I'm not sure what to say. I don't know how I expected this show to end. On one hand, I'm okay with this ending, and I think it was a good way to conclude the show. On the other, I feel completely empty inside. It's strange to think that we're not getting another episode next week.
I was sure that John would be the one to die. It made the most sense. He had a good death, fighting until the very end. Still, I cried my eyes out when it happened.
I'm glad that Shaw is alive, and that she has Bear by her side. I loved how she smiled in the last scene. She totally heard Root's voice on the phone.
Finch is finally reunited with Grace!
So The Machine was talking to a version of herself all along. I'd kind of suspected that.
This was a great episode, and the last few minutes of it were bittersweet but also hopeful. The Machine's final monologue was epic. You know how sometimes you hear something so profound and powerful, something that speaks to you so deeply that you have to fight the urge to get it tattooed on your body? That's what I felt like when I heard that monologue. Overall, I'm quite satisfied with the way they tied it all up.
Now, it's time for me to say goodbye.
I discovered Person of Interest quite late - just a few months before season 5 started. I wasn't hooked right away, but I stuck with the show because I'd read stellar reviews online. It took me almost an entire season to really get into it.
And then Root showed up, kidnapped Finch, stole my heart in about 0.2 seconds, and I was officially obsessed. It took me only 10 days to binge-watch seasons 2-4 (after all, who needs school? Who needs sleep?). This show was a wild ride, and I'm grateful that I got to experience it.
Thank you, Person of Interest.
Thank you for giving us compelling storylines, jaw-dropping plot twists and intense action scenes.
Thank you for exploring fascinating themes, such as AI and the true meaning of humanity.
Thank you for gorgeous cinematography, spectacular score and special effects that blockbuster movies could be jealous of.
Thank you for phenomenal characters, fantastic relationships, consistent characterization and incredible character development.
Thank you for starting my obsession with Amy Acker, which resulted in me binge-watching 19 episodes of Angel in one day (no, I do not possess amazing impulse control).
Thank you for making me laugh, making me cry, making me think, making me lose sleep over you.
Is there something about this show that I'm not happy with? Absolutely. I wish CBS hadn't acted like dicks and had given us a full season instead of measly 13 episodes. I wish Root hadn't died, and a part of me will always be bitter about it. I wish Shaw and Root had had more time. I wish they had paced the final season better (Root and Shaw are reunited after 10 months and over 7,000 simulations, Root dies in the following episode, and then we get a case of the week as if nothing happened? That's just bullshit right there), but I also know that the showrunners tried to do the best they could with a reduced number of episodes. And overall, they succeeded, making Person of Interest one of very few TV shows that were just as, if not more, exquisite in their last season as they were in their first.
Goodbye, Person of Interest. You will always be one of my favorite TV shows of all time. I don't think I'll ever get to watch something as engaging, thrilling, smart, thought-provoking, heartbreaking and powerful as you again.
Just to preface this, I thought A Force Awakens was emotionless trash that undermined the entire purpose of the original three films.
Rogue One was the opposite.
The best thing about this movie was the emotional impact. It underlined the sacrifices made to make the original trilogy possible. Some people have called it long, but that helped build up characters that you actually felt for, and who weren't carbon copy ripoffs (cough cough A Force Awakens). The final scenes as the two main characters face their fate, recognizing that it was worth it, gave such a high emotional payoff. Each major death scene actually made you feel something.
The second best thing was K-2SO. Very funny, and much needed comedic (but not goofy) relief.
The CGI for landscapes and the world creation was outstanding. When I see a movie like Star Wars I want to be amazed and see things that I haven't seen done before. I want to be impressed and drawn into new, beautifully crafted worlds. In this respect, the movie just kept delivering over and over.
The cinematography was great during the action sequences. The sequences looked epic, and the violence and sacrifice felt meaningful. The Vader fight sequence was intense.
