When Stormfront is speaking German, it's actually pretty good, but with strong accents. She's saying: "Do you remember that day, Frederick, Cloe put her arms out the car window. We found the perfect spot by the river in the shade of an apple tree. It was the first time Cloe ate fresh apples."
never unseeing that first 15 mins...
It was everything they said it would be and then some! Supreme spectacle with otherworldly intensity. Fan first was an experience I’ll never forget. A film for the ages. Long live the fighters!
Welp, like Tryion said, We're fucked. Living vs. The Dead. Season 8 A fight that only comes once.
The dragon pit scene was awesome. Getting so many characters all in one place at the same time was great to see. So many quick “oh, hey you’re still alive” moments. One of the best was Brienne and the Hound. Speaking of the Hound, we did not get the Cleganebowl we have been wanting for so long but at least he was able to tell his brother off. Maybe next season…
Cersei, as the hound would say, is a real cunt. She truly is the biggest villain this show has seen. She is lying to everyone about sending her armies north and bringing in more mercenaries to help fight while Dany is a little occupied. She not only threatened to kill not one of her brothers but both of them is the same episode. Jamie is finally getting smart and getting away from her, even if he is leaving to go fight an army of undead. I honestly think she might stick around to the end and keep the iron throne. She has no problem doing whatever it takes. She has a kid on the way and that is all she is worried about now (I still don’t think she will have the child because of the prophecy said she would only have three). Oh and the shot of snow falling on King's Landing was a beautiful reminder that winter is here.
The winterfell storyline finally did something amazing. Sansa’s “trial” of Littlefinger was a long time coming and with Bran there was no denying. I’m so glad Arya got to kill him with his own dagger. The sisters finally started acting like family.
Nice to see Theon having another chance at redemption. He had a nice moment with Jon about their dad, well technically Ned was neither of their father. I hope he gets to save Yara next season. I wonder where she is if Euron is going to Essos or could she already be dead?
The show finally says what all the fans have know for years, Jon is a true Targaryen and the rightful heir to the Iron Throne. And they say it just as the two have sex for the first time, nothing new for this show. I’m sure this won’t be a problem. Dany will be cool with it, right? I mean the old Targaryens were into incest too. Maybe not we'll just have to wait and find out.
That last scene really was a little frightening, to see something that has been keeping the white walkers out for 8000 years to just go down like that. Now that the Night King has a dragon they are really going to cause some havoc. RIP Tormund and Beric? I don't think there were able to get off the wall in time but were they on the part still standing?
Great season, moved a little too fast and missed some of the slower character moments from old season. They definitely had some of the largest battle scenes TV has ever seen and I’m sure we are not done yet. Let the wait for season 8 begin…
They completely nailed the look, feel and vibe of the games and it's fucking amazing.
"Don't be a pussy, lazer my fucking tits"
- Stormfront, 2020
The only thing I didn't like about this episode was that Bill died, meaning we didn't get to see him interact with Ellie, which was a wonderful part of the original game.
Aside from that, this episode is near faultless. It's the most original thing the show has done so far, by taking a side character from the game and fleshing out his backstory. It's deep, it's emotional, and it's a joy to watch.
Anyone complaining about wokeness and forced LGBT content has no clue what they're talking about. Bill and Frank were always a couple, even in the game. It's just that we didn't meet Frank in the game because he was already gone. Literally the only part of any of this episode that is not faithful to the source material is the fact that Bill died before Joel and Ellie got there.
[8.4/10] I feel like this episode isn't going to please most people. The critical crowd is going to be annoyed at it for indulging in fan service at times and wrapping a lot of character relationships too quickly. The more casual fan crowd is going to be upset that this episode was full of yakking and sparse on action or narrative momentum. But honestly, I really liked this one. I have to imagine that the next four super-sized episodes are going to be filled to the gils with action and high drama and excitement. In the prelude to that, it's really nice to get a series of quiet moments to reflect on where everyone has been to get to this point, and the uncertainty of the future, amid the other grace notes that "The Rightful Queen" provides.
