The real question is why the hell did the guy charge money for snacks at the white house?
I have almost no idea what happened, but I liked it. Might be my favourite James Bond film.
Funny as shit. And then sad as hell when you realize it's basically just a documentary.
Pattinson is the best Batman ever.
he is so tortured, his emotions are sincere. He's the darkest and most precise batman out there.
the visuals and the soundtrack are incredible and take you into the thoughts of the character.
For me it’s a masterpiece.
Funny as hell and delightful rated R content. Was not disappointed.
This show has nothing exceptional about it at all. It's pretty lame and cookie cutter. Disappointing.
If there was a bit more character development, Rogue One would be one of the greatest films of the year. Either way, it was easily one of the best Star Wars films, and it got that way through likable characters, spectacular cinematograpy and a great final act.
Oh, and the Vader scene.
I'm not sure what to say. I don't know how I expected this show to end. On one hand, I'm okay with this ending, and I think it was a good way to conclude the show. On the other, I feel completely empty inside. It's strange to think that we're not getting another episode next week.
I was sure that John would be the one to die. It made the most sense. He had a good death, fighting until the very end. Still, I cried my eyes out when it happened.
I'm glad that Shaw is alive, and that she has Bear by her side. I loved how she smiled in the last scene. She totally heard Root's voice on the phone.
Finch is finally reunited with Grace!
So The Machine was talking to a version of herself all along. I'd kind of suspected that.
This was a great episode, and the last few minutes of it were bittersweet but also hopeful. The Machine's final monologue was epic. You know how sometimes you hear something so profound and powerful, something that speaks to you so deeply that you have to fight the urge to get it tattooed on your body? That's what I felt like when I heard that monologue. Overall, I'm quite satisfied with the way they tied it all up.
Now, it's time for me to say goodbye.
I discovered Person of Interest quite late - just a few months before season 5 started. I wasn't hooked right away, but I stuck with the show because I'd read stellar reviews online. It took me almost an entire season to really get into it.
And then Root showed up, kidnapped Finch, stole my heart in about 0.2 seconds, and I was officially obsessed. It took me only 10 days to binge-watch seasons 2-4 (after all, who needs school? Who needs sleep?). This show was a wild ride, and I'm grateful that I got to experience it.
Thank you, Person of Interest.
Thank you for giving us compelling storylines, jaw-dropping plot twists and intense action scenes.
Thank you for exploring fascinating themes, such as AI and the true meaning of humanity.
Thank you for gorgeous cinematography, spectacular score and special effects that blockbuster movies could be jealous of.
Thank you for phenomenal characters, fantastic relationships, consistent characterization and incredible character development.
Thank you for starting my obsession with Amy Acker, which resulted in me binge-watching 19 episodes of Angel in one day (no, I do not possess amazing impulse control).
Thank you for making me laugh, making me cry, making me think, making me lose sleep over you.
Is there something about this show that I'm not happy with? Absolutely. I wish CBS hadn't acted like dicks and had given us a full season instead of measly 13 episodes. I wish Root hadn't died, and a part of me will always be bitter about it. I wish Shaw and Root had had more time. I wish they had paced the final season better (Root and Shaw are reunited after 10 months and over 7,000 simulations, Root dies in the following episode, and then we get a case of the week as if nothing happened? That's just bullshit right there), but I also know that the showrunners tried to do the best they could with a reduced number of episodes. And overall, they succeeded, making Person of Interest one of very few TV shows that were just as, if not more, exquisite in their last season as they were in their first.
Goodbye, Person of Interest. You will always be one of my favorite TV shows of all time. I don't think I'll ever get to watch something as engaging, thrilling, smart, thought-provoking, heartbreaking and powerful as you again.
Just to preface this, I thought A Force Awakens was emotionless trash that undermined the entire purpose of the original three films.
Rogue One was the opposite.
