Out side of the twist at the end, and some incredible intense/uncomfortable scenes, it was a very bloated movie, and I couldn't get over the accents. Why do we have an Australian playing an American, and an American, an Irish, and an Brit playing Russians?
That sucks, I should have read the reviews before inflicting that turnip on myself ...
The dialogues were necessarily written by a college student, everything is implausible.
I want a razzie award for Michael b Jordan, he deserves it so much with his mono expression ...
If the Witcher was anything like GOT, it would be season 8 of GOT.. They have so much in common: rushed, awful storytelling and doesn't make any sense
Let me start by saying that I love the Witcher and I hate saying this but what a complete mess
The show is fun yes, I enjoy some of it yes but overall it was so confusing in terms of the timeline and time frame.. They jump back and forth in time without really making it obvious so I found myself questioning everything that happens in some moments
Another thing I hated is that the show was extremely rushed to the point that I felt like the character development of Yennefer didn't make sense at all, it's like over night she's a totally different person with no smooth transition whatsoever
One of the biggest flaws of this season is the directing and editing choices they've made.. The way they chose to tell their story mixing past and present in a hard to tell way killed it for me.. I would've enjoyed this show much more if I actually knew what was going on during the scenes not after
It's amazing how much and little progress they've made with this season at the same time LOL, it's like so much happened yet so little
Anyway I'm only saying this because I like the Witcher and want it to do better in future seasons
Overall season is 6/10
Yet Another Melodramatic Sageuk that fails to make sense with non-sensical plot and misunderstandings
This drama is full of action. It also provides you comedy scenes that makes you burst into loud out laugh. Sometimes, you will find it boring in the middle of the drama. But, don't give up. Just follow the stream and you will get the intense actions.
The concept of male cross-dressing is a refreshing thing in a drama and the first half of the drama was light hearted and humorous because of it but the second half took a turn and turned into the typical historical drama with the same old tried plot.
However, I thought this drama would be an epic drama with actions, assassinations, and betrayals. I thought the main character would be a zero to hero figure. Everything is so smooth, nothing wrong with the plot. It's enjoyable that makes you can't wait for the next episode. But, here's the main worst point of this drama:
But it's the performances of the ensemble cast that make me stay, along with the Director who at times brilliant executed the ambiance and create the chemistry. The chemistry between the cast also makes this drama enjoyable to watch (The power of the chemistry, heck not only the OTP. )
There is some compelling narrative going on that makes me stay in the third act, but alas I think the writers is not interested to unfold it better.
The ending was laughable and without much substance to be honest. Without spoiling I'll say that I don't understand how could they live happily with a dark cloud over their heads that can rain down at any time and wash away their peace.
It looks like the plot is skipped so much. Everything jumped to when the main character is back from dying to save his beloved girl without getting hurt or attacked by the enemy's soldiers. Then the conflicts are ended here. He and all his beloved ones live on a separated island peacefully, while the main conflict (throne stuff) is abandoned. When his enemies lost him and the soldiers, they didn't try to chase them as well. The story tells us the enemies choose the thone and the kingdom while the main character and protagonists choose the peaceful life on the separated island.
Intrigued, Frustrated and Disappointed
these were the emotions I carried while watching TWY. It was a show of great promise squandered for married couples romance.
I like Slow Burns , I like Time Travel and I love Thriller when executed well ; TWY is none of them while trying to be everything i like.
If you don't mind having numerous questions and suspicions unanswered until the final 2-3 episodes of a show, then you will love this. It has a steamy romance, several conflicts, a semi-confusing case of fraud, time travel (obviously), all mixed so that you're left in a whirlwind of confusion.
The drama focuses more on the mysteries of the future, on the bad guy in the office and on trying to figure out how to change one's fate. The drama starts kind of odd, with the guy meeting with the girl, and saving her from an accident. We then discover slowly his secret and her past. Sure, they get married very quickly, so if you're looking for a slow built romance, maybe this one isn't for you.
