I'm in love with everything about this, but reusing the Game of Thrones title theme is some bullshit. Djawadi is perfectly capable of writing something new and exciting, or an alternate orchestration at the very least.
If you're looking for an action and "turn brain off now" film, just don't watch it and spare us the 6-7 hearts review.
I for one, am very tired from 500$m crap like Indi Day and Marvel's poop. So I was very excited to watch this one.
This one is more like Spielberg's Encounters from the Third Kind. It's more about the characters in the film and the amazing journey they go through. It's mostly about the human behavior that will make you think.
While it's not an End of the World aliens movie like Battle: Los Angeles, it still offers great amount of military presence and plenty of stuff that's going on.
So if you actually want to care about an intelligent movie and use your head - go. Otherwise, go watch an X men.
Highly recommended for some audience 10/10.
2-feb-2017 edit: Just came out on Bluray and I saw it again. Definitely keeping my rating.
Watching again at July-2023, excited towards Dune II : Excellent. Excellent film. So called plot-holes listed here are negligible when the overall product is really thoughtful and masterfully crafted.
How can they release a crap like Obi Wan and then Andor which is damn amazing. This episode was a masterclass.
Just finished watching the pilot and I have to say, WOW!! This show is so much better than other sci-fi/space related shows that came out earlier this year. The first show has gripped me and I'm looking forward to watching the rest of the reason. Do NOT pass this up. Must watch even if you aren't a fan of space related shows!!
I haven't had such fun since Guardians of the Galaxy! Providing non-stop wit, gorgeous cinematography, and an absolutely stellar cast, Ant-Man is another victory for the Marvel Cinematic Universe.
Station Eleven rewards patience, but that's a big ask for the cellphone / social media generation. Story progression within an episode is sluggish and it requires an alert mind to notice the important little things you'll probably miss if you're feeling bored. Throw Lost and The Leftovers in a blender, add a very mild hallucinogen, mix well, and pour out a nice glass of Station Eleven. Enjoy, but drink slowly. The taste is subtle, but the kick will be stronger than you think.
In this mocumentary you will learn that 1+1=7 and that there is not a conspiracy theory that MAGA people won't fall for!
Coincidence that Alexander Skarsgård — aka. Eric Northman — stars in this movie? I think not!
For me, the main question I wanted to know going in was, "Is this going to be better than Kingdom of the Crystal Skull".
Happy to report that, yes it's vastly superior in almost every area to Kingdom of the Crystal Skull.
But with that out of the way, does it compete/equal the originals, to which the answer for me was no.
But it had its moments and felt way more in line with "an Indiana Jones" movie than Crystal Skull and had it's share of flaws. I still think Hollywood should use younger actors or makeup/prosthetics instead of "de-aging CGI" as it continues to look horrible IMO, or at least use it the same way the used emerging CGI in the late 90's early 00's by keeping it in shadow/not the focus point.
The cast, both legacy and new are solid across the board, soundtrack and score work well, plot was a big fun dumb adventure that actually felt like following the breadcrumbs in a good way.
Not at all a bad film, but one that probably won't make my top 10 of the year, but unlike Crystal Skull this probably also won't make my worst 10 of the year either.
I don't even know where to start. Enemy was one of my most anticipated films for this year. It is based on José Saramago's book called "The Double" (in its original Portuguese title "O Homem Duplicado") and it was constantly delayed here in Portugal but now I understand why the wait. They wanted to release it at the 4th year anniversary of the death of José Saramago, winner of a Literature Noble Prize in 1998 and one of our the greatest Portuguese writers ever! It was a beautiful homage, afterall this country unfortunately did not praised him as much as he deserved during his life. He had his very own philosophies, he was a very peculiar and different man. He was against Catholic Church and in a country where most of people are catholics, he was not very well regarded and I think his writing was damaged before the eyes of a country that sometimes cannot see through differences. I look at the writer not at the man, everyone is free to think whatever they want but well, that's another story. Now back to the film!
Enemy is a very complex thriller, very nightmarish and dark with an absolutely engaging atmosphere that will twist your mind and oh, how do I like this kind of mind-f*cking films! As a film that is based on a José Saramago's book and I know that he is a very metaphoric writer, who liked to makes us pull things from our head, mixing reality with mere thoughts, I knew that I would have to pay very attention to all of the details and that's what I did.