The best thing about this movie was the emotional impact. It underlined the sacrifices made to make the original trilogy possible. Some people have called it long, but that helped build up characters that you actually felt for, and who weren't carbon copy ripoffs (cough cough A Force Awakens). The final scenes as the two main characters face their fate, recognizing that it was worth it, gave such a high emotional payoff. Each major death scene actually made you feel something.
The second best thing was K-2SO. Very funny, and much needed comedic (but not goofy) relief.
The CGI for landscapes and the world creation was outstanding. When I see a movie like Star Wars I want to be amazed and see things that I haven't seen done before. I want to be impressed and drawn into new, beautifully crafted worlds. In this respect, the movie just kept delivering over and over.
The cinematography was great during the action sequences. The sequences looked epic, and the violence and sacrifice felt meaningful. The Vader fight sequence was intense.
It also had interesting ties to current events with its commentary on terrorism/rebellion/weapons of mass destruction. By the way, the science genius character realizing that he isn't priceless in developing some major device is fantastic. All of the movies with "only so-and-so can figure this out" are very disappointing.
The moral message of the movie was also very clear and well delivered.
I really enjoyed the movie overall and thought that it was a big step in the right direction. It was adventurous again, it was sometimes shocking, original, and most of all meaningful. A Force Awakens failed on all of those points. It's good to see a franchise movie that's taking a bit more risk than average. AFA was just like the new Star Trek films, shiny bling low-impact action movies that just happen to be set in space. Rogue One pushes far beyond to show the what drives the Rebellion in a world we know and love.
Despite the fact that I really liked the movie, it had some flaws:
- Tarkin face CGI
- Some of the acting in the first half.
- Tarkin face CGI
- Some of the cuts were really weird and the pacing felt off for portions of the first half.
- Tarkin face CGI
- Forest Whittaker just deciding to die instead of trying to escape.
- Tarkin face CGI
- A few unbelievable plot lines (thankfully most were minor). Like Cassian being sent to kill Galen for almost no reason, and then deciding not to for no reason, and then Jyn forgiving him surprisingly easily. How did she even know that he was trying to kill her father?
- Tarkin face CGI
- Does every Star Wars movie need to have a father character die? Why didn't Cass follow orders when he heartlessly killed someone else in his first scene?
- Tarkin face CGI
- Heavy handed political messaging.
- Tarkin face CGI
- Said "hope" too many times.
- Tarkin face CGI
- You can just push Star Destroyers that easily?
- Tarkin face CGI
- The word "Stardust"
- Tarkin face CGI
- Too many random worlds introduced that you don't have the time to get invested in.
- Tarkin face CGI
- Too much awkward fan service.
- Tarkin face CGI
- Darth Vader's voice sounded off.
- Tarkin face CGI
- Some of the dialogue was really terrible.
- Tarkin face CGI
This is a beautiful story, exquisitely performed! If you are not able to suspend disbelief and see truth in fantasy, I grieve for you, because you miss out on gems like this film. This story deals with loneliness, kindness, friendship, love, courage and nobility. As well as ambition, prejudice, corruption of power, cruelty and powerlessness. Guillermo del Toro wove a sensitive and beautiful story set in a sterile and cruel world. The performances are wonderful by a talented and accomplished cast. The production design brilliantly captures the romantic tension of the piece. I highly recommend this film and give it a 9 (superbly beautiful) out of 10. [Fantasy, Drama, Romance]
This movie offers a unique experience. It gives you one of the most genuine and undoctored glimpses into the soulless eyes of corporate Hollywood
There is no love for making movies
There is no love for the source material
The only interest is making something with the specific goal of being a "Blockbuster".
There is nothing to it but the intent of making money.
There's legit nothing to this movie.
Every shot you see is made just for cool trailer moments....
The Characters have no life or personality to them, They don't make any emotional connection with the viewer.
The acting........ no
There's no real plot or pacing
The effects can be good at times but its far and few in-between
The fighting and action scenes are rendered useless with the unprecedented amount of jump cuts done in editing....
