It's funny to see bad reviews for this movie, and a lot of criticism towards JJ, but it's clear that all the choices made in this movie was to correct the choices made in The Last Jedi, the movie that was hated by all the fans till yesterday, but now people are praising.
The Rise of Skywalker is a great movie, specially for fans, it's a great way to end this saga, filled with fan service. I don't think I can say more than that without spoiling the experience for everyone.
All the critcs you see here, or on twitter, are coming from people who thinks star wars, a space opera, should be a deep and complex movie with fanfics about romances.
I so love a happy ending. That was a happy ending, right?
Yeah I mean, it is very much that movie. If you want my unfiltered opinion: it's glossy & loud, it's discount Tarantino/Ritchie, it's engineered to be forgotten about almost instantly, it's very Youtube reviewer friendly, it’s edited for people with no attention span, it’s postmodern and cringy; it's all of that. It's aiming to be a 6, and I was kinda expecting it to hit that target given how much I was into David Leitch' previous directorial effort. Unfortunately, this is hampered by the fact that it very much feels like a product of the pandemic. I'm pretty sure everything was shot on sound stages, and you can really tell, because the effects are dogshit. The same goes for the action, most of it feels like it was choreographed based on what was possible for the day. It's a shame, because good visuals and punchy action are two of the key ingredients if you want to make this kind of movie work. Now, its biggest saving grace are the characters and some of the comedy. I think most of the characters are quite well done and colorful (props to the writing and actors), especially the duo played by Aaron Taylor-Johnson and Brian Tyree-Henry (again, even if they feel like they walked straight out of a Guy Ritchie movie). It did make me laugh occasionally, but there's also a lot of cringe in it, especially with its obnoxious use of bathos and cameos by people I didn't need to see. I'm also getting pretty sick of the Marvelization of movie dialogue, I could’ve sworn some of Pitt’s lines in this were written with Ryan Reynolds as Deadpool in mind. The story itself is a mess pretty much right from the start and completely flies off the rails in the third act (no pun intended). I'm not sure if that's due to the writing or editing though. In true Tarantino fashion it's told out of order, but here it doesn't enhance the experience in a positive way. I don't know, I'd wait for this to appear on streaming, it's only occasionally fun and not really worth of the big screen.
4/10
The real question is why the hell did the guy charge money for snacks at the white house?
So far most of the comments I've seen here have been pretty negative. Personally I very much enjoyed the movie taking it as a fun action ride. Yes, there's been plenty of time loop based movies, but the combination of the good fight scenes, little comical points and nods to other movies combined with the time travel aspects made it to me highly enjoyable. Overall I thought the acting was pretty good for this type of movie from the Grillo, Gibson and Watts and on the whole it was an enjoyable watch.
Let's remember, we never watched the old 80s movies with the classic action stars because they were going to win oscars, they were about having a bit of over the top mindless fun. And this for me fit the bill well
I'm half tempted to give this full marks just for daring to play Radiohead's Everything in Its Right Place during your typical military in dropship scene. Anyway my boy Gareth knocked out another cracking piece of scifi. You really don't mind when a director takes a few years off and comes back with something like this. There's certainly a fair amount of Rogue One, Blade Runner and Terminator in the mix, the latter of which he takes the Judgement Day plot and turns it on its head defying expectations where I assumed it was going just due to the tropes of the genre.
There's also a lot of stuff on screen for 80mill in comparison to other recent effects heavy films. Gets you wondering if budgets elsewhere escalate to $200 mill mark due to talent demands or that something like this has less behind the scenes VFX artists but take longer to bake? I dunno. Either way, check it out. The trailer gives too much away (as always my opinion) however there's plenty more that isn't shown.
NB. Watch out for the Scarif Easter egg
Ah, I love it when I genuinely have fun when watching a murder mystery! I hope they'll manage to write another extravagantly entertaining adventure for Benoit Blanc's third screen exploit!
Oh, by the way, with everything that's been going on with Twitter, was anyone else eerily reminded of the mercurial "Chief Twit"'s antics when witnessing Miles Bron's chaotic decisionmaking? I don't think this was originally intended, but that character now definitely feels like a parody of Elon Musk lol
I liked it. But, maybe it would have been better suited as a series. The universe seems to have a lot of unused potential.