Those are the two big ideas at the center of the episode. On the one hand, you have this sense of everyone both assuming that they're doomed but worrying about what the future holds. More than one character declares that they're all dead. And yet at the same time, you have Dany and others worrying about who might have a claim to the Iron Throne or some slice of the Seven Kingdoms. You have Tyrion and others worrying about who might become (or remain) Hand to the Queen. And you have everyone from Misandei to Sansa thinking about what the world looks like when this battle is over. There's the sense of an inevitable, mortal threat, but also of concern for where things stand after they've picked up the pieces.
But there's also a sense of marking how long the journey has been to reach this point and how much everyone has changed along it. Arya is grown, with her own skills, directness, and desires that mark a sharp contrast from the aspirational little girl who went with her father to King's Landing. Jaime and Tyrion are both much different men since they were "The Golden Lion" and "The Imp" who previously set foot in Winterfell ("the perils of self-betterment"). Hell, even the likes of Podrick has become a capable warrior (and classy singer to boot.) There's a boatload of taking stock in this episode, of remembering where everyone's been and the distance between here and there.
What's more, there's tons of nice little moments. Lyanna Mormont gets a nice scene with Jorah, Gilly gets a little time to shine, and Edd gets a chance to reunite with his Night's Watch brethren. That's all on top of Tyrion's little gathering by the fire, which makes the most of the hang out vibe this episode summons when the time is right.
All-in-all, this feels like one of those Game of Thrones episodes we'll remember beyond the bigger clashes and contretemps the series usually has in store. It's a slower episode, but one that deepens our understanding of where these characters at psychologically and developmentally after nearly eight seasons, and lets us wonder about what the future holds right alongside them.
‘But it is not about me. I can’t lash out like some raging, entitled maniac. That’s a white man’s luxury’ - Stan Edgar -
I loved the early seasons of One Piece. But recently each episode seem to be like 10 minutes long. Most anime tend to have the opening 90 seconds long, but One Piece opening is 2:30 minutes, then follow by a dialog flash back that's 2-3 minutes. One episode I timed that it didn't start until the 5:25 minute mark. Then fights last multiple episode just like Dragonball. It seem they used every trick they can to stretch the show out and provide the least amount of contents.
I'm always amazed that the anti woke people don't realise The Boys is making fun of them
holy.......................... this was me for 60 minutes: "wtf? WTF!"
The last 10 minutes of this episode is probably one of the most powerful endings I've ever seen! Gave me goosebumps!
The writing of the first act alone and the confusion over the protagonist was magnificent to me. I had an absolute blast in the theater with this one.
F*cking Walter.... drunk my ass. It has his ego talking and yup, trouble again.
Absolutely incredible what they were able to deliver from a technical perspective. I just wish it was a little brighter, it was so dark that it was hard to see everything. A ton of great moments.
This singular episode, which I initially didn’t think I would like in the beginning, became more incredible than entire movies. It was beautiful, poetic and entirely self encapsulated in a tiny little world where people can still pick out their little slice of happiness.
To all those who hated the episode, replace bill with a female in your head if you have to, but open your eyes to why this story was so fulfilling and poetic in a world filled with meaningless death and endless suffering.
I.F.T. - after watching the episode, I now know what this means. LOL.
Having past events pressure down on Homelander, to his increasingly strained psyche, makes for the strongest start of a season yet. Starr's terrifyingly cracked performance over the course of these two episodes is something else.
I read all of the books in the series before the show premiered. After a couple of episodes, I was done with the show. The thought of repeating all of that horror and misery, only on the screen instead of the page, didn't seem worth it, production values be damned. Some months later, I happened to walk into a room where someone was watching one of the last episodes of the first season. It was a scene where Tywin Lannister sermonises to Jaime while butchering an animal. It was a scene not taken directly from the books, but made whole cloth for the TV show. I was mesmerised, and suddenly, all on board again.
To me, the appeal of Game of Thrones has never been in the way it brings the books alive, but in how it diverges. It's been in the way it's emphasised, through performance, the humanity of its characters (both for ill and good), thus giving me something I never got from Martin's writing. Where some have lamented the direction the show has taken since it started outpacing the source material, I've actually grown fonder of it. The farther away it's gotten from the cutting of those adaptational apron strings, the more I feel like it's grown into its own thing.