It also had interesting ties to current events with its commentary on terrorism/rebellion/weapons of mass destruction. By the way, the science genius character realizing that he isn't priceless in developing some major device is fantastic. All of the movies with "only so-and-so can figure this out" are very disappointing.
The moral message of the movie was also very clear and well delivered.
I really enjoyed the movie overall and thought that it was a big step in the right direction. It was adventurous again, it was sometimes shocking, original, and most of all meaningful. A Force Awakens failed on all of those points. It's good to see a franchise movie that's taking a bit more risk than average. AFA was just like the new Star Trek films, shiny bling low-impact action movies that just happen to be set in space. Rogue One pushes far beyond to show the what drives the Rebellion in a world we know and love.
Despite the fact that I really liked the movie, it had some flaws:
- Tarkin face CGI
- Some of the acting in the first half.
- Tarkin face CGI
- Some of the cuts were really weird and the pacing felt off for portions of the first half.
- Tarkin face CGI
- Forest Whittaker just deciding to die instead of trying to escape.
- Tarkin face CGI
- A few unbelievable plot lines (thankfully most were minor). Like Cassian being sent to kill Galen for almost no reason, and then deciding not to for no reason, and then Jyn forgiving him surprisingly easily. How did she even know that he was trying to kill her father?
- Tarkin face CGI
- Does every Star Wars movie need to have a father character die? Why didn't Cass follow orders when he heartlessly killed someone else in his first scene?
- Tarkin face CGI
- Heavy handed political messaging.
- Tarkin face CGI
- Said "hope" too many times.
- Tarkin face CGI
- You can just push Star Destroyers that easily?
- Tarkin face CGI
- The word "Stardust"
- Tarkin face CGI
- Too many random worlds introduced that you don't have the time to get invested in.
- Tarkin face CGI
- Too much awkward fan service.
- Tarkin face CGI
- Darth Vader's voice sounded off.
- Tarkin face CGI
- Some of the dialogue was really terrible.
- Tarkin face CGI
No. No. I refuse to believe this.
I'm not crying, not yet. But I have this horrible, cold, twisting sensation in my stomach that usually means I'm nervous. Right now it means that my worst nightmares have come true.
I can't say that I didn't expect Root to die, but I didn't expect it to happen before the series finale, and even then, my silly, naive heart still hoped against all hope that she'd miraculously survive.
Root died protecting Harold, fighting for a cause she believed in. She transcended death and became The Machine's voice. They couldn't have possibly come up with a more fitting end for her character, but that doesn't mean I'm the tiniest bit okay with her dying. I feel sick, to be honest. I can't breathe. I don't know how to process this. Is this what heartbreak feels like? It sucks. It sucks so badly.
It's no secret that I loved Root. I absolutely adored her. She was one of my favorite characters of all time, and her journey from an antagonist to a hero was nothing short of extraordinary. I feel like a part of me died with her, and I don't think I'll ever get it back.
I can't focus because my feelings are overwhelming me. It was a brilliant episode. Great action, great Harold speech in that interrogation room, great Root/Shaw scenes... I need to scream into my pillow. Root just got Shaw back! It's not fair!
How am I supposed to live after this?
Everything hurts, and nothing matters anymore.
I think I need a hug.
THIS is how you slowly build up your characters and world to a satisfying payoff. If you have an entire episode that takes place outside of the main universe and put all the main characters into completely different roles yet still manages to retain the core of the show and give viewers enough familiarity to hold onto, then you really do know how to write. Even if the series ends here, what a brilliant, intelligent, and enjoyable adventure The Orville is. Anyone still out there who looks at this show and thinks "Family Guy in space" is in crippling denial. This show is reaching Stargate levels of storytelling and character development now. What started as a chance foot in the door, to get the fleeting chance to stand in the shadows of science fiction giants has evolved into something that actually has the potential to be one of those giants some day.