A film that just misses greatness can be more disappointing than a film that doesn't come close. Dream Scenario is outstanding until the last 20 minutes. It feels as though Kristoffer Borgli just couldn't figure out how to end it and ran out of time. Too bad. #BestNicolasCagePerformanceEver
It was a fun movie. Let's combine Home Alone, Die Hard and some random feel good Christmas movie. It just works.
Is this going to win a bunch of rewards? No. Will it be watched around Christmas by action movie watchers for years to come? Most definitely
If you like crazy action, death and Christmas? Just watch it.
I'd watch it again just for the Home Alone scene. You'll know when you see it
Not sure what other people were expecting... I thought it was the perfect blend of humor, action, gore and even some heart.
At 93 minutes, it was a lot of fun and didn't drag at all.
You might think that The Adam Project is a spacetime adventure movie but it's actually therapy for boys who lost their absentee fathers way too young. Join the club! So therapeutic!
On the surface this film is about a group of people who have been labelled “villains”, working together to save the world. But really, this film is about one man and one man alone, he isn’t strong, but yet he defies all odds and sacrifices his life to save his friends. His only power is his bravery, he is the driver of the van and the main character of this film, Milton.
Bob Odenkirk gets his John Wick moment (albeit lesser stakes) and it's pretty frigging awesome. The most fun film I've seen in a while. Also the best movie that Christopher Lloyd's been in in ages
I have been wanting to watch A Ghost Story for the past month, so when my local theater started showing it a week ago as part of its Indie lineup, I couldn't wait. And I get why it has a 91% on RottenTomatoes and lots of positive reviews and all that but... man, is it a boring movie.
I get that it is a well-made with great editing, direction and some amazing long single-shot scenes. I get the poetic message that it is trying to send, and it does a good job with that. However, I just can't get over the fact that the entire movie is incredibly boring. I honestly could not wait for this movie to finish (which is tough to do with a movie that is less than 90 minutes long).
Imo don't watch this in theaters. Wait for it to come out on home video. At least you can fast-forward at home...
you are all wrong this movie is fucking awesome
The first of half of this movie kinda felt like a live action Studi Ghibli movie and then shit gets real.
With 'Poor Things', director Yorgos Lanthimos has created a film that has quite a few similarities with the box office hit 'Barbie'. Both are about women who start out as objects without any self-determination and, in the course of a journey, find themselves and discover their freedom. Both films also impress with fantastic costumes, good performances, and, most importantly, a phenomenal production design.
But, while I enjoyed 'Barbie', this Frankenstein story is in a completely different league. Lead actress Emma Stone delivers perhaps the best performance of her career, and Mark Ruffalo and Willem Dafoe are also great here. The absurd humor worked perfectly for me. I haven't laughed more in a movie all year than I did in this one. And ultimately, the world that Lanthimos creates is one that has never been seen before. It's really difficult to create something "new" in film in the 21st century, but that's definitely the case here.
All in all, I not only give "Poor Things" my highest recommendation, but it is also my favorite film of 2023.
This will probably become more beloved than Dune for being a bigger, more action driven film. Personally I prefer the first film by a long shot, but there's a lot to like here. I loved Paul's new journey for this installment as it doesn't develop in the way you'd expect based on the ending of the first film. The themes of colonialism, false prophecies and religion reach a level of depth that cannot be found in other sci-fi/fantasy contemporaries like Lord of the Rings or Star Wars; this film certainly made me understand why this story is taken so seriously as a piece of literature. Despite the source material being so old, there's still something new and refreshing about it. You don't often see major Hollywood productions calling out religion as a manipulative force helping the people in power. On top of that this brilliantly subverts the concept of the hero's journey we've become accustomed to by everything that was in one way or another inspired by Dune. The acting is pretty great, Timothée does a great job at playing the transition Paul goes through. Despite his boyish looks I was sold on his performance as the leader of the Fremen. Rebecca Ferguson and Javier Bardem are also scene stealers. The visuals are once again mindblowing, in terms of set/costume design, cinematography and CGI this is as close to perfection as you could get to right now. The vision and scope of this movie are truly unmatched, which leads to some breathtaking sequences that I'll remember for a while (sandworm ride; the black/white arena fight; knife fight during the third act).
