.
EDIT: I just read the Trakt synopsis- it gives away a huge bit of the story. I am even more glad I knew nothing about this movie or I probably would have been more judgmental.
EDIT 2: Trakt has changed the synopsis to be more vague, but I still think I enjoyed the movie even more without reading anything about it or even seeing artwork. halfway through the movie I could not imagine how it could be a horror movie, which is exactly why it was such a good horror movie.
One of the best compliments you can give to a movie is that it takes you and wouldn't let you go before the end credits. That's what Max Mad did to me. The whole movie is so intense that my eyes were glued to the screen. The cinematography is gorgeous and make a world come to life. The main characters feel real and you can rely to them. I like it when a main characters isn't the 'invulnerable' hero, so you feel more tenses in the scenes because 'it could go wrong for him'. All this is directed in a perfect way. All of the action is filmed with a steady cam, thank god! No shaky cam but steady and wide shots which make the action scenes a real experience. I have no real faults with this film, I loved it from begin to the end. So I would recommend it for everyone who wants an awesome 2 hours.
So good. Lough out loud funny as hell and incredibly sad and heartbreaking at the same time. The whole magnificent bittersweet package.
Wow, this series has everything to become better and better. Very well structured story, in addition to the excellent CGI and script.
This show is filling the Orphan Black shaped hole in my heart. Thanks, BBC America!
im a simple woman i see jonathan groff in the trailer, i watch the whole thing
Breathtakingly beautiful film. The first three quarters have familiar beats but they never get tiring leading to a pinnacle of a last quarter that absolutely broke me. Ends in a picture perfect “happily ever after”, which, for critics, could have been a gripe. But I don’t know who deserves the “happily ever after” more than these characters.
Please watch this beautiful film. If you have anything bad to say about it after, you’ll have to get by me first.
I've played LoL on a handful of occasions throughout the years but never enough to be familiar with the world/lore. So I went into this show pretty much blind and with little expectations because of previous games to TV adaptions.
But boy were my expectations completely blown out of the water. Everything in the first three episodes was damn near perfect. Animation. Score/soundtrack. Voice acting. World building. Captivating Story. Interesting Characters. Fucking insane. I cannot wait for the next episodes.
What an absolute breath of fresh air this show is! Loved it! Jenna's performance is superb, and the way its integrated into modern society works very well.
What a shame there are only 8 episodes, I could easily sit through another 8 :grin:
[9.5/10] The most ingenious choice that Greta Gerwig’s Little Women makes is to chop up the story so as to juxtapose present and past. It not only immediately marks this adaptation as distinct from its predecessors, but helps to recontextualize and connect different parts of the story to make it feel new again.
The audience has a chance to meet and appreciate Freidrich before Laurie has burrowed into their hearts. By the same token, the joy and connection between Amy and Laurie can be front and center from the get-go, without springing it on the viewer halfway through the story. And the bookend approach allows Gerwig to put Jo’s drive and travails as a writer into the spotlight early.
But the biggest advantage it confers on the film is how it allows Little Women to constantly contrast the lives that these young girls imagined they would lead one day, with the lives each finds themselves inhabiting in the future. Like the novel it’s based on, Gerwig’s adaptation is anchored squarely around considering the wildest dreams of its titular set of sisters, and measuring them against the paths actually available to women in their time, and the places their choices and passions take them. The jumps back and forth and time allow Gerwig to check expectation with reality, to trace cause and effect, and to resolve the two with poignance and grace.
It also allows Gerwig and company to flesh out each of the young women at the center of the narrative. Jo March still commands the story and the screen. Saoirse Ronan throws herself into the role, conveying all the punch, heedlessness, and subtle vulnerabilities of the character with endearing abandon. It is both a dream role and a hard one, but Ronan makes it look effortless.
And yet, this adaptation makes time for the other March sisters to falter and flourish. Amy is vivid and real from the jump, with her questioning of her own talents, her sense of being second to Jo, and her truth-telling relationship with Laurie put front and center. Meg’s chance at a life of elegance and plenty, the love that pulls her away from it, and the joys and hardships of that choice are given time to breathe. And Beth remains the heart of the film -- still a little too pure for this world, but one who suffers for her own goodness, reminds a kindly neighbor of what’s been lost, and spurs her sister to take up what she’s put down.
All the while, Little Women is utterly gorgeous to look at through the March Sisters’ misadventures. Gerwig and cinematographer Yorick Le Saux capture the bucolic beauty of scene after scene draped in New England splendor. The pair construct tableaus of faraway elegance and local beauty in turn. But these visuals aren’t gratuitous. Beyond making the movie a treat to watch, it helps sell the contrast at the heart of the film. Scenes set in Jo’s youth have a golden hue, an inviting glow that conveys the idyllic, hopeful tone of those early days. And the ones set in her adulthood are darker and starker, visually communicating the various cold realities the March family has had to grapple with in later years.