I wouldn't say that I was ever left on edge with this drama--there were no major cliff hangers that left me wanting more at the end of an episode, which may be a crucial fault as this drama was made to draw you in with its twists and turns in the plot. I will say that I was more often left confused than intrigued. I was really a fan of the first quarter of the drama, while I was bustling with questions they kept the plot line fairly light, due to the budding romance, and I wasn't too confused as to where the writers were trying to go with the show.
However, about halfway through the writers began to focus more on how the show was going to conclude and building up the drama to the finale and that's where things began to fall apart and really drag for me. It felt like the lead couple was constantly fighting, making up, and fighting again .... since the writers were trying to keep the audience in the dark about the backstory the only thing holding this drama together was the romance.
When there were things revealed, it was done in a confusing fashion and left you even more in the dark then before--don't get me wrong if it's done in the right way then this is great for viewers, however I didn't feel that way about this plot line. The couple episodes leading up to the finale are where things start to pick up again and I felt that the writers got things back on track and made the story interesting and entertaining again and finally, almost all but one or two questions I had were answered by the final episode .
Lee Je Hoon and Shin Min Ah...I have so much confusion with this coupling. I was completely on board with them for the first few episodes and was shocked at how well they seemed to be hitting it off together. But then things got pretty steamy between the two and pretty much made me cringe. There were literally some scenes where I just couldn't watch because it was painfully embarrassing. Granted it may have just been the overtly cheesy lines and the constant flip-flopping (fighting then making up) that made me not enjoy the two more.
Lee Je Hoon .. I am one of those people that still didn't watch Signal (saving it up for when i am about to give up on Kdramas) ... was a little disappointing ; it must be his character; I think he did a fairly well job at displaying all the proper conviction and emotions during his scenes and did Yoon So Joon's character justice.
Shin Min Ah...one of the prettiest faces ... there's just something about her that I'm unsure about or dislike or something, but I can't quite put my finger on it. As an actress she has so much room for improvement. I could not ever get on board with her crying scenes and there were so many of them! They were terrible, completely outrageous. At some points I was convinced she was laughing until they showed her face. I will say that there were times when she played her role convincingly, but because of those crying scenes I have to say I'm just not a fan.
Baek Hyun Jin played an unusual villain; one that I'm not too sure I liked. His character while a little mental, simply was played out all too reserved in my opinion. It felt to me like the character was stifled and wasn't at it's fullest potential--I really love the actors that are able to perfectly depict the psychotic tendencies of a villain rather than, in this case, just escalated frustrations. He is one of the reasons I rate this show 2 point slower ; the writers failed him or he failed the writers I am so confused ....
Remaining cast need no credit the performed average and were written so stupid that you can omit them from the thoughts!!
I overall, really enjoyed the soundtrack for this drama and I would never consider re-watching this show, the romance was too cheesy and plot is messed up and foremost the characters are too predictable that you wanna punch them .
The editing team that did a fantastic job of ensuring viewers weren't confused with when So Joon was in the future. I really appreciated the differential filters and the wide vs. full screen. At least I was never left wondering when it was the future and when it was the present!
Throughout the drama, you'll constantly hear the phrases: "Don't tell me!" Or "I can't tell you (God knows why!)" In places where just telling could've saved every damn thing!
You'll understand what I'm talking about if you decided to ignore my warning and watch anyway. You would need to conviction to finish this show but no convincing to start ; its one of those shows that seems like it has different writers or cast for 2/3 of the show.
After all they give us that fucking shit ending?
This series just approved toxic relationship and is so cliche. Why he has to leave her alone? Why they're so cruel with Inho? They can be the worst people on the world without punishment? This series was so disappointing, I can't believe that last episode.
The Mandalorian started out OK, but ended up as some half-baked, lazily written show that exist merely to lure parents to justify a Disney+ subscription. Kids get the usual Disney contents, moms get Baby Yoda, dads get Star Wars nerdy reference. The show almost feels like being made by a bunch of fanfiction writers with familiarity of the setting but zero sense of screen writing.
Nothing wrong with liking it, it's just the show appears to be all style and no substance.