However, for all the praise I have for Dune: Part 2, I think Denis is being uncharacteristically sloppy with this film. First of all, Bautista and Butler feel like they're ripped from a different franchise altogether. Their over the top, cartoonish performances are more suited for something like Mad Max than the nuanced world of Dune. The bigger cracks start to appear when you look at the writing. The brief moments where the movie pokes fun at religious zealots through Javier Bardem's character, while funny, probably won't age very well. Like the first movie, it has a tendency to rely too much on exposition and handholding, a problem which might be worse here. I feel like a lot of the subtlety is lost in order to make the movie more normie proof, and that's quite annoying for a movie with artistic ambitions like this one. For example, there's this scene where Léa Seydoux seduces Austin Butler's character, and everything you need to know as a viewer is communicated through Butler's performance. Cut to the next scene, where Seydoux is all but looking at the camera saying "he's a psychopath, he's violent, he wants power, etc.". I just feel like compared to Villeneuve's precise work on Blade Runner 2049, he's consciously dumbing it down here. It's understandable and somewhat excusable for a complex story like Dune, but he occasionally takes it too far for my liking. Then there's the love story subplot between Chani and Paul, which almost entirely misses the mark for me. It feels rushed, there's no chemistry between the actors and some of the lines are painfully cheesy. Because of that, the emotional gutpunch their story eventually reaches during the third act did little for me. Finally, I'm a little dissatisfied with the use of sound. I loved the otherworldly score Zimmer came up with for the first Dune, however this film is so ridiculously bombastic and low-end heavy that it starts to feel like a parody of his work with Christopher Nolan. For the final action beat of the film Villeneuve cuts out the film's score, and it becomes all the more satisfying for it.
Overall, I recommend this film, however maybe temper those expectations if you're expecting a masterpiece. There's a lot to admire, but it's flawed.
6.5/10
Super funny. Low key think they should have let him continue with patriot act.
I had never heard of Sparks, and I am not sure if I had ever heard their music. After watching this film I am now obsessed with them! This movie is a Must See!
Mads Mikkelsen dancing and spinning around is one of the most beautiful cinematic moments in 2020
He's so good , great cast all around and a top notch movie
why just 71%??? I think this movie is one of the best sequel movies ever made! At lease 8,5/10 great cinematography and brilliant scenes!
Apart from a little cliche aristocratic villian causing a scandal in the beginning of the movie,the film is great and very reminiscent of how advanture and old school animated movies used to feel like, and considering this movie as well as April and the Extraordinary World I cant wait to see what France will make next.
Way to kill a franchise... I adore the first three Bournes. Legacy wasn't really a Bourne, but at least it was still decent writing and a fun watch. But this... this abomination should've never been made. Awful plot (boring awful, not ridiculous awful), unintelligent dialogues (I'd say below the average, even), generic action (zero impressive clever tricks on Jason's part), 30+ minutes of "watch us walk with intense music" sequences, and even more camera shake to disguise the lack of creativity.
I'll go as far as to say that this is the biggest disappointment I have ever experienced from watching a movie. I mean, there were other films I've waited for and that turned out really sub-par, but, if a part of a franchise, they were never THIS different, and there were usually red flags going off before the release. Here, however, I've entered the theater with 9 years worth of hype, 100% sure that I'm in for a treat, and left with nothing but a poker face.
Everyone badmouthing Finding Dory can pretty much fuck off. No, I don't care if it's your opinion or not, your opinion is shit. The movie picks up right where it left in terms of pace, themes, plot and story, nothing wrong with it.
“I must go punch that baby.”
The first film of the Leeds International Film Festival 2023 (LIFF), and what a strong start!
Poor Things is a humorous, sexy, and Gothic tale that can be philosophically but in the most bizarre ways. There is something so wonderful about the weird, especially in art.