I enjoy movies that might have glaring flaws, or even be considered bad, I'm not a heartless critic... But there are no redeemable qualities about this movie.
You can't even spin it as a "So Bad It's Good" movie, its just that incompetent on every imaginable level.
0/10 - Genuinely
Pirates of the Caribbean meets Indiana Jones.
Nice try, just entertaining, not a masterpiece.
Filoni and Favreau have done it folks in my world. Let me have the shows and the kids can have the new movies. Good compromise.
World Premiere Review:
It was ok. It's not entirely interesting and it's the standard Marvel formula. However, it's lacking a critical element of a Marvel hero: a flaw. The best thing about the MCU is that there isn't a Superman equivalent...but there is now and I'm not sure I like it. I'm afraid now that Endgame concludes with believing in yourself can defeat Thanos...
Second watch: The main issue remains Captain Miscast
No. No. I refuse to believe this.
I'm not crying, not yet. But I have this horrible, cold, twisting sensation in my stomach that usually means I'm nervous. Right now it means that my worst nightmares have come true.
I can't say that I didn't expect Root to die, but I didn't expect it to happen before the series finale, and even then, my silly, naive heart still hoped against all hope that she'd miraculously survive.
Root died protecting Harold, fighting for a cause she believed in. She transcended death and became The Machine's voice. They couldn't have possibly come up with a more fitting end for her character, but that doesn't mean I'm the tiniest bit okay with her dying. I feel sick, to be honest. I can't breathe. I don't know how to process this. Is this what heartbreak feels like? It sucks. It sucks so badly.
It's no secret that I loved Root. I absolutely adored her. She was one of my favorite characters of all time, and her journey from an antagonist to a hero was nothing short of extraordinary. I feel like a part of me died with her, and I don't think I'll ever get it back.
I can't focus because my feelings are overwhelming me. It was a brilliant episode. Great action, great Harold speech in that interrogation room, great Root/Shaw scenes... I need to scream into my pillow. Root just got Shaw back! It's not fair!
How am I supposed to live after this?
Everything hurts, and nothing matters anymore.
I think I need a hug.
Not terrible, not great, just... fine. Easily the worst of the new trilogy. Script-wise it was a real letdown from DoFP and First Class, and Apocalypse as a villain is stereotypical and brings nothing new to the table. Oscar Isaac was so wasted in this role.
While being a complete deus-ex-machina, the Quicksilver scene is again the best in the movie.
After watching Sherlock I had low expectations for this show. Tho I must say, I have been pleasantly surprised.
are u telling me i spent all this time watching two seasons of this show so that u can just tell me none of it actually happened ????????? hELL NAW
CAUSE SHE'S GOT A GREEAAAT ASS !!
THIS is how you slowly build up your characters and world to a satisfying payoff. If you have an entire episode that takes place outside of the main universe and put all the main characters into completely different roles yet still manages to retain the core of the show and give viewers enough familiarity to hold onto, then you really do know how to write. Even if the series ends here, what a brilliant, intelligent, and enjoyable adventure The Orville is. Anyone still out there who looks at this show and thinks "Family Guy in space" is in crippling denial. This show is reaching Stargate levels of storytelling and character development now. What started as a chance foot in the door, to get the fleeting chance to stand in the shadows of science fiction giants has evolved into something that actually has the potential to be one of those giants some day.
For this episode in particular, what a delightful blend of TOS movie and Star Wars musical cues, the new ships and places that are a departure from the typical Union aesthetic, and the very best special effects I've seen on this show so far. Effects that are very detailed and eye-popping while still allowing everything to be well-lit and easy to follow. A very bold and dramatic way to cap off a season, especially the second season, and a very enigmatic ending that deliberately left threads hanging while still being satisfying and positive.