Storyline shows no complexity at all. In fact, most of them are fillers. You can skip 4 of 8 episodes and you'll still understand the story just fine. Characters are completely uninteresting. None of them are developed. None of them had nuances: protagonists are morally good heroes; antagonists are one dimensional evils. The show relies only on a cute muppet and flashy action, but has zero substance. Had a potential great world-building with some details, but they chose to abandon it for rule of cool (and cute).
The "it's Star Wars, so it'll be simple" excuse commonly said by the series' defenders doesn't hold up if you actually consider other Star Wars titles such as Knights of the Old Republic, Republic Commando, Jedi Academy, Thrawn trilogy, the original and Tartakovsky's Clone Wars, and so on. Those titles are known for having remarkable storytelling; something that The Mandalorian doesn't have for its poverty of creative vision.
Started ok. Ended up as pile of shit.
This already seems predictable and likely to devolve into a CW-style drama. Clearly there will come a point where love overcomes her predatory nature while in mermaid form.
Imagine a nation with only 3 FBI agents and a city with only 1 cop. You'd think there would be worse crime there than this script, but you'd be wrong.
The ridiculous stretches made in this screenplay suck all of the fun that could possibly be had in this predictable yet stupid outing.
I still hate Red/Blue Harley. I much prefer Red/Black. That said I like her costuming MUCH better in this movie than Suicide Sqaud. Somehow between the costuming and the framing there's a LOT less "Look how sexy and skimpy Margot Robbie is dressed like a slutty Harley Quinn". I'd only seen one teaser video and I thought Harley looked stupid in her outfit. However on screen it worked a lot better than I thought it would. A lot of my biggest issues with the movie are weird shots and framing and the uninspired soundtrack. I mean I like Barracuda but I wish the score had more signature to it. Just generic pump up music and generic heartfelt music etc etc etc. The soundtrack need not be filled with covers of songs done better when they aren't slowed down RnB remixes or acoustic pop remixes. The James Brown joint (https://www.youtube.com/watch?v=H77fRz1rybs) was okay but honestly why not go full girl power out there. Why not give me a Spice Girls cover like maybe "Viva Forever". That would be interesting and in a movie with (level of violence) a little girl getting her face sliced and then ripped off maybe some of that creative energy could be spared to the music choices. I mean I hate Ariana Grande but women love her maybe a version of "Dangerous Woman" (https://www.youtube.com/watch?v=gnyBfSXdcTQ) would have been more fun and interesting or maybe Amy Winehouse who has choice jams beyond "Rehab" such as "You Sent Me Flying" (https://www.youtube.com/watch?v=qfZj2h1t0Jc) or "I Heard Love is Blind" (https://www.youtube.com/watch?v=gMM3HqKw9JA) and she has tons of club remixes for the fight scene rehash.
But there are inspired sequences in Birds of Prey like when Harley breaks into Gotham PD. It's a fun romp even if some of the physics completely break verisimilitude. The Breakup with Joker was great. Not seeing Joker was fine, and then roller derby. I liked how no one at roller derby really cared about Harley's level of violence. They just considered her weak for going back with Joker so many times. The eponymous Birds of Prey don't really have the character work that Harley has but they don't really need it.
When Huntress came on screen i didn't like her. I wasn't feeling this dark comedy take on Huntress but very soon I was flipped on that as well. Rosie Perez is still cute. Ali Wong was fine. I still don't see Ewan McGregor, man that guy's face has changed a lot. But everyone is good. The character are fun. The ones I complain about are the guys actually Zsasz was kinda odd, Black Mask is still confusing as a character. I don't know him, I don't understand why he has his mask or when he wears it. I thought it might be related to his gloves but we never really learn. Harley was mostly good. I think her best fight scene was when she had a bat though. That was some creative, interesting fighting that felt like Harley's character. It fit. I wish it was edited better with longer and/or wider shots. But uninspired fight scenes are a staples of action movies now and Harley Quinn is of no particular exception to this.
