This film was kinda a mess but I still really enjoyed it. There was kind of no structure, it was very predictable, and a lot of characters had very forced in backstory exposition. But the film had charm, and that held it all together. As long as you like the characters, you'll like the film.
Also Polka-Dot Man is incredible and I love him.
Could only do 3 episodes it's pure garbage
What incredible footage! Absolutely loved the music direction too, always pushing, dead set on the countdown. It's amazing what they accomplished with technology no powerful than the phone in your pocket.
Another thing that astounded me is how far behind we are today. We haven't been back to the Moon since the 70's. The speeches from the Presidents were so worldly, humble, and inspiring. You would not see that from the current President. WATCH THIS DOCUMENTRY.
Of course it was a brilliant marketing idea - they had the script, they had the music, they had all the creative part. The rest is mechanical work.
The result is pretty much mechanical too. All the magic is gone. Every scene looks artificial and lifeless, every phrase or action is just a filler. The filler is Emma Watson herself - her acting is simply walking from point A to point B with the hands down and turning the head on director's order.
They brought nothing new to the adaptation, so it turned out to be as dusty and rusty as a cursed castle. Shame on them.
"What am I living for?" - This is the central question of this film and right at the beginning we know we are expecting something extremely philosophical.
In The Zero Theorem we follow the computer hacker Qohen Leth, who works for a company called Mancom. His job is to decipher the supposed impossible "Zero Theorem", the theorem that will figure out which is after all the purpose of human existence. Qohen is an obsessive, very odd and lonely man and is constantly being interrupted by the owner of the company, the pompous Management that will try to obstruct the path, putting in front of him certain obstacles. Qohen is very methodical and with that he will be completely disoriented.
We know that Qohen is anxiously waiting for a call, that for what we realize, will finally bring something that he desires, but throughout the film we are not sure what he means and that sometimes is a bit frustrating.
This story is passed in a weird future where everything seems awkward and clumsy, but whoever it works very well! This world is very interesting and all the scenarios created are absolutely brilliant!
Christoph Waltz is a very versatile actor, seeing him in this complex role was great! Despite only getting very few scenes in the film, also found interesting to see Matt Damon in a more bizarre role than usual. Tilda Swinton, once again wonderful in a role that she really knows how to do and I would also like to mention the young actor Lucas Hedges for the good work.
The film shows a strong evaluation about human existence where - and I quote something close to a line said in the film - "chaos has profit". When society is led to believe in something higher - as Qohen faithfully believed that such a call would solve his problems and the end of his lonely life - human beings find comfort and life becomes meaningless, because the waiting becomes the reason of life... And will be this the waiting for something better after existence? Does humans only have the purpose to follow the journey of life with the aim of reaching eternal peace and happiness? Was this "waiting" what made the main character living an entire life of insignificance, but when he finds friendship and love is when he starts to realize that life is much more than sitting waiting for something good to fall from heaven.
In my point of view, the entire film is a metaphor and perhaps a controversial critique for those who believe in any religion. It is also sure to have faith and not need to belong to any specific religion, but the truth is that faith always moved people, and if we have a lot of faith is easier to reach certain goals.
The Zero Theorem can be a weird film, but certainly very intelligent. However I believe that will not please everyone.
Another easy movie. It will entertain you if you do not see the faulty CGIs at extreme scenes or if you do not care about the simple plot. But it is not the worst. It is an OK movie to pass time with sympathetic Tom and Mark. 6.5/10
It is hard not to compare the 2021 Snyder's Cut to the 2017 release, which was generally perceived as a messy film due to its problems during production. There is definitely more coherence and structure in this version, with less plot holes and more time for the characters to breathe (not in last place because of the significantly increased -doubled- run time.) However, in many moments it is clear the movie has been edited together from incomplete and/or unfinished material. This is especially noticeable in several of the (many) CGI scenes, which look outdated and unpolished. It makes (some of) the choices made in the 2017 version more understandable, even though it does not make them any better. The hated reshoots that ended up in the 2017 version were clearly not unnecessary, just the execution was poor.
Light Spoilers ahead (marked.)
The antagonist is clearly one of the main improvements. Steppenwolf is relatively well fleshed out, and no longer a completely forgettable generic bad guy (and I thought his costume looked awesome! No idea why that was changed in the earlier version.) It remains a problem that he is just a henchman, and the big bad guy boss (Darkseid) plays no real role in the story. Darkseid appearance has not much added value because of that. It adds significantly to the antagonist motivation, but his appearance is mostly used to make way for a next movie.