As necessary as it is to contend with those cold realities, it’s just plain fun to vicariously share in the joy that Meg, Jo, Beth, and Amy share with their mother and friends in their family home. Apart from its structural choices, apart from its character focus, the greatest strength of Gerwig’s Little Women is how well it captures this sense of young people at play, of a headstrong young woman in their element, and that unfathomable, spontaneous vigor of youth.
The March Sisters, and their friends and close confidants, fight and babble and hug and exalt together. There’s a move toward Gilmore-esque speed and overlap in conversation after conversation, expressing the happy chaos that envelops these lives. This story is founded on the breadth of possibility forged in such a simple, familiar environment, on the pleasures and satisfactions found despite absences and meager means, on blessings shared and passed around. The warmth of the March household would not work if those who orbit and inhabit it, did not seem so real in their rough-and-tumble interactions and simple joys.
Those joys, however, are meant to run up against the expectations of adulthood that clash with allowances of youth. That’s the role Aunt March plays -- the naysayer to the slack existence her brother and his wife and children have made for each other. But Gerwig does not make her a villain. Instead, she is merely practical, a woman who knows from her own experiences which choices are permitted and which invite difficulties, delivered with an amusing wryness that makes her endearing even as she aims to stifle her nieces’ dreams.
That’s the crux of Gerwig’s adaptation. The March sisters imagine wondrous lives for one another, borne on the backs of each’s great talent. Jo pictures herself as a bold writer in the big city who never marries anything but her art. Meg sees glimpses of a life where she’ll never have to work, where there’s time for things like acting and society and beautiful dresses. Amy envisions the life of the genius painter overseas who stands with giants. And each finds those dreams running aground on the many limitations of the real world, with tethers made extra taut for the declaratively fairer sex.
All except for Beth, whose dreams lie in the simple doing of good, the making of music for those around to hear it rather than for the masses, despite her prodigious abilities. She is the cinch of Little Women, not merely in her death which brings the March sister home. But in her life of quiet kindness at home, in her peace with what must come and the joy to be found despite it, a joy they found together in the attic and can still share and revive no matter how big or little they are now.
Jo, Amy, and Meg each regains a measure of that golden glow in the shadow of the house they grew up in. Amy loses the artists life in Paris she imagines, but finds happiness in a partner who vindicates her talents and for whom love triumphs over station. Meg is denied by circumstance of the beautiful things and easy life she once pictured, but is buoyed by the care and satisfaction of family and a life built with the man she loves. Even Jo turns away from the “spicy” stories that sell to stuffy cigar-smoking New York publishers and finds her truth, finds her greatness, in the bonds fraught and familiar at home, with a winking-but-joyous connection to a beau of her own. And each is seen sharing the fruits of their talents, passing them on to a new generation of young men and women.
There’s a degree of wish-fulfillment to the close of the film, a heartstring-tugging image of familial warmth in a bucolic setting. But Gerwig earns that warmth. The happiness crafted in a humble home is measured against the metes and bounds of the wider world, and found no less worthy. The choices afforded to women of any station at the time are reckoned with and suffered in, with the ensuing joys and small, self-possessed rebellions made more potent in that unfair crucible. The losses each suffers, the distance between the lives they dreamed and the lives they live, is laid bare in the cuts between past and present.
But in the end, Gerwig does as Alcott did, and makes the fulfillment each chooses meaningful by those terms. The hardships great and small each endures, make it more than a publisher-mandated happy ending when, despite that difference between past imagination and present truth, each of these little women realizes they’re living the lives they truly want.
100% believable representation of the hubris of men.
Eternal Sunshine of the Spotless Mind was an interesting film and has an even better title. I wasn't quite sure if I was 'getting' the timelines at the beginning and felt a bit disorientated but ended up being right. Nice film, one of the better romance films I've seen but I suspect I might enjoy it more in a few years, once I'm older. Best Jim Carrey performance I've seen though.
This is definitely getting a second season and I'm all up for it. The cinematography is gorgeous and the soundtrack fits perfectly with its themes. It addresses important topics that should be discussed amongst teenagers in such a natural, easy way.
The whole cast does a great job. I'll never get tired of saying that Asa Butterfield is a fantastic actor and deserves to get more recognition urgently.
love,love,love better renew 4 to 5 seasons
i am staying single ~
Searching is the new thriller directed by Aneesh Chaganty. Widowed father David Kim (John Cho) searches for his missing teenage daughter (Michelle La) with the help of multiple laptops and hard-talking detective Rosemary Vick (Debra Messing). All the action takes place on screens; the mystery unfolds through texts, FaceTime, YouTube and video blogs.