I also loved the claustrophobic feeling in the air, it's almost like we are trapped into the film and the absolutely creepy and dreadful soundtrack helps to create that feeling.
There are some things left hovering the air but I have a pretty strong theory for this story. This is a film that requires more than one viewing and I believe that can become more special to us in each visualization. Is very difficult to talk about it without spoiling anything. I think it is a film which is best experienced and then discussed.
What can I say more about Jake Gyllenhaal that I haven't said before? He must be one of the most underrated actors ever and he is so amazing! I can't remember to had seen a single bad performance from him. Once again he shines and what can be better than have, not one but two Jake Gyllenhaals?
I don't see everyone enjoying this film, some might think it is too slow or too boring. Some will feel very bothered with the atmosphere and with what they are watching but for me worked even better than what I was expecting.
Denis Villeneuve amazed me with Prisoners, one of my favorites of last year and he amazes me again with another fantastic work directing Enemy.
That's it world you don't need another flick about Jobs.. this is IT.
I'm telling you i've never loved a biopic as much as this before
Argo expertly builds tension and makes you wonder whether the mission will succeed. Enjoyable, Suspenseful and well-acted.
My god, this was so good. It was beautifully put together and I went from laughing to crying within seconds. This was a beautiful insight to the artist of the decade
There's a world of difference between the season one and two. I was getting really frustrated with the way all the characters were saying and doing dumb things in season one but kept watching 'coz the series was shot really well. The locations, the ambience.. like that gothic rockstar's place.. were all great.
Season two has kicked things up by quite a few notches. I had no complaints about VFX in S1, yet it feels so refined in S2. The camera angles, the vampire encounters like the one with lights out in the storage shed.. it just feels like watching a different show altogether. Except for the kid Zach (which I'm 100% certain will get on your nerves), everyone has started to talk more sense. The main plot - the plan about how to get rid of the vampires - as well as the little things - like how that woman in-charge of Staten island has no problems convincing the public that the infected must be exterminated but has a hard time putting her own relative to sleep - they all make sense. Even the characters don't fail to surprise you. That whole sequence with Dr. Goodweather taking a train to Washington D.C. was great.
It's hard to believe how much a show can improve with the same cast just because some thought has gone into its writing too. So, if you couldn't bear to complete season one, persevere.. binge watch if you have to 'coz you're in for a surprise when you start the second one.
3.75/5. I walked out of this one saying to my friends, "that was pretty good for a 10 hour film." It was a long film that wanted you to feel the length. At times, that made it feel appropriately epic, but at others that made it feel like it was alternatively being indulgent or spinning its wheels. The Revenant started strong and ended fairly strong, but had a lot of fat in the middle.
But if there's one thing it deserves credit for, it's the cinematography and production. There are so many beautiful images throughout the film, whether it be a swooping shot of a snow-covered vista, or the slow lurch of the camera as it follows Glass crawling across the ground, or the Saving Private Ryan-esque battle sequence near the beginning of the film. It was visually arresting from the word go, even if the story and pacing couldn't always keep up.
Oddly enough, the film I found myself thinking about while watching The Revenant was Mad Max: Fury Road. Both feature a fairly straightforward narrative intended to impart broad themes, but make their bones with their visual storytelling and sensibilities, bolstered by strong individual performances that vary from the depictions of quiet strength to bombast. To that end, both films eschew exposition and narrative complexity in a bid to allow the images and the performances to convey the story.
There are certainly parallels between DiCaprio in The Revenant and Hardy in Mad Max, both playing largely silent, wounded animals who are haunted by their pasts. And the key feature in each is the aesthetic choices made by the folks behind the films, where both Miller and Inarritu communicate their themes most forcefully in the visuals they craft rather than dialogue, despite notable moments in both films where the characters' lines hit the major ideas of the film in a less-than-subtle manner. There are obviously significant distinctions between the two films in areas like tone and pacing, and Inarritu and Miller have different goals and styles, but they go about accomplishing and employing them in a strikingly similar fashion.