The funniest part of the movie was everyone staying to the end credits scene to get trolled. It was beautiful. The guy in front of me was literally upset "I wasted 3 minutes of my life for that". I say stay for it though just for the giggles. Birds of Prey is something the DC universe needs more of. Fun. It's dumb, there's scenes that don't make any sense. Bad guys standing around waiting to be hit but in the end.. it's just got fun. Genuine fun like Wonder Woman had genuine sincerity (as opposed to constant sarcasm). Well worth the price of admission even if it doesn't have Oracle.
“Do it!”
I’m surprised they added that in there despite all the memes.
Anyway…
A long time ago...four years to be distinct; the space opera ‘Star Wars’ returned to cinemas with ‘The Force Awakens', that brought back the bittersweet experience that fans have been craving for over 30 years. Well lets just say Christmas was magical that year. While I wasn’t quite as wowed as everyone else, but I still enjoyed it otherwise and I was interested where the story will go after J.J. Abrams left his “mystery box” of questions for another director to answer. How exciting and epic the next years will be.
And then the sequel and two spin-offs happened. Well lets just say my interest for these new movies has completely evaporated. Sad times indeed. And no I don’t feel like I’m being overly negative in the heat this movie is receiving, because right now, at this very moment, my thoughts and overall feeling on this movie are genuine, and re-watching it isn’t going to safe it. I’m not disappointed or angry, because at this point I stopped caring.
‘Rise of Skywalker’ is a factory made movie with no heart, no soul, and no magic. Words and phrases like: bold, epic, and satisfying - are not the type of words that I would describe this final chapter in the Skywalker saga. I can’t call something bold if it played things incredibly safe. Each movie exists just to shred up and apologize for what came before it.
J.J. Abrams can be hit or miss sometimes, but I must admit he had a difficult task to follow up on ‘Last Jedi’ and Rian Johnson undoing his mystery box questions. If that wasn’t bad enough, the death of Carrie Fisher also had a massive effect on the story, and including her into the movie, while respecting her legacy and giving her as much screen time with the limited deleted footage they have. Abrams sadly treads on familiar ground and doesn't really handle the originals (or even the prequels) with respect. This is literally a remake of ‘Return of The Jedi’.
The story in this movie is almost nonexistent. It’s so rushed that you can’t catch a breather amidst the chaos. Nothing flows naturally. Characters running around and jumping from location to location. I think the quick pace easily hides the poor writing and plot holes. I also thought the title crawl is a bit off and felt it was written by a Reddit user. From the moment the movie starts until it ends nothing makes a lick of sense.
I think the biggest waste of opportunity is the character of Finn, because the potential of greatness was set up in ‘The Force Awakens’, and they didn’t do a single thing with it. I mean, a Stormtrooper who revolt against the corrupt and sinister empire, which is something we haven’t seen before. Heck, a long time ago he held a lightsaber. Unfortunately in this movie he’s a comedic buffoon that sweats and shouts a lot. What a waste of John Boyega’s talent. They did him dirty.
I like Daisy Ridley, not so much on Rey. I don’t want to jump on any bandwagon here, but I don’t understand how someone can be so over powered and skillful at the force with barely any training. Whenever there is training it’s over before you know it. There was a point where I said to myself, “Who taught her to do that?”, or “how the hell did she do that?”. I really struggled to emotionally connect with Rey, because there’s nothing more dull than a character with no flaws or growth.
The strongest element throughout these three movies was Kylo Ren by the magnificent Adam Driver. This guy literally carried this series on his back. At least his character as an arc, and not just wasted potential. I actually connected with his inner conflict between the dark side and the light side.
The cinematography looks beautiful and absolutely striking. The visuals and music will always be great with these movies regardless on the actual movie.
Emperor Palpatine is back...for some reason. The vague explanation of why he’s back made it clear to me that Disney had no plan from the start for these new movies. Still, Ian McDiarmid is fantastic as always. He oozes with evil and soaks up every wicked moment of it.
