Milo123

The Worf/Alexander stuff was good with Worf coming to terms about who his son is and his role in his son's life despite Klingon traditions, it's almost a shame that K'Ehleyr was killed off in this episode - it would have been interesting to see more of another half human/half Klingon and their role as an outsider from their own species and how they're different from Worf.
I do appreciate how the show is continuing to return to Sins of the Father and use that as a touchstone for many of the Klingon-centric arcs that I've seen so far. Worf's secret and status as a traitor is providing plenty of drama. Michael Dorn is great in these episodes. A Riker/Worf fight would have certainly been interesting.
And Duras' death is among the most satisfying in the whole series so far, and the resulting Worf/Picard scene was as effective as they come.

Well, this was fun. I did appreciate that little diversion in the holodeck at the beginning with Guinan adding some extra camp to it (any excuse for Patrick Stewart to act differently to how Picard normally would is always welcome) - you can tell that the writers are massive fans of classic noir in just a few short moments.

Once again this is another hour that works as a great character-centric episode for Data, and seeing the crew put together the puzzles and unravel the mystery slowly was effective if a largely fine and unessential episode in the grand scheme of things. There isn't much more to add here.

It's a fun episode, and a rare Geordi-centric one that's a sequel to another Geordi-centric one. There's not much to say about this one again but it's a cool follow up to Booby Trap despite some caveats, and seeing the real Leah Brahms as opposed to the holodeck one was cool. Susan Gibney shined here - the chemistry between the real Gibney and Burton is good even if it ultimately can go nowhere between their characters due to Brahms being married - and it's a shame these are her only two TNG episodes, would have loved to have seen her become more of a feature on the series. At least Gibney got to show up in DS9, though.

Brahms admitting that she hasn't been very fair to Geordi was a bizzare reaction, though, and was a downpoint to an otherwise solid episode. The plot about a space--born alien life form thinking that The Enterprise was its mother was a decent, if unessential, storyline, that TNG has refined enough by now.

And it turns out Star Trek can do courtroom drama better than most courtroom drama shows that I've watched lately. What an episode! Probably a contender for one of my favourites from Season 4 so far; if not my favourite. This was a fantastic episode for Patrick Stewart to shine and he more than delivered. Jeri Taylor's scripting was excellent - particularly with Picard using the quote of Admiral Satie's father against her. Speaking of Satie; Jean Simmons was fantastic as the guest star in this, one of the better ones of the season. Frakes' directing is strong as ever.

Half a Life (Or: What happens when Star Trek does Midsommar)

In all seriousness though, this episode has a lot in common with Ari Aster's latest. It didn't quite payoff entirely - there's some rough edges around the middle, but I didn't hate this episode. It's perhaps the one that's most at home in Star Trek: The Next Generation out of all of the Star Trek shows. Picard taking a reserve, back seat action to something that feels so inherently wrong a concept as this is certainly not something that Burnham, Sisko or Kirk would have done to name a few examples.

Rather than take the easy route of making the natives of the planet the bad guys or cartoonishly evil, even though they're in the wrong and nobody would argue otherwise (apart from that cult in Midsommar, I guess), the actors do a convincing job of selling their characters' beliefs and the script does an effective job at giving depth to them.

This concludes the "trilogy" of inter-species romances (and I say "trilogy" if you take out the previous episode) that bookended the series. that began with The Host & Half a Life. It's where Trek decided to turn into a romantic sci-fi show with... mixed results, but out of these three episodes I found In Theory to be the best. Data literally taking La Forge's advice to heart and asking everyone was fun, and we got to see various takes on his relationship with D'sora from the rest of the crew.

It was sweet, and very awkward with the kind of awkwardness that The Next Generation does so well. It would have been so easy to screw up this episode and it really only works because of how good Brent Spiner is at playing such a likeable character.

Star Trek: Black Mirror with the return of Wesley Crusher. I liked the send-off for Wesley the last time and it's cool to see him back, Wil Wheaton improved a lot the older he gets as an actor and the straightforward Wesley saving the day allowed for an almost horror-fied Trek. The game itself was a disappointment though, even by Trek standards. And was not expecting Ashley Judd to show up here.

Surprisingly low-key for such a major crossover as this with Spock involved; he's barely in the first part at all. Seeing Picard & Spock pose as Vulkans was a fun diversion in Romulus but the best scenes of the episode were easily the moments between Sarek and Picard, they're amazing every time and both Patrick Stewart & Mark Lenard have great chemistry. Lenard is terrific - I'll miss seeing him on the show.

I'm really starting to like Sela as an antagonist.

Leonard Nimoy is fantastic as Spock as always; and his scenes with Picard particularly knowing what had happened between Picard and Sarek really hit well. Patrick Stewart carries them brilliantly. Furthermore; the scenes between Data and Spock were powerful the more we learnt about Spock wanting to leave humanity behind whilst Data was trying to embrace it.

Between this and Discovery, Spock really does have a habit of going AWOL, doesn't he?