We also spend more time on Cyborg and his character, which is deserving and rewarding and makes him a more interesting character to watch.
The dynamic within the team is also much more balanced, with less awkward forced moments.
That being said, the main focus clearly never was the characters themselves, which is not unusual for a blockbuster (superhero) movie. There are scenes that feel out of place because of sudden shifts of tone and focus. Also, several events, plot lines and choices or alternatives are never explored or given a pay off.
There are several setups that are never paid off, especially with the introduction of additional characters. This pads the runtime unnecessarily and often makes the movie feel like a set up for later movies (which will probably never see the light of day.) Secondly, their are so many endings, it could compete with LOTR's Return of The King for most endings in a major film release, and unlike RotK, it is not to finish up those aforementioned loose ends, but rather to set up new plots.
Of course this has to be mentioned. The choice for 4:3 ratio has been done for creative reasons, and it has already caused division among the viewers. Their are many shots where the 4:3 ratio is exceptionally impressive, and it is justifies the choice for that aspect ratio. However, in just as many scenes the lack of widescreen makes the experience underwhelming. This is (logically) mostly the case with wideshots and the big battles. When the ever present but lacking CGI meets those wideshot angles, this negative effect is even more increased, and it made me feel like watching an episode of Friends or other old television show.
In conclusion, the chosen aspect ratio has both its merits and demerits. The difference between 4:3 and Widescreen is not impossible to overcome to use in 1 film, but it is significant which makes it tricky to naturally switch between them. The choice to stay dedicated to an unchanging Ratio is logical.
This is an average but fun epic superhero movie that is enjoyable to watch if you have the time and patience for it. The movie is split into several distinct sections, with headers, so it is possible to watch it as a mini-series. It does not rise to the heights of Infinity War, but it also does not steep as low as Suicide Squad.
Actually pretty decent for Michael Bay’s own standards.
You still get the usual cringe, out of touch jokes, pornographic directing and cocaine-fueled editing choices, but it’s also way less obnoxious than some of his previous efforts (Transformers 5, 6 Underground) and surprisingly light on the trademark fireworks.
It’s trying really hard to be a dumb 90’s action movie, and while I admire the attempt, 90’s action movies typically aren’t as much of an instantly forgettable blur that this is. Like, some of the drone shots in this are really cool and could be very memorable in theory, but why aren’t we lingering on these shots for longer than 2 seconds?
Also, I found the meta references in this pretty annoying, it felt like Michael Bay jerking off to himself. He doesn’t just reference himself though, as for example the first action scene is clearly trying to rip-off the big scene in Heat, which you just shouldn’t do, unless you’re Christopher Nolan.
The characters are all pretty flat, acting isn’t great, Jake’s carrying hard and clearly having a blast.
I wasn’t really bored by it, but I don’t really see how you can be entertained by it either.
It’s a lot of visual and sonic noise that in the end is much ado about nothing.
It just sort of exists, it needed to be a lot zanier and use its own stupidity to its advantage.
If you’d retool this to fit with the Fast and Furious brand, and bring in that crew, this would probably be a lot more entertaining.
4/10
Well, that was a decent first half of a movie...
Excellent movie.
People saying the ending is bad don’t get it.
They had the hunch, they saw him get aroused by the pictures, they know it’s him. When deke gets to the killers house he see his trophy case with the victim’s possessions, the proof they needed, they just can’t get the warrant yet because they need more evidence to get it. Unfortunately baxter ends up screwing up by shoveling the killer, just like deacon did when he shot the girl. Deke could have caught the killer but instead killed a witness. The same with baxter, could have gotten Sparma but...killed him instead.
When deacon gives the hair thingy to baxter he is doing him a favor, releasing him from his own daemons. That doesn’t mean he is not the guy, just that baxter fixated on a little thing that doesn’t matter anymore, because the actual killer is dead and there won’t be anymore victims.
What a total let-down. Stupid dialogues, stupid characters and sure if everyone gets shot to hell around you, keep on laughing......... right? C'mon.
Nowhere near as good as the original Statham movies. Heck, even the series was better (and that series was b.a.d.).