The awkward and ill-placed comedy from ‘Last Jedi’ is still present and it got worse and worse as it went along. With this being the finale, new characters still get introduce and get some development. Like, why are you introducing new characters now? Billy Dee Williams returns as the slick and classy Lando, but sadly doesn't really do much for the story. Richard E. Grant is great as the ruthless new commander of the First Oder with the small screen time he has. Dominic Monaghan, on the other hand, feels like an extra. Rose Tico has a smaller role this time around and her entire love triangle with Finn from ‘Last Jedi’ gets brush under the carpet. Kelly Marie Tran sure can’t catch a break.
The action sequences with the lightsaber fights and space battles were mostly forgettable. Even the scenes that stick to mind wasn’t that special. The camera fails to capture focal points with the grand scale lacking.
I like how there’s a lesbian couple towards the end that’s on screen for about two seconds. So when the studio want to market the movie for China, they could easily edit out it to make it more “marketable”. How progressive Disney.
Overall rating: An unsatisfying conclusion. At least ‘The Mandalorian’ is good.
Slow and silent burner. Can be confusing. Rami malek doesn't suit the role of Baxter IMO:thinking:
I honestly tried to like this movie, mostly because of its great cast. But I couldn't stand their shallow motivations, egocentric attitude and silly, sentimental dialogue, that actually made me hate most of the characters (not to mention the cameos from known stars). What entirely lost me as a viewer and made me feel uncomfortable, was a rescue pilot that flees a disaster zone to fly to a far away location to rescue his daughter. I'm a medical professional and I have been a first responder in several critical situations, and I just can say that I truly hated The Rock's character so much after that stunt. After that, I couldn't enjoy the movie, despite the CGI, that I felt as outstanding. DON'T MAKE A FIRST RESPONDER THAT FAILS TO STICK TO ETHICS AND RULES YOUR MAIN CHARACTER. It's such an insult. If you disagree, I'll remind you whenever you need medical assistance and your paramedic, doctor or nurse has to leave the scene of your accident to check on her/his daughter.
Really fun film, 7/10, would have given 8 but she picked the wrong guy; Chris Pine's character was a dick and he was never himself when he was with her, plus it was cheap to put Tom Hardy's character back with his ex wife at the end, just because, like?? otherwise I enjoyed it and I'm not usually a girl who likes Romance Comedies
well.... a excuse for grl pwr content for no reason at all... oh, the vanity and presumptuous hollywood and the horde of brainless people make me cringe.
I'm so torn about this. Hated it when I read about it, like "WTF? Another classic character turned into anything-goes-as-long-as-it's-not-a white-man-just-because-we-are-so-woke-now for no reason at all than just that?" Turns out that Holmes is still allowed to be a white man, but then I don't get why they had to involve him at all. As a S. Holmes movie it sucks since she's not as him at all, just like 007 died when Daniel Craig arrived, but it's still an OK flick I guess. So the rating is a hard one but landed on rating it as a Sherlock Holmes movie since they try to kidnap the name so a four it is since I can't encourage a behavior like this.
They should have given her a background and character of her own instead. Now they just counteract themself by showing that they once again have to take a piggy back ride on an old male character to feel safe for it to fly. Just like the hideous Ghostbusters remake....
Just create something new instead of fiddling with stuff like this, it's just counterproductive to the cause they are out to support.
Competently made, but it gives you nothing interesting to set your teeth in. The storyline has zero complexity, and all of the characters are highly uninteresting, because none of them are properly developed. Cutting to a cute muppet every now and then doesn’t really distract from that. Just do something interesting for the next season, because this isn’t the way.