While some may have their doubts about watching what is essentially a filmed set of screens for nearly two hours, this unusual set up soon feels natural. After all, many of us spend a lot more than two hours without looking away from a screen in our daily lives.
The portrayal of familiar online habits on the big screen is cleverly used for comic effect. The constant rewriting of messages and the replacement of the jovial exclamation mark for the famously passive aggressive full stop is fully relatable and funny to watch. Some of the visuals are also arresting because they are taken out of their familiar context. Most notably, David’s screen saver is transformed into an enormous malignant jellyfish when shown without the borders of a laptop.
The clever parallels between the title, Searching, and the extensive use of search engines (particularly Apple’s “Finder”) throughout the film invite us to look at how we use the internet. Google asks us to “Search Google or type URL,” but when the missing object is a person rather than the answer to inane questions, these words take on a much more frightening currency.
Searching maintains a fantastic tension throughout the search for Margot. The contrast of the horror of the situation and recognisable ordinariness of the technological format is extremely effective in unsettling the audience.
The twists are truly chilling. By the end, there are perhaps just too many wrenching turns, which slightly dents the believability of the film. This is the only thing stopping Searching from getting a solid five-star review. It is a wonderfully sharp, brutally tense and inventively shot thriller that shows the blossoming possibilities of technology in film.
This movie was ... special, I wouldn't call it a masterpiece or a perfect film but this movie is like no other romance movie. Instead of only showing the best parts to make you feel warm feelings, it shows you everything and all in one night. And what is truly special about this movie is that it is realistic, I mean you can imagine that a story like this could indeed be possible, it's about seizing the opportunities as they come instead of just watching life happen and not doing anything. I, myself, feel that there are many moments within my life's history, that if I had acted differently, my life would not be the same, I have so many "What if" moments. And, I watch these kinds of movies, not only to feel good or sad for a short amount of time but also to show me examples of situations where there actually is an opportunity to seize. Not many guys watch as much romance movies as I watch. I do it because it guides me in life. This movie was also special because of the different ideas that the two main characters share, instead of introducing some crazy story to the plot, all they did was, make the characters talk and talk and share ideas about love, about relationships, about death, about everything. If I could write decimals in my ratings, I would give this movie a 7.5/10. Not a 10 because of how little it made me feel but I still liked it nonetheless and it was indeed special in itself.
This was hands down one of the best animated (any show really) shows I've seen in 40 years. I hate LOL as well but am a huge gamer and played it a bit 10 years ago. My girl doesn't know anything about the art and LOVED it as well. So good and so impressed.
Music, characters, hand painted on top of 3d models, story, voice acting. Just soooo good.
This is a show that proves there's still life in zombies (pardon the pun). Kingdom proudly wears the horror badge, and it's undoubtedly deserved. In a time where the genre got stale and is plagued with jump scares, this little Korean gem manages to get under your skin and make you afraid to turn off the lights. I lost all my fingernails watching this...
It you're into horror, this is a must watch!
It's awesome that this season premiered almost exactly the same day the beginning of the pilot was set on.
Crazy that Elizabeth is the leader in 2052. Wouldn't have expected that. And the girl who was translating looks a whole lot like 1986 Hannah for some reason.
Jonas is still very much into his aunt, apparently (and we got another season premiere gratuitous sex scene).
Franziska is still hiding shit, which now also somehow includes the prostitute, who is related to one-eyed cop (btw were we ever told what happened to his eye?).
And we went even farther into the past! This show is spanning a time period of more than 100 years right now! Insane.
Walter disgusts me. I don't even find him interesting.
The Americanized version doesn't compare to the original. Subtitles are totally worth the effort -- well suited for viewing on a mobile device, something about a smaller screen makes the subtitle reading less of a distraction. Excellent!
I didn't 100% love this when I saw the first three episodes, however, the more I watched, the more invested I grew with the characters and the secrets behind the evil institution known as Lumon (which is now as iconic as other evil capitalist enterprises like Omni Consumer Products and the Weyland-Yutani Corporation). Anyways, the performances here are great! Adam Scott is solid in this sort of dramatic turn, same goes for Britt Lower and the always scary Patricia Arquette. Mark Cherry and John Turturro steal the show, one for being absolutely comedic and the other for breaking our hearts. Ben Stiller's direction here actually works and doesn't feel like the only merit for a lazy story like in Escape for Dannemora, here it adds to the nightmare that is the cubicle work lifestyle initiated by the Reagan administration. But like Twin Peaks or say Lost, Severance leaves people with so many questions in its first instalment, many of which aren't answered when the credits roll for the season finale. Anyways, the finale is one hell of a thrill ride that will leave viewers wanting more. Solid, I hope the show maintains this quality moving forward.
