In a show with so many characters, one of the most emotional deaths was the guy with one word of dialogue. That's why Game of Thrones is so great.
What in the actual f*ck.
I'm a reasonable man, I realize I've been crapping on D&D even more than usual this season but I really do have to give them props for doing exactly what they set out to do. They hoped to subvert our expectations and they did just wonderfully in that regards.
We expected all of that buildup over the years to actually amount to something that at the very least passes for a presentable series finale but instead, we got an incoherent, steaming pile of shit. Expectations subverted!
We expected all of that character development to actually result in a beautiful pay-off that respects the journey of self-discovery each and every one of our beloved characters went through to get to where they are now but instead, we got a painful, disrespectful cycle of character regression. Expectations subverted!
We expected the final season of this show to keep us at the edge of our seats with thrilling writing that didn't subvert our expectations for the sake of subverting our expectations via low-quality shock value-seeking writing, but to introduce plot twists that make sense within the overall narrative of the story but instead, we got CW-level predictable, cringe material. Expectations subverted!
I get it. I really do. GRRM let them down by not getting the books ready in time and so they had to improvise away from his influence, but this? This? For a long while, Game of Thrones lived up to the slogan of its parent network, it wasn't just TV, it was something different, something unique and now to have to see it come to this... it's nothing short of disappointing.
On the bright side though, at least this episode didn't suck completely. The acting, score and cinematography were all on point, so I guess it's nice that I didn't walk out of it having appreciated absolutely nothing about it.
So why do I even bother anymore? I honestly could not tell you, though it's probably a mixture of masochism and a faint sliver of hope that they won't flush our collective investment into this series down the drain by the end of it, just one more episode dammit.
Best Snyder movie so far. Sadly it is deeply misunderstood. Movie is way more deeper and complex than it looks like on first glance.
People don't realize Sweet Pea is the protagonist, Babydoll is a figment of Sweet Pea’s imagination. Babydoll does not exist. Babydoll's story is Sweet Pea’s story. Sweet Pea was sexually abused, killed her sister and is in psychiatric hospital in therapy. Babydoll is Sweet Pea's avatar. Way of dealing with grief, with guilt, and way to manage her current situation and overcome it. Babydoll is also Sweet Pea's guardian angel.
Sweet Pea is the only fully rounded character, other girls represent aspects of her psyche. Babydoll represents strength and courage, Amber loyalty, Blondie fear, and Rocket represents guilt. In the third level reality her psyche fights for the things to get her free from her current state. Second guardian angel (the Wise Man) guides her through. To fully recover she needs to get over her guilt (Rocket dies as a symbol), also other girls represent things which she needs to leave behind to fully recover .
Babydoll is one of those things. She is the fifth thing (“The fifth is a mystery. It is the reason. It is the goal. It will be a deep sacrifice and a perfect victory.”). Lobotomy of Babydoll represents Sweet Pea’s mind of taking control. Sweet Pea needs to sacrifice Babydoll to be “cured”. Escape at the end is a symbol of that process of being cured. That’s why the driver is the Wise Man, he guides her further.
Sucker Punch is Sweet Pea’s journey from “madness” to “sanity”. Movie is philosophical / psychological investigation wrapped in a special effects action-fantasy. As the movie changes realities (mostly in the third reality), Snyder uses more fetishized image of the girls. He uses clichés and cluttered iconography (nazi zombies, sexy schoolgirls). It is a way to detached and disconnected characters from second reality. Second reality, the brothel, is the “main” reality. In which everything happens.
Great episode, things are moving a nice pace. Wish they stop killing off the Direwovles though , that was hard to watch and especially to listen too.
And with this, Paddy Considine won a Emmy. Another 10/10 episode, and keeps getting better. I cant believe it ends in 2 weeks.
Ser Criston Cole is a Dragon rider now!
Finally the most satisfying death so far in this series.
Okay, what the f? How did they pull this brilliant piece of cinema off? I am your standard hater of Disney live-action and I am pleasantly surprised they made me enjoy a Cruella origin film. Wtf. I want that little dog Wink. What a boss.
