Love the continuing of nemesis between Lily and Sal :joy: Lily’s savage is the best:thumbsup_tone1:
The whole pregnancy subplot is totally boring and unnecessary for the story, it's strictly filler for what are already super long episodes. It just drags. Vivian is the least interesting character of the story, and the fact that Jessica Pressler, who also co-produced the series, is so focused and in love with her own narrative, only proves she's somewhat full of herself. This whole redemption arc is mentioned over and over again, we get it, enough already. It's not like Pressler is some Woodward & Bernstein, and Rhimes really should have reined her in and cut her story by half. This show started off with tons of potential, but is heading towards drivel territory fast.
Zuko and Iroh are the best part about this show by far, their relationship and characters and backstories have been well depicted and well paced. They carry all the right emotion when needed, Zuko is as serious as suits his character, and Iroh is silly enough to bring that lightness to their interactions in between.
Aang on the other hand is so frustratingly serious, we haven't seen him be a child even for a moment. All he does is say incredibly deep thoughtful statements and ask questions about the importance of everything, and that's just got worse as the series has gone on.
It's also frustrating how they insist on explaining EVERYTHING instead of just showing us things - having characters narrate their every thought and feeling and movement either in monologue or conversation is so much more tedious than if they'd just let us watch and understand on our own.
Omg Christopher is SO FUCKING ANNOYINGGGGGG. That letter was nothing close to a love letter. I also can not wrap my head around how Emily and Richard think Christopher is good for Lorelei knowing he left her with her child and only came back i to her life when it was convenient for him and was never even worried about his daughter. He feels threatened by anyone that reminds him how much of a shitty whiny privileged little man child he is and it’s honestly sickening everytime he comes on screen.
Ok ish episode. I mean I waited 19 years for this since I was 11 years old. And I got pretty hyped up the last past weeks. But I don’t know what it is, I didn’t feel much this episode. Don’t get me wrong, visually & casting wise it’s perfect. But Aang talking to Iroh and knowing who he is in episode 1? Doesn’t feel right. Katara can suddenly do some major bending at the ending of the episode and saves the day? Going to the Southern Airtemple for like 5 minutes, while this is like a full and emotional episode in the anime, felt now rushed and didn’t move me at all. In my opinion this episode should have been divided in 2 episodes that are 50 mins each. But it’s still early to tell how everything will play out. Hopefully I am wrong and it will get better. Please let me be wrong.
So, basically Sheldon stole an unknown amount of money from his friends and they let it slide?
Yeah, no. That's not funny and definitely by far not the best episode in years.
It once again shows how far Sheldon is willing to go to get his way while everyone around him suffers the consequences.
Especially the Stuart part was simply stupidity driven. If I find a flashdrive, I wouldn't blindly erase it and if I had a store I definitely would put it in a Lost & Found box. That's the least bit of responsibility you could expect even from Stuart.
Somehow I feel like the part with the laptop is something we've seen before exactly like that. I do have Ross Geller with a glass of wine in his hand in mind but I doubt it was from Friends.
The best episode of TBBT in years! That "flashback" plot make it funny to watch, the nostalgia of seeing like they were before (creepy nerds) like in the past seasons, not the shitty plot of the current season in the style of "Friends".
Leonard had less than 2 minutes of screentime and still Johnny Galecki gets 1 Million $ for this episode.
My favorite part of the show has always been Hilda’s and Johanna’s relationship, so this episode really hit the spot. Johanna tries so hard to cheer Hilda up and connect with her when Hilda mentions she can be overprotective, perhaps learning from the past. The first half is so sweet and soft, making the sudden shift into tense cat and mouse horror all the more jarring and effective. Johanna’s voice work and expressions go hand in hand in showing a mother desperate and determined to protect her child, and her declaration to never let Hilda go really hit me. On top of that the thing is performed with this horrible majesty, of unknowable age, making it both scary and oddly engrossing. Its rumination of what it is sticks with me. And Hilda saying she’ll gladly remember this trip with her mom is the capper to an excellent episode.
Wow, that aide storyline did not work for me at all. Melissa was not wrong to expect Ashley to be helpful and not distracting to her students. I also didn't love Ava laughing about Jacob's mode of transportation being stolen in the cold open; the show walks such a fine line with that character and this was on the wrong side of it.
I really have a problem with the pace of the show. Everything happens too fast, we don't have time to feel what the characters are feeling and so all I feel is kind of indifference at the problems they face.
would have liked it if korra had lost her bending for a little longer than five minutes but ¯_(ツ)_/¯
It was kinda cool before he explained everything he did in the middle of a fight :joy:
According to the roommate agreement, pets aren’t allowed. Suddenly, Sheldon has a bunch of cats. I guess the agreement is forgotten when convenient. Then again, his vote always outvotes everything.
episode should've been called Bowl-O-Mama
"I think we went far in some places" - Dreamworks studios
this is one of the most overrated movies I have ever seen. It's boring as h*ll. Even the sex is boring... tedious, too much talking about nothing (and the dialogues aren't all that super either), predictable, drugs and sex to be an end isntead of a means for the story to be told (and as I said, even the sex is boring). Even DiCaprio could not save this incredibly crap movie.
From writer/director Amy Heckerling comes the teen comedy Clueless. When a superficial valley girl attempts to become more altruistic she takes a new transfer student at her high school under her wing and mentors her. Alicia Silverstone, Brittany Murphy, Paul Rudd, and Breckin Meyer lead the cast and have good chemistry together. But it's Silverstone's charm and charisma that carries the film. However, the ditziness of the characters gets a little annoying and their conflicts are rather mundane. Additionally, there's a bit of weirdness with a step-sibling romance. Clueless has some interesting things to say and a positive social message, but it tries too hard to tie thing up all nice and neat like.
I hope that isn't the last time we see Captain Kim. Seemed cool!
Good, but not quite there, i think it could had a little more thought making this to fit what the viewer wants and expand the choices to not be a dead end and have to go back.
Finally she's out. That whole assumed awesomeness of Gina thing was in fact just very annoying.
Farewell, The Paris of People, The Human Form of The 100% Emoji, The perfect state of mind, The Gina Linetti.
Even though this probably isn't permanent, I'm still gonna miss her.
I wanted to love this so much, but it just felt... Empty. The characters didn't connect at all and the Fantastic Beasts themselves felt like an afterthought to the franchise they're actually trying to build.
Overall a watchable movie with some charming moments but damaged by a muddy story and atrocious pacing. I expected more from the HP universe.
I am a big fan of both Family Guy and The Simpsons since way back but this season the Griffins really have the upper hand.
The most classic of all the Disney movies, the very first princess and fully animated feature length film. Beautiful animation for it's time, catchy songs and lovable characters <3
The classic teenage slasher. I will never get tired of this movie.
the monster in this episode looks like it was inspired by Miyazaki's No Face (in Spirited Away).
I just love how this show has so many different references without being out of context.
This is one of the funniest movies and is really the epitome of Monroe's career. Despite becoming such an iconic figure, she wasn't considered much an actress during her life. For many, her acting and singing weren't up to par with her counterparts and she often sought for dumb blonde roles or roles as a sex symbol. But this movie broke the mold for her. Even though her character was true to the type cast this was one of the first Monroe movies to receive such reknown at the time of the release rather than after her death. Her role here one her a Golden Globe as best actress and was one of her first roles where she wasn't underpaid. In fact, many people argue that this movie has the best movie ending ever made and it is truly considered a classic in all rights. And it definitely earned its spot as its witty, fun, well-written and overall very well done.
im crying theres literally tears rushing down my face wh y