Emma Stone's performance as Bella Baxter was just glorious. It’s also a very “risky” performance because when we first meet her, she is a child in an adult body after being reanimated, with her vocabulary being on the same level as a three-year-old, and her uneven body posture/moments, as if she’s still learning how to move. There is A famous movie saying, “Never go full stupid”, but Stone finds the right balance that prevents it from being embarrassing to watch, which other actors failed at. However, that section is only at the beginning, and as the film progresses through her journey of becoming herself, we see her understanding of language and walking improve significantly.
Bella is a fantastic main character, and she’s easy to care about. We want to see her succeed, and Emma Stone was terrific.
This is the best performance I have seen from Mark Ruffalo, as every time he was on screen, the audience and I were laughing. His character is a loudmouth parody of the ladykiller, who takes Bella under his wing and has her for himself. He chewed up the scenery, and it was astounding. There is a scene in this movie where both Bella and he have a chaotic dance, but the little dance he does on his way to the dance floor, I can't stop thinking about it. It was so funny.
William Dafoe, which should come as no surprise, delivers a superb performance as the monster-looking scientist Godwin Baxter. He is often referred to as 'God' at times, with his patchwork flesh of a face having a distant cross on the right side of his face. He very much plays the role of God, as he does the impossible and gives new life to unfortunate lost souls.
I’m just saying this right now, but the Best Supporting Actor race next year might be the best if nothing ruins it. I hope not. Imagine this: Robert Downey Jr. for Oppenheimer, Ryan Gosling for Barbie, Robert De Niro for Killers of the Flower Moon, and Ruffalo & Dafoe for Poor Things.
Everything on a technical level, such as cinematography, the score, costumes, and the production design - all extraordinary and benefited in bringing this world alive. The whole movie feels otherworldly and timeless.
What I find compelling about director Yorgos Lanthimos is that if you examine his movies, the stories in his movies are simple. The Lobster is about fulfilling societal norms we feel we need to follow, such as getting a job, applying to a college and university, being with a romantic partner, having kids, having interests, and eventually dying. The Killing of a Sacred Deer is a horror revenge tale where a family gets cursed after the fathers' wrongdoings. The Favourite is a period piece drama/comedy about two reveals who try to win the love of a bipolar queen.
Poor Things is a fresh re-imaging of Mary Shelley's Frankenstein (also based on a novel by Scottish author Alasdair Gray), remodeled as a coming-of-age story told through a female perspective. The needs, the wants, the issues, and losing our inner child in this demanding world. Unique and isn't afraid to approach sexuality so openly.
At the start, the character of Bella has the mind of a child while having an adult body but is not restricted and not insecure about things. She can be loud, messy, playful, and expressive in emotions. Especially when it comes to sexuality, hence the openness to it. Like, there's nothing wrong with something that everyone does, but we don't talk about it. As we get older and more exposed to the world, we get quieter, speak less, get insecure about things, care too much about what others may say/think, and become closeted. That is one angle of the film that I found incredibly compelling.
But the execution is wild. I do not buy for one second that it’s strange for the sake of it. It leans more into steampunk absurdism. Yorgos Lanthimos presents the events as they are without questioning them, as the surface level normality peeled back, and focuses on the strange happenings in life and people. He's one of the most unique voices in cinema, not only for what he has to say but what he must show and how to show it.
The only issue I had with the film was towards the end when it started to get a bit preachy, going as far as hitting you on the head with it, and I was thinking, "Alright, I get it."
Other than that, the film was excellent and one of the most unique and memorable experiences I had this year. Even if this is Yorgos Lanthimos's most accessible film so far, it may still be too much for some, but even with its peculiar nature, you will find it impossible to take your eyes off the screen.
Spectacular movie, but also very sad since it was Paul Reubens's last movie.
Bold and ambitious experiment from writer-director Brian Duffield, who uses almost no dialogue throughout the entire film. The silence creates a haunting and oppressive atmosphere, as well as a challenge for the actors and the audience. Dever delivers a remarkable performance, conveying a range of emotions and motivations with only her facial expressions and body language. She makes us care for her character, even when we don’t know much about her backstory. The movie also succeeds in creating a sense of dread and suspense, as the aliens are unpredictable.