The combination of extreme realism and violent digital cinematography makes this an otherworldly unsettling experience unlike anything else. I am amazed and disturbed.
The Imitation Game was a fairly typical and good biopic, even if it did stray a lot from the reality of the events. Turing definitely wasn't the lone wolf who single-handedly cracked Enigma he's portrayed as being, and was in fact supported by thousands of people, with many playing integral roles that don't even get mentioned in the movie. Most of the dramatic conflicts in the movie are just completely made up, with the real Turing being well-liked by his colleagues, not being so in the closet, not having issues with his superiors, never being threatened with getting fired, having entirely different bookends to his relationship with his fiancee and a far less "simple" end to his life. In fact, Joan Clarke never experienced such pressure from her parents and women in Bletchley Park outnumbered men four to one, so a major part of her role was practically fiction and just "hurr, women had it so tough back then" which, while it was indeed the case, isn't something that this particular story should be representing.
Of course, this is a dramatic movie so it does make sense to have some artistic liberties taken but at this point the entire movie's "based on a true story" only so far as its plot synopsis is accurate. In adapting it to a movie, there were also a number of unconvincing contrivances and convenient coincidences to move the plot along, with your typical chance happening causing a eureka moment, as well as entirely downplaying his homosexuality, presumably to appeal to a larger (older) audience. Now, excusing all the historical inaccuracies and keeping in mind it is meant to be just a movie, it's still enjoyable. Cumberbatch is fantastic, even though Turing's personality is largely exaggerated, and the rest of the cast are good too, even if the story doesn't care about any of them. Desplat's score's great as usual and there was a surprising number of comedic moments which I wasn't expecting at all from the promotional material. There was too much repetition of aphorisms and wink wink casual mentions of things that had happened earlier in the movie which all seemed pretty forced. If you're okay with biopics completely misrepresenting their historical figures, it's a pretty good movie.
Ah, I love it when I genuinely have fun when watching a murder mystery! I hope they'll manage to write another extravagantly entertaining adventure for Benoit Blanc's third screen exploit!
Oh, by the way, with everything that's been going on with Twitter, was anyone else eerily reminded of the mercurial "Chief Twit"'s antics when witnessing Miles Bron's chaotic decisionmaking? I don't think this was originally intended, but that character now definitely feels like a parody of Elon Musk lol
so im just supposed to go on with my life after this?????????
LIFF31 2017 #2
"Nature has cunning ways of finding our weakest spot."
There is no doubt how incredibly beautiful "Call Me By Your Name" is. Putting aside your age and sexuality, the film offers more than romance. It's not sad or tragic, but a peaceful one. It's all about falling in love. What's been said by many will be repeated here, so none of this is gonna be new to you, because it's all true.
Armie Hammer, Michael Stuhlbarg, and newcomer Timothée Chalamet all deliver terrific performances. Not a weak or unconvincing actor in sight. All of them were perfectly cast in the roles and there was no shred of doubt during the emotional parts. Especially Stuhlbarg monologue towards the end is as moving as anything I have ever seen.
The way Luca Guadagnino manages to play on your emotions and present gay romances is really mesmerizing. The warm and summer spectacle of Italy makes you want to be there. With the scenery, sunny waters, and the food which look so good, all through Sayombhu Mukdeeprom brilliant cinematography. It's paradise.
Even the sexual tension never once came across pornographic. I don't mind sex or nudity in movies and people seriously just need to stop being so sensitive about it. Ever thought that making little things a huge deal only makes it a huger deal. Or your sloppy description.
The sexuality in this film is more of an emotional connection you personally experience through the characters. And you don't have to be gay to enjoy those scenes. It avoids the typical tropes you find in movies that isn't as perfectly presented as this.
This is a truly special movie that I easily got lost in.