So, while I don't doubt that the remaining episodes of this final season will break my heart in lots of ways – and George R.R. Martin will find several more when he gets around to telling the "real" version of the same story – I thoroughly appreciate that Game of Thrones is the kind of the show that knows the importance of showing people coming together, huddling for warmth in the face of impending doom. I could still feel the claw in my gut, of the horror to come, but I'm glad that's not all the show is about.
It was a nice touch having Ashley Johnson (the voice of Ellie in the games) playing her Mother.
Stormfront is all about female empowerment but also a sadistic racist? Damn. This show really isn't afraid of anything and I love it xD Can't wait for the moment she gets killed by Kimiko.
There's no denying that this season has seen a downturn in the quality of writing. Characters are not acting like themselves and making choices which don't reflect the journeys they've been on. Ridiculous leaps in logic are made and time compression has suddenly made Westeros feel very small. Spectacle has taken centre stage and it feels like the lack of GRRM's own prose has left the show's writers floundering.
And I've got to be honest, it hasn't bothered me all that much, because it's been so incredibly fun. Say what you will, but season 7 has not been dull for a second. Yes, I've found parts frustrating and rolled my eyes in disbelief at the stupidity on display, but there's something to be said for the pure thrill involved in what's going on screen.
I might prefer things to be slowed down a bit and do miss the insightful dialogue and foreshadowing, but I'm not throwing my toys out of the pram over it as so many seem to be. Even in this state, Game of Thrones remains among the best programmes on television. The finale did make up for some of the seemingly moronic writing choices made in earlier episodes and demonstrated that it can still make me care for these characters and fear losing them.
Not perfect and not up to standard, no, but some of the most enjoyable viewing I've had this year.
fcking Walter. I'll miss Mike, Walter is really getting into my nerves, he really didn't need to kill Mike. He already manipulated everyone it seems as if he's just going to kill everyone else in the show...
I'm seeing a lot of hate towards Skyler here and I just want to know: what exactly would you have done differently in her situation?
If the IRS begins a serious investigation about Ted, it wouldn't take them long to find out that the woman who cooked his books is now running a business that she bought with undeclared money. If Ted goes down, everybody else goes down with him. Skyler didn't ask to be in the situation she's in, and yet, she's the only person that is actually thinking about the consequences of Ted and Walt's actions in the long term and trying to save both their asses in the process.
Lydia got more fleshed-out character background in one episode than other people who have been in this show for several seasons.
(Yes, I'm looking at you, Rosita.)
Carol's favorite game is Assassin's Creed
When the main musical coda kicked in at the end I got goosebumps. Also, fuck Todd. And the Neo-Nazis. That shit isn't cool.
Brace yourselves, dear viewers, for this episode will undoubtedly spark heated debates among fans. Some will love it, while others will loathe it—much like the game itself.
The Last of Us ends with a masterful coup de grâce, cementing this adaptation's place in the pantheon of prestige television.
It is sombre and dark yet replete with emotions that run deep. Joel, at long last, becomes a man of action. Whether his actions are morally defensible, however, is a subject of endless debate.
Staying true to the game, this episode does not falter in its execution, boasting a master-stroke opening that sets the stage for a gripping narrative to unfold. The strategic use of a flashback adds layers of complexity to already richly-wrought characters, serving as a catalyst for some of the most poignant dialogue between Joel and Ellie to date—dialogue sure to leave the audience teary-eyed.
The action is far from glorified, leaving viewers in a state of visceral shock and awe. The last couple of episodes have served to do some fantastic work for Joel, and this episode is the proverbial cherry on top, truly a beautiful and profound culmination of his character arc. Indeed, the show is a thing of beauty, but beauty that is shrouded in darkness.
Were a flaw to be ascribed, it would be that of brevity. At a mere 40 minutes, the finale feels curtailed. The absence of the Cordyceps is understandable, given the laser-focused narrative, though it marks a deviation from the source material.
By turns harrowing and humane, towering and intimate, this finale buries its hooks deeply in the viewer, capping off a brilliant maiden season. Love it or loathe it, impassioned discourse will assuredly abound in the wake of this uncompromising conclusion to the first chapter of The Last of Us.
01x09 - Look for the Light: 8.5/10 (Great)
Jesse at that dinner.. his reactions are completely awesome :'D