Ok, 4 episodes in and the writing isn't improving. I maintain there could be an interesting story in there somewhere, but I don't think it's enough to make me keep pushing on with this one, which is disappointing and I was looking forward to this series.
While there is multiple larger stories at play, they don't really seem to mesh well together and only the one about beacons turning off and shutting down systems is of any interest to me, but the rocks and the companies and whatever that was in episode 4 just were not interesting to me.I get and like what they were trying to do with episode 4 with the entire episode being an origin/flashback, but the writing and screenplay just isn't working for me.
Multiple episodes with characters going from hating a character to liking and loving a character or vice versa within scenes with no organic flow of those emotional states, or being highly suspicious to completely trusting in the space of a scene.
Maybe it's the writing or screenplay or maybe the direction because I feel the actors are doing what they are being told/scripted to say and do and they are doing the best they can with the material they are provided.
Maybe if you're a fan of shows like The Ark it might be your jam, but I don't even think it measures up to sci-fi originals from 2015 like Dark Matter and Killjoys let alone anything more recent like The Expanse/Foundation.
Another entry in the Netflix "movie of the week so don't be disappointed when it isn't as good as a proper movie" category.
Some excellent super-hard violence. A very good turn by MEW. Great use of Japan.
But... Very predictable and disappointing plot. Some of the dialogue is really simplistic and out of character.
Enjoyable watch that is visually excellent but really heavily let down by its formulaic plot.
6.5/10
It's been so long since I've seen a styling masterfully directed movie from Guy Ritchie. This is far from the best movie of all time. Not even my favorite Guy Ritchie or Jason Statham film. But it's a movie that's told with such verve. This is a crew that isn't trying to do new experimental story telling at this point. They know exactly where they want to go. The tension and the pacing are prepared like a chef whose done this 100 times before. In the wrong hands you'd wonder why the narrative goes back and forth all the time but in Ritchie's hands this only serves to help the tension build.
This is your mother's pie, it's comfortable and delicious in all the ways you hope it would be. But there are misses here as there are in any film. Mostly in the writing. I like Statham and I think his presence carries the perfect amount of menace. There are a few poorly explained plot points like H taking pictures of employee badges (I think this was to do research on all of their names a point that leads absolutely nowhere). I understand H and I empathize with his motivation but I don't care about him. He's almost too much menace. A good Statham role is about 50-70% menace and the rest English bad-boy charm. H is about 90% menace leaving not enough room for anything else to matter. His previous characters have been meticulous and precise almost to a fault and you get to revel in his mastery but here we have that character interrupted forced to forgo the planning we know him for and in it's stead just a continuous forward progression. The rest of the cast is filled with characters that should have been fun. They have great names, solid backstories. In a John Wick style movie this cast would be amazing but here we could have used more of Ritchie's telltale dry gallows humor. For such a full cast filled with actors who could really chew the scenery they didn't get a lot to do. Taking everyone here and transplanting them in something like Boss Level would be perfect. Those characters were almost too cartoonish. I would have loved to see these actors get more to do.
Far fetched tale (but so is that of the boy bitten by a radioactive spider), this is a weird blend of superhero movie and gang tale. I enjoyed it but the film probably needed an upgrade in humour and character development.
Disney continues to throw money at these live-action remakes and whilst at least Maleficent tried something a little different, it seems that the success of these remakes have made Disney less willing to try something a little different, resulting in a film that is virtually identical to the original animated version barring a couple of additional moments or songs. It is such a shame because the casting is fine and the story as you would expect has all the strengths and flaws of the original - the problematic nature of the heroine falling for her captor is amplified even more here by the shortened passage of time between capture and eventual release. It all makes for a watchable if rather pointless exercise. Notwithstanding the box-office success, the overriding feeling is why bother remaking what was already a classic film in its own right ?
Ooo eee ooo ahh ahh..ting tang..wallawalla ape bang
Beautiful people drinking and talking a lot, even if about nothing. It's all in the title. The interesting bits are the unspoken ones. It's probably not easy to get them across with improvisation, but the cast does a good job with it.
There are no big surprises, but one shouldn't expect those in mumblecore-/slice-of-life-movies like this one. It serves its purpose and entertains in spite of its perceived triviality.
Continues to be weak writing and screenplay for me, the hinting at the bigger picture of other beacons shutting off, stopping resupply is interesting enough potential that I might give it 1-2 more episodes but it hasn't been a great start.