S3 for me was abysmal, any point watching this season?
so sherlock is over, and these are my thoughts on the finale in order of appearance:
since when the show is a horror movie and why was there a fucking clown.
the motion sensor was activated after the drone had landed and mycroft obviously knew enough about those explosives to realise that’s how they work, so why the hell did they wait for that to happen instead of immediately running away? oh wait. the drama.
they actually put that horrible cgi explosion from the trailer into the episode… why. later, in the very end, i will be reminded of it while watching sherlock and john run in slow mo.
why couldn’t mycroft, an important government figure and a relative of eurus, officially check up on her instead of the whole dress up game? and then he obviously shows us that he can fire or order around anyone in that prison which makes their shenanigans even less relevant. it’s really sad to see non-existent problems beings “solved” just to use screen time and mindlessly entertain the viewers. detective stories are supposed to be reasonable.
okay, i’m sorry but i’m not buying that “enslaving” bullshit. i want to know how she does it, because all we were given is some pieces of weird bullshit that wouldn’t faze anyone in their right mind. it reminds me of the cabbie from the pilot episode that supposedly talked his victims into killing themselves. but in the end we learned that he just threatened them with a fake gun. ah those good old times when the show had its wits and integrity still intact…
they sure like to deliberately make sherlock obtuse. i just don’t buy him missing that there’s no glass when he’s close to it and there’s still no reflexion. and shouldn’t the music sound muffled too or did the fiddle had its own voice modulator installed? interesting.
i know moriarty being alive would make no sense, but the show is guilty of occasionally doing that already, and he’s such a believably smart and psychotic character that’s interesting to watch that i would have gladly used my suspension of disbelief card.
i thought the girl on the plane was an idiot because she kept giving useless answers to important questions, but the reveal in the end explained it. 1-0, touche. then again, surely eurus would be imagining herself as the young version of herself and the sole reason they used another child actor is to keep the mystery up, which is a pretty cheap trick. 1-1.
now the real idiot (or more like a dumb plot device) here is undoubtedly molly. she fucking knows what sherlock does and in what kind of situations he sometime ends up being, and he obviously sounded nervous and agitated from the get go and eventually resorted to fucking begging, so why the hell couldn’t she trust him and just say what he asked her to? oh i know why. the drama. again. also her making sherlock “confess” his love for her she knows he doesn’t have literally came out of nowhere and had fanservice written all over it. and that conversation was so unrealistic and forced for the sake of plot progression it honestly made me cringe. god i wish they were more subtle with molly and her sad love for sherlock and all the irene adler mentions before it instead of jamming them into the storyline and reinforcing their awkward attempts to bring to life sherlock’s absent libido. they even made him destroy that coffin in a melodramatic fit, which was ridiculous because compared to the other experiments the molly incident surely warranted that kind of emotional outburst the least, no one had died after all. but wait, some fans are gonna love using that as proof for sherlock’s romantic feelings for molly, so that’s why it happened.
mycroft goading sherlock into killing him was painfully obvious, considering he’s the one who has been quite vocal about his brother not being a pragmatic automaton but a quite emotionally driven creature, and that he would never kill john, regardless of his intellectual capabilities.
so the lesson here is that you should pay more attention to your little sisters?..
you can’t just switch psychopathy on and off. but of course eurus was able to. in once instance she’s a cold blooded murderer that doesn’t understand the difference between killing someone innocent and someone guilty, in general she has a spontaneous child murder on her record, but oh no, the episode is almost over and we can’t possibly kill john watson (like we couldn't blow up molly or shoot mycroft, but had no problem axing mary, a character that no one gave two shits about, dead or alive, or moriarty, who had basically been the best character; good job on fucking up twice), the fans would rage, so let’s make our villain a crying scared little girl that longs for brotherly love and make her suddenly change her evil ways, so we could wrap this shit up and move on.
and why did they put her back in the place she can easily break out from? what even has changed? can’t she make the staff into her bitches again just by talking to them (eternal eyeroll) like she did before? yeah she’s not mad at sherlock anymore (because he gives her attention now! how cute), but she’s still a mentally disturbed person and the cage must get boring when you have a fiddle as your only source of entertainment.
so yeah, i basically wrote a fucking essay or more like a hateful ode to the show, but i don’t actually hate it, i still adore first two seasons, tolerate the third and i have been relatively entertained by the last one, this episode included, even if i undoubtedly think the show hasn't been clever for a long time and it's finale was less a detective and more a weird left-field saw tribute without everything that actually makes saw enjoyable. i'm writing this as a former fan that for the last few years has been mostly disappointed by the show they once loved, that’s all. i’m also bored and writing this kept my mind busy. that makes this otherwise useless “review” worth it, i guess.
