This is a trashy show. You don't start episode 1 of a TV show on The CW network expecting something from HBO or AMC. I'm not sure what all these negative reviewers were expecting when they started this show. If you take this show seriously, then you're watching it wrong. If you're watching it for fun, just to tap out at the end of the day, maybe to shut your brain off so you can watch an overdramatic storyline that will have no effect on your being, then do give this a try. The overall storyline is ridiculous and completely unbelievable, but this is a teen soap drama. For a teen soap drama, I think it's very well-produced.
Script & Story: 6/10 – Like I said, the storyline is ridiculous, but the story does get better.
Acting: 8/10 – The four main actors are still fairly early in their careers, and you can tell which ones are less experienced, but they do get better in the second half of the first season, when they become more familiar with their own characters. Plus, the acting from the parent figures (e.g. Madchen Amick, Skeet Ulrich) helps provide more emotional realism to make certain scenes more convincing.
Set Production & Costume: 8/10 – I love how they designed the "small town feel" to their filming locations. The natural wilderness of Vancouver, British Columbia helps a lot in some of their scenes.
Characters: 9/10 – I'm not crazy for the lack of development for Archie, but they did really well in developing both Betty and Jughead. The introduction of Veronica's father in the second season will definitely help Veronica's character development, and I'm very confident Archie's character will undergo some changes in the second season too.
Cinematography: 10/10 – Some of the shots in this show are truly beautiful, especially for a teen soap drama.
This drama had a lot of potential in the first half of the show, but it takes absolutely forever in getting down to the romance triangle. But when it does, the show becomes all sorts of melodramatic - hospital scenes start happening, people become super close to dying, parents disown children, people get fired at work, people get pregnant, etc. You know, the atypical Asian drama requirements. To top it all off, the TV direction becomes super lazy in the second half of the show. It's as if the director sort of gave up too. Wallace Chung does what he can with the script near the end, but even then, the show is still super tacky.
This TV drama really shows how talented Bryant Chang (now Ray Chang) is, and how deserving he is of the Best Newcomer award he received some years ago at the Golden Horse Awards. It kinda sucks that his career didn't take off after that award win, because he's one of the few "idol" actors in Taiwan right now who can pull off such a geeky character so genuinely.
The second half of the show kinda drags a bit - the way Korean shows add scenes that don't add much to the story, and you can tell the scriptwriter changed things to accommodate the TV ratings - but the first half of the story, and some of the side story lines (e.g. Lee Jaekyung conspiracy, and the detectives) make the show worth finishing to the end.
This is one of those Korean dramas that has so much potential at the start, but about five or six episodes in, it just dies out because producers restructure everything for ratings and not for story. ~Throw in all the Korean drama clichés! All of them!~ Ugh. You can pretty much go down a check list of typical Korean drama scenes, and this drama will have them all.
The best (read: only) way to watch this show is to fast forward through all the unnecessary/terrible scenes. First, all the chaebol family scenes, starting from about four or five episodes in. Second, all the Yewon or mistress scenes; they add absolutely nothing to the main plot. Third, all the Yoonha & Joongi scenes, starting from when Yoonha finally figures out Joongi's real intention. What you'll have left are all the scenes with Changsoo and Jiyi. That couple is the only reason why you should even bother with this show.
I really wanted to like this drama. It has two of my favourite Taiwanese drama people: Winnie Chu (director) and Ray Chang (actor). However, no matter how much I enjoy watching the works of these people, this show falls a bit flat.
The script tries to stuff a lot of plot points into a 20-episode TV drama. Considering it tries to cover two main couples and a couple of other side couples, there just isn't enough space for all of these characters and their respective side plots to fully develop for the audience to enjoy. Instead, story arcs that should run naturally two episodes or more are stuffed into one episode only. For example, did we really need the entire arc of Zhi He's parents and their relationship with her and Da Shu? Not really. Her father didn't need to die either. And even if he did, they should've at least extended this show to a couple more episodes so other characters have breathing room for their own stories. Instead, they crammed his death into two episodes. It made his death insignificant, especially considering how much time they put into fleshing out the parents' relationship with Zhi He and Da Shu.
Acting from all the actors are fine, but Sonia Sui knocks it out of the park in several episodes. Her acting is incredibly nuanced. It doesn't require much for her to display her character's internal emotions. The music and cinematography in this show also help lift this show a lot too; they help distract you from the alcohol product placement that happens in some scenes. Another standout feature is some of the outfits these characters wear. There were so many times where I was distracted by what Sonia Sui or Gillian Chung were wearing. (Those earrings! That top! That hair!)
All in all, this show garners a solid 70% rating for me. It's the plot-heavy script that drags this down.
This is a great adaptation of Taiwan's In Time with You. The two leads - Rika Adachi and Jin Shirasu - have great chemistry together, and they're also talented in acting some of the more nuanced scenes between the two best friend characters, but this Japanese series lacks the magic that Taiwanese director Yu Ningchu brought to the original Taiwanese series that made the show a truly unforgettable small-screen experience.
It's been a while since I've seen the original Taiwanese series, but from what I can recall in comparison, this adaptation drags out the ex-boyfriend subplot far longer than the original show. He takes up 8 episodes of the full 16 episode series, whereas in the Taiwanese version, he is a less prominent character and the focus is shifted to Li Daren instead. By stretching out this subplot, I think it took away some of the sentiment the audience feels for the best friend relationship that's supposed to be in the spotlight instead.
I'm a bit disappointed that this show didn't meet up to my expectations as a ~perfect~ drama adaptation of In Time with You, but I also realize that the original Taiwanese version had just set my expectations far too high. Despite all of this, I would still recommend this Japanese adaptation to anyone who has seen the Taiwanese drama and wants "the feels" again. Jin Shirasu plays the "Li Daren" role to a tee.