Feels much more like a traditional sci-fi channel original show from 10 years ago instead of the Expanse/Foundation level of shows that have been more recently. Hoping it does improve, because I love a good sci-fi show.
ugly blue tint color filter makes me sleepy, or maybe its the story, acting, writing, editing...
My cat couldn't bring herself to follow the red dot and I couldn't be bothered either. It's competently made but the twist cheats the viewer, and the film suffers narratively as a result.
For some reason, I wasn't charmed. The concept is not new, but I feel like there was no chemistry between the characters. Or maybe it's their acting? Idk. But it's nice to see Batista's face without the full make up on.
Oh, look, Cal's back. This was a pretty decent episode. The main plot is starting to be more focused on, which is good and starting to become much needed, while everything else, the drama and whatnot, isn't focused on as much. I'm very interested to know the significance behind Yusuv/Yusuf Al-Zuras and everyone else on the boat/ship being directly, or perhaps indirectly, effected by whatever happened when the plane was in the air. They even saw it. I don't think the year was mentioned when that happened, but I imagine it was a long time ago, which makes that whole situation more bizarre, and intriguing. Plus, the plane was mentioned as a silver dragon, which confirms that it must've been quite a while back for that to be their closest comparison. Sufficed to say, I'm very intrigued by that development, and also where it will lead.
Moving on, Saanvi is becoming quite a tragic character. Why did she ever think that scientific means could resolve something supernatural? She kind of deserves what's happening to her, tbh. That's just a blunt, straightforward thought of mine that is by no means influenced by hate towards her or anything like that. At the same time, I feel like the writers couldn't think of any other way to use her character, and that's the reason for this slow descent into demise. I don't particularly care about her, but it would be very tragic if this ridiculous intention of hers, that was never going to work out, to begin with, ends up killing her. I mean, I'm not expecting that to happen, but I'm not expecting it to not happen, you know? It would be unfortunate, that's for sure.
Also, "You know damn well I didn't start that fire." > "You're being vindictive." > "I don't care if I burn this entire precinct down." Wow, Michaela. I don't think you're helping your case very much, even if he does know that you didn't, which he undoubtedly does. She was a bit irritating in this episode. She's trying too hard, falling for "every trick in the book", not keeping her mouth shut, getting agitated way too easily. But I guess she was written that way as a means for one of Simon's associates in the police department that's apart of the "cause" could be used to target her given how Simon's venture in Ben's house led to finding out...everything, pretty much, therefore, presenting a "reason" to send someone to dispose of her, and for the sole purpose of Jared coming in clutch, to save her.
And lastly, for some reason, when the lightning happened in the first scene with Cal in that room, when Grace was starting to feel lightheaded, I thought it was the lightning itself that caused that, by affecting the baby. That's it! The baby is the plane! Of course! It's all connected! There was lightning when the plane was up in the air, and because the baby IS the plane, lightning would irritate it, all because it has PTSD from the lightning when it was the plane. I've solved everything, folks. You've read it here first, so don't forget about me once that is revealed to be as correct as anything can be.
Really not sure what to think of this movie. It's quite boring. Usually enjoy movies with older actors, but this was nothing but a boring c*ck-fest…
Boring story, boring dialogues, boring conclusion, boring everything…
Not good.
The cinematography is like the director was intent of causing an epileptic seizure and obviously heavily inspired by the movie Sunshine.
It's an interesting concept but both Ex Machina and Morgan did it way better.
The gratuitous nudity throughout gives the whole thing an aura of softcore porn which is obviously enhanced by the fact that they cast Stoya as the droid but if there's one redeeming feature about this it's that she really can act.
Next time she might even get a role where she's dressed for more than 50% of the feature.
avoidable... such a dumb movie with a bunch of unlikeable characters
While the story was a bit of a mess (I think?!) the camera work and the action sequences were absolutely insane. How?! Certainly a ride and one of the best action movies of the year tbh.
Within in the genre of 'Teenage-Apocalypse' I'd say this show is pretty decent. But it obviously comes with all the bad stuff that normally comes with that genre.
I'd say it's a good show for a brain-off weekend binge. Nothing more, nothing less.
THAT ENDING. OH GOD NOOOO
What could have been a dumb but fun action flick turns into a dumb underwater heist movie. Thank goodness for JK Simmons who breathes some much needed life into this waterlogged adventure.