That said, I wasn't particularly blown away by DiCaprio's performance here. It was good, there's no question, but I've more or less had my fill of DiCaprio playing these intense, perpetually perturbed men with something in their past gnawing on them. He knows how to play those notes well, but I'm just kind of inured to it at this point. By the same token, the film includes too many vignettes of Glass's survival, with many of them being too long as well. Many did little to advance the narrative or the character (the big exception being Glass and his Pawnee companion catching snowflakes in one of the film's most endearing moment), which is fine in small doses. Giving the audience a chance to just spend time with a character can work toward making them invested in his fate when the time for the narrative fireworks come. But a lot of those scenes in The Revenant felt like indulgence or even just fumfering around. They were a part of the film that cried out for a montage that never came.
Hardy, on the other hand, does a fantastic job at Fitzgerald, who sells the character's attitude and role in the story almost from the minute he's on the screen, and makes Fitzgerald's nigh-heartless, mercenary pragmatism and his open racism feel lived-in and true to the character from the getgo.
Inarrito spends a lot of time seizing on a fairly simple theme, represented with his wind and tree metaphor, and building up an elaborate, somewhat pretentious infrastructure around it. There's value in simplicity in story and theme at times, but it feels like he's trying to take something straightforward and telescope it out to unsupportable complexity and weight here, and the film suffers for it.
Overall it's a generally good, but rarely great movie, with some serious and stultifying missteps in its lengthy, middle act. It's consistently a feast for the eyes, and the visual storytelling is close to impeccable, but the ideas involved are fairly shallow and trumped up, and the performances can only do so much to make up for its flaws.
It's so intentionally cheesy and cliche.... I LIKED IT!
I really don't see the benefits of the main characters actions in this movie. If they didn't care about the girl and left her there, those badass dudes already had a plan to catch the bad dudes, and they could all be alive and happy. Also, the sequence where the guy with the Pig's head shoots everyone it's just ridiculous.
The performance of the actors on the movie it's good, but the plot itself it's shitty.
What I learn from it? If I mind my own business, I'll be alright, and so will everyone else.
I thought the point of using the nano strings was to caused as minimum destruction as possible, because the point of the mission was to retrieve information, and they didn’t know what it was, like a black box, records, journals, a hard drive… or where it was, and at first I was like yes this makes sense but then the whole ship collapsed and it stopped making sense.
And isn’t it hilarious that the aliens turned on us because of freaking little red riding hood??
Flawed movie using unfounded data. No actual fraud found.
One of the best TV sci-fi programmes to date, and maybe of all-time since the start of on-demand streaming. Complex plots exist throughout but are still understandable. There are many different groups of people in the show to focus on, including different factions. So glad that Amazon saved the show from SyFy who wasn't renewing after season 3, despite it being the most successful season to date. Season 4 (date TBC) will be streamed on Amazon Prime Video. Many thanks to all of those who participated in the #SaveTheExpanse campaign on social media.
Syfy finally got the message and has finally produced some of the smartest, boldest proper sci-fi any one could see in years. A very conceptual show, not a big one on characters. I know some people are drawn to different types of shoes like that - definitely one to check out either way.
(+ also. this is the only movie I ever re-watched in it's entirety with the director's commentary track on, just to hear what Mendes was thinking and to prove my points to my girl :)
Assumptions at every level. For one, they say that the people filmed visited numerous drop boxes yet only show the video of said person only at 1 location.
People with half a brain should know almost everything in this movie has been debunked in an actual court of law. Just watch this as a fantasy documentary and you will be just fine.
USA USA. No thanks. Removing from sickbeard. Only wish I could delete the memory of this show from my head.
Over cheesy lines
Bad accents
Terrible stock footage
Cliche
Usa rammed down my throat
Religion rammed down my throat
Subtle, imaginative, and well-told story that doesn't rely on big-budget effects or a body count. Original, unique concepts weaved together for an enjoyable movie. If you're looking for high-tech space battles, fast-paced action and death -- this isn't that kind of SciFi -- move along... ;-)
Excellent sci-fi movie that requires an active brain to enjoy it... But I still wanted to know more about Portuguese! D:
... a rocket scientist ?!?!
I missed movies like this one