THIS show is the hopeful vision of the future we need right now. Not something that just reflects back what we currently are (because, let's face it, what we currently are is embarrassing), but one that shows up what we could be if we could stop resenting ourselves and each other for five freaking minutes. We'll always have our precious mistakes, our warts, our weirdness, but it's wrong to let those things define us. In the past, this kind of love and awareness came from a different show. A show that has sadly decided to move away from the wisdom of the human adventure. Now, thankfully, it's coming from this one. Hopefully, for a long time to come.
Lol. Y'all will never be satisfied with any episode, will you? The episode was perfectly fine.
Genuinely genuinely genuinely funny comedy without having to resort to drugs in every otheother scene. Not a bad bit of mystery as well, but the characters carry the film. Good time at the movies. Jason Bateman strikes again. 9/10
A bit of a nothing burger, it doesn’t really get interesting until the final 20-30 minutes.
There are a few entertaining bits inbetween (e.g. there’s a fun scene with Paul Rudd in a Wallmart), but there’s not nearly enough going on.
It’s just mostly bland: some decent acting and directing, but there’s not a lot of action, mystery, charm, clever comedy, drama or characters to get invested into (besides McKenna Grace).
For example, Finn Wolfhard gets as much development as the older brother from Jurassic World, he’s a teen and he wants to get laid. That’s all you get, and it’s not that interesting.
There are, of course, a lot of ‘member berries, which add nothing besides empty nostalgia.
The original Ghostbusters leave the biggest impression with just 5 minutes of screentime, and they clearly didn’t even give a shit about being there.
It’s not the worst thing ever, but this falls short of the benchmark for this kind of movie.
Just watch the original, or anything directed by Spielberg and Cameron in the 80s/90s.
5/10
Michael Bay presents. Eternal cliches of the American Movies
This might be the best ‘Rick and Morty’ episode ever.
Was invited to an early showing of the film and for those of you thinking of going to watch it.. don't bother, unless you are a fan of 80's action cinema and are able to switch your mind off to the inane and brutal action on screen. The premise is implausible - I mean would the world leaders really gather in mourning for the UK Prime Minister, in one place! Its doubtful the public would line the streets either!
Too violent for a 15 certificate, glorifies the killing of others, and excuses use of drones to wipe out terrorists.
London Has Fallen? Hollywood has fallen more likely!
Searching is the new thriller directed by Aneesh Chaganty. Widowed father David Kim (John Cho) searches for his missing teenage daughter (Michelle La) with the help of multiple laptops and hard-talking detective Rosemary Vick (Debra Messing). All the action takes place on screens; the mystery unfolds through texts, FaceTime, YouTube and video blogs.
While some may have their doubts about watching what is essentially a filmed set of screens for nearly two hours, this unusual set up soon feels natural. After all, many of us spend a lot more than two hours without looking away from a screen in our daily lives.
The portrayal of familiar online habits on the big screen is cleverly used for comic effect. The constant rewriting of messages and the replacement of the jovial exclamation mark for the famously passive aggressive full stop is fully relatable and funny to watch. Some of the visuals are also arresting because they are taken out of their familiar context. Most notably, David’s screen saver is transformed into an enormous malignant jellyfish when shown without the borders of a laptop.
The clever parallels between the title, Searching, and the extensive use of search engines (particularly Apple’s “Finder”) throughout the film invite us to look at how we use the internet. Google asks us to “Search Google or type URL,” but when the missing object is a person rather than the answer to inane questions, these words take on a much more frightening currency.
Searching maintains a fantastic tension throughout the search for Margot. The contrast of the horror of the situation and recognisable ordinariness of the technological format is extremely effective in unsettling the audience.
The twists are truly chilling. By the end, there are perhaps just too many wrenching turns, which slightly dents the believability of the film. This is the only thing stopping Searching from getting a solid five-star review. It is a wonderfully sharp, brutally tense and inventively shot thriller that shows the blossoming possibilities of technology in film.