There are bad movies and then there are movies that just aren´t for you. This belongs in the latter category.
Malick came back after 20 years and a who-is-who of Hollywood lined up to get even the slightest part in the movie, offering to work for free and even paying for it. And I don´t understand why. This is the third movie from Malick I watched. I didn´t made it through the first two (Knight of Cups & The New World) and in a way I didn´t made it through this one, too. After an hour with the prospect of another two ahead it faded into the background and I let play itself out barely taking notice of the plot anymore. Maybe if it would have been an hour shorter I would have stuck with it.
Malicks kind of filmmaking is of the sort that lets movie critics exult in critiques that are as hard to understand as his movies. I´m not bashing this, after all it is production wise a well made movie and the actors are doing their best. A lot of people like it and that is fine with me. But if you have, like me, had difficulties with a Malick movie before you can save the three hours because I am sure you won´t like this.
Of course americans gotta remake foreign movies, listening to a foreign language for 90 minutes is way too complicated.
A completely idiotic ending spoils the whole movie. NO ONE of the passengers or the driver on the train notices the loud shots or flying bullets. After the train stops, they continue travel as if nothing has happened.
Bad movie. Easily the worst DCEU movie, and it is not even close. It's all over the place plot wise, action isn't good, characters suck, effects suck. I have almost nothing good to say about this movie other than that I almost enjoyed Pedro Pascal.
It's such a shame because I think the first Wonder Woman is easily the best DCEU movie.
[HBO Max] Wonder Woman is a supporting character in her own sequel. So much so that they need to recover a character from the first movie to be her adventure partner. Goofy villains are the protagonists, but the action scenes are poorly shot. The only thing from the 80's are the visual effects. At least, Hans Zimmer believes the epic of the character. This is what happens when a mediocre director becomes a star.
Talk about underwhelming. This is some really bad writing. Like everyone else, I was excited for this, but left disappointed. Chris Pine and Pedro Pascal were the best part of it. I really root for Gal Gadot, but her lack of acting skills really are noticeable with the bad writing. As for the movie, it just got more and more absurd as the movie went on. There were so many unnecessary scenes as well. These are some of the cons just off the top of my head?
Cons:
* The beginning - it kind of made the ending predictable on what was ultimately going to happen.
* The mall scene - it felt like a scene from a tv show. Also, how did the bad guys not die from that drop?
* The highway chase with the kids. How did the kids not hear a full convoy coming that were firing guns at each other?!? Also, how were they not seriously injured from that tumble?
* They didn't give Kristen Wiig's character enough time after the initial introduction. Her final transformation comes out of nowhere.
* Fireworks scene - How the hell did he not know that fireworks existed??
* Flying a Jet - How the hell does he know how to fly a technologically advanced jet?? I don't think the knowledge transfers over quite like that.
* Was Max Lord's kid just sitting in the office the entire duration of the plot? Was he being fed? Did he sleep on the floor and wear the clothes? Where was the mother?
* How come the transformation had to happen in another person's body, but nuclear missiles can appear out of nowhere?
*How come Diana never considered the moral ramifications of her wish? Like not even for a second. Weird.
Not a horrible movie, but definitely not a good one. The first half or so was kinda hard to get through and the other half was kinda hard to follow. Besides that the poor accents are a real turn off. Overall I didn’t have a terrible time, but won’t watch it again.
(And if you’re sensitive to torture scenes, like myself, maybe don’t watch it in a theater.)
Nothing makes sense in this episode.
Dialogues feel forced. Like the previous episode, everything is shoved just to make the plot moves. Especially terrible every time the rookie has a conversation.
This episode and the previous feel like series of unrelated events. Nothing literally happened in these two episodes. There are some cool throwbacks and references (cantina scene, dune sea, Amy Sedaris blurping Star Wars jargons, etc) but it's all fanservice. It appears the show is directed by people familiar with Star Wars universe but has zero sense of screen writing.