Seeing Jon and Sansa reuniting was so satisfying ^_^ Sansa has matured a lot. Brienne actually made it in time for once xD
Loved the ending. Danny with her usual coming out of the fire naked, looking badass xD
This was a good movie but not a great movie (this will not be a popular opinion). First the good stuff: Lady Gaga was perfect for and in this role - acting singing, chemistry, song writing - all fantastic. The chemistry between Bradley Cooper and Gaga was believable and, at times, breathtaking. The first two thirds of the movie had a great arch and captured us (as a friend, who watched the movie with me, said, "I could watch the first part of this movie on repeat.") I am also a big fan of about 5 of the songs, and would add them to my library without hesitation, they are beautifully written. Now, the not so good stuff: the last third of the movie was too long - it could easily be cut by 20 minutes, but Bradley Cooper, as director, was more than a little self indulgent with his own scenes (we got the struggle, drawing it out didn't serve the storytelling). Ally's character arch was disappointing. As her star rose she didn't learn to love what Jack saw in her. She didn't learn to take ownership of her own story, the very gift Jack was trying to give her. Ally's story wasn't resolved until the very last moments of the movie, it was eclipsed by Bradley's directorial obsession with Jack's decline, belying the original premise of all the STAR IS BORN movies and lessening her triumph. I guess what moved it from great to good, for me, was that the first two thirds proved it could be great but the last third got hijacked (no pun intended). I give this film a 7 (good) out of 10. [Music-centric Romantic Drama]
an amazing, very progressive show. a comedy that knows how to be funny without being rude. lots of puns. a strong and very well developed found family trope with a diverse cast. even after four season they are still going strong with the same brand of silly, funny humor.
One of the best zombies flim in sometime. There is so much to learn in the movie. Humor, sad, happy and sorrow. No one would expect the movie to be so great. The fun dramatically increase as the movie goes.
Who would guess someone would be so scary as one finally turned in to into zombies. Humans are scary creatures. Selfishness among the same species. No good, no bad. Finally, the one who survives and live on are those who suffered the most.
Total awesome. My heart was in my throat continuously watching this. Great visual style, Awesome soundtrack, and one of the best movie openings I've seen in a while. The chemistry between Gosling and Mulligan is palpable. One suggestion when you watch it - turn the lights down and the sound up - it is a movie that requires your undivided attention...
LEXI HOWARD DID THAT :clap:
Great, now I want 6 seasons and a movie dedicated solely to the girls hanging out together. The final scene brought a tear to my eye.
I admit I was a little floored when I saw the subjects touched as I didn't expect them to be dealt with in 99, but as it was getting on I really appreciated the way it was done: delicately and with the show's usual humour, in this case even in dealing with these serious stuff.
There are different ways of facing society's problems, and talking about them even in a lighter way (as for a comedy, rather than a drama) is always a nice start.
I love how for some there are certain topics so touchy that just have to be ignored or that make anyone who talks about them "woke". Some of you Americans are weird
A really cool idea for an allegory, but it could’ve, and should’ve, gone a lot deeper with its social commentary.
A lot of it feels half baked and not all that sharp.
Also, the characters are flat, and it leaves you with a lot of questions that needed to be cleared up (Why do people go to this place? Who’s behind it? Etc.)
"Humanity had all the tools to heal their wounded planet and save themselves, but instead they chose greed and self-gratification over a healthy biosphere and the future of their children." That is so deep and so true.
Good, but not quite there, i think it could had a little more thought making this to fit what the viewer wants and expand the choices to not be a dead end and have to go back.
The last 10 minutes of this episode is probably one of the most powerful endings I've ever seen! Gave me goosebumps!
I've never been so happy of someone's death.
Can't believe this episode ended with them hugging and absolutely nothing else happened after that.
In all seriousness, I thought we as a society were over killing sapphic characters for shock value, but I guess not. What a disappointing conclusion to a horrible season. Phoebe Waller-Bridge created such a fantastic show and Sandra Oh and Jodie Comer consistently knocked their performances out of the park, and for what? Season 2 was already a letdown, but after that the show just became a parody of itself and it was clear the new showrunners had no idea what to do with these characters. The last 3 minutes of this ep were pure clownery. How groundbreaking to kill off one of the leads and leave the other in anguish. I hope Laura Neal doesn't cut herself on all that edge.
I guess at least Sandra got a Golden Globe, Jodie got an Emmy, and they got to dive tongue first into each other's mouths. Good for them. I hope their next projects treat them better.