Not sure if I want a second season. The story is really cute, and the acting is pretty decent, but goddamn, the main female lead and her love interest have absolutely zero chemistry. There's not much going for the romantic interest (Jules) except for his dimples. His acting is flat and one-dimensional, but I also think the writing around his character also had something to do with it. He really didn't have much to work with in the first couple of episodes when Elsa's getting to know him. He's far too quiet, and his facial expressions aren't nuanced enough to portray the internal conflict he has while he falls in love with her.
This is a really cute show to binge watch, especially if you're a sucker for rom-com's like I am, but I wouldn't rewatch this again.
There are two major issues with this TV drama that can quickly summarize the entire show:
There are some pacing issues in the beginning and middle of this show, but Maggie Gyllenhaal puts in such a stunning performance, you'll be willing to ignore it. Lubna Azabal is also incredible in this. Good spy thriller for those interested in learning about the Israel-Palestine conflict.
Got my hopes when I saw on Netflix that they released a six-episode Taiwanese romantic comedy just four hours long because Asian dramas have a tendency to drag out their stories, but whomp whomp, the first season is just build-up for the second season. It's still a cute four-hour binge watch, and it's probably higher quality and more succinct than most Asian dramas of this genre, but man, some of the pacing and tonal switches during the show could still use some work.
The premise is simple enough, but everything else is like an overly melodramatic soap opera. The script, the direction, the sounding editing, the soundtrack usage... Everything is bad. More often than not, scenes cut in and out without much connection between each other, and when the drama emphasizes important plot devices, the plot device doesn't end up being too featured or too talked about in the aftermath. It's a horribly cheesy, horribly melodramatic Taiwanese drama. I skipped 8 episodes in between (out of 14 total episodes - I watched the Taiwanese version, and not the Mainland version), and I still give this review. So all in all, watch at your own risk of wasting your precious time, lol.
God fuck, Korean dramas are so fucking illogical. I started watching this under recommendation of a couple of friends, so even though I have my doubts about how good this drama is, I decided to give it a try. The first two episodes were OK. They were fast-paced enough that I could look past some of the stuff that I had problems with (e.g. the misplacement of idiotic jokes, some pacing inconsistencies etc.) But by the end of the second episode, I knew that I couldn't sit through all 11 episodes - even though they were only 11 episodes - so I skipped ahead to episode 10.
The first half of episode 10 is actually quite good. I enjoyed catching up what I had missed in the 7 episodes I skipped over, but when the second half of the episode rolled around, I just got more and more frustrated at the drama series. Why are Korean dramas so frustratingly illogical and coincidental?!
Korean dramas have a habit of prolonging even the most intense scenes and story plots, ironically making them less intense with characters staring at a point slightly off-camera. Or they'll blur out knives (!) but not guns (!) in a show about murderers. Or they'll have characters just sitting idly in cars while waiting for important phone calls. Or they'll have V.I.P. victims taking instructions from a stranger over the phone, even after he says "I can't... I can't trust any of you!" (but you're trusting a random stranger on the phone, bruh). Or they'll have a character about to shoot a guy's head off, but oh-so-conveniently, they'll have another guy enter the scene just in time to stop him, but even when that's convenient (and I look past that), when the character falls onto the ground during the attack, and the gun is still near his hand, he doesn't grab the gun to retaliate, he just gets up and allows himself to be punched again.
Stop stretching out these scenes! Stop treating audiences like dimwits and that we can't solve things by ourselves. These scriptwriters need to stop laying out the details of a murder plot line-by-line as if the audiences can't figure it out ourselves, and as if we need a constant reminder of what happened the previous episodes.
Also, I bet if Korean dramas could take this entire series and trimmed out all the camera shots of characters staring emptily slightly off camera, I bet each episode could probably be at least 10 minutes shorter. Thus, the entire drama maybe one or two episodes shorter. Instead, they could use these two episodes and fill it with actual character development and actual story development, instead of filling it with prolonged over-dramatic stares.
This was OK. It's a pretty fun watch if you're looking for an easy romantic-comedy-ish TV show to watch (or movie, depending which version you're watching). My problems with it was that it was too modern at times. I felt it was absurd that the Bennet family took in Amanda Price so easily even though she first greeted them in a black leather jacket and jean pants, they didn't blink an eye or react to the fact that she looked completely different from the average girl in 19th-century England. In fact, all through the series, the other characters didn't question her at all! Even though she used words normally not used in that era. But even aside from the cultural inconsistency in the series, I also had problems with the last episode of the show. It didn't explain how or why Amanda Price was suddenly able to magically pop back into 21st-century London through a random door, when she wasn't able to open up the other door at Longbourn despite her dozen tries attempting to open it.
Other than the script problems I didn't like, I found Amanda Price (her character or her actress) really annoying. The way she complained all the time even after days in the new world. If she so loved the Pride and Prejudice Jane Austen world, then she should go with it, instead of whining all the time.
The finale bothered me as well. It felt too much of a happy-ending to be realistic. If the writers were able to write Jane and Mr. Bingley back together at the end, then I don't understand why they would dump Elizabeth Bennet to modern independency to stay consistent to the original story. I think Amanda Price ending up with Mr. Darcy at the end contradicted itself by not staying consistent with that theme.
Overall, I think the show is good for a fun easy romcom watch, especially for a modern fantasy take on Jane Austen's Pride and Prejudice, but it could have used a more consistent script. I understand the events of the book were important to portray for the series, but still, some things needed to be explained to make it more realistic.
I think this mini-series would have been miles better if another actress was cast as Elizabeth Bennett. There's just no charm to Anna Maxwell Martin's portrayal.