For this episode in particular, what a delightful blend of TOS movie and Star Wars musical cues, the new ships and places that are a departure from the typical Union aesthetic, and the very best special effects I've seen on this show so far. Effects that are very detailed and eye-popping while still allowing everything to be well-lit and easy to follow. A very bold and dramatic way to cap off a season, especially the second season, and a very enigmatic ending that deliberately left threads hanging while still being satisfying and positive.
THIS show is the hopeful vision of the future we need right now. Not something that just reflects back what we currently are (because, let's face it, what we currently are is embarrassing), but one that shows up what we could be if we could stop resenting ourselves and each other for five freaking minutes. We'll always have our precious mistakes, our warts, our weirdness, but it's wrong to let those things define us. In the past, this kind of love and awareness came from a different show. A show that has sadly decided to move away from the wisdom of the human adventure. Now, thankfully, it's coming from this one. Hopefully, for a long time to come.
Searching is the new thriller directed by Aneesh Chaganty. Widowed father David Kim (John Cho) searches for his missing teenage daughter (Michelle La) with the help of multiple laptops and hard-talking detective Rosemary Vick (Debra Messing). All the action takes place on screens; the mystery unfolds through texts, FaceTime, YouTube and video blogs.
While some may have their doubts about watching what is essentially a filmed set of screens for nearly two hours, this unusual set up soon feels natural. After all, many of us spend a lot more than two hours without looking away from a screen in our daily lives.
The portrayal of familiar online habits on the big screen is cleverly used for comic effect. The constant rewriting of messages and the replacement of the jovial exclamation mark for the famously passive aggressive full stop is fully relatable and funny to watch. Some of the visuals are also arresting because they are taken out of their familiar context. Most notably, David’s screen saver is transformed into an enormous malignant jellyfish when shown without the borders of a laptop.
The clever parallels between the title, Searching, and the extensive use of search engines (particularly Apple’s “Finder”) throughout the film invite us to look at how we use the internet. Google asks us to “Search Google or type URL,” but when the missing object is a person rather than the answer to inane questions, these words take on a much more frightening currency.
Searching maintains a fantastic tension throughout the search for Margot. The contrast of the horror of the situation and recognisable ordinariness of the technological format is extremely effective in unsettling the audience.
The twists are truly chilling. By the end, there are perhaps just too many wrenching turns, which slightly dents the believability of the film. This is the only thing stopping Searching from getting a solid five-star review. It is a wonderfully sharp, brutally tense and inventively shot thriller that shows the blossoming possibilities of technology in film.
This is still a very solid show in just about every regard.
I like how this season gave arcs to characters who hadn’t been highlighted before.
In some regards, the characters you expect to be the most important almost take a backseat during this season.
A welcome change, in my opinion.
Also, some of the dialogue in the show is just amazing.
Bauman’s car monologue during the penultimate episode might just be my favourite moment of the whole season.
The biggest problem still remains the show’s unoriginality and predictability.
You’ve seen this type of story a million times before.
But because it’s been a long time since you’ve seen this type of story, and the show very cunningly plays into that with its overuse of nostalgia, the Duffens trick you into thinking that their show is a lot better than it actually is.
Furthermore, this season in particular had a few storylines too many, which made the story lose its focus.
Ultimately, everything converges in the fantastic final episode, but they could’ve excluded the David Harbour/Winona Ryder storyline for the first 7 episodes, and you would only lose some exposition that was already made clear by other storylines.
Still, this show is just too competent and well made in order to dislike it.
Technically, it’s one of the most brilliant shows out there.
Visually stunning, a great score and well paced.
The characters are all still very likable, and the acting is solid (particularly from the younger cast).
Bring on the next season!
7/10
Kind of like it but this week's villain wth, he is the most forgettable villain in the whole series. He was just a means to an end. He is just used for next week's plot episode.
I loved the development of the story. Barry and Harry back together. I liked the fact that noe that Wally is part of the family, Barry had to Look for a New father, and that means Wells. He is the bad guy always plotting against Team flash but, hey, you cannot help but love Wells. He is one of a kind.
Wally saying he likes fast was pretty subtle. One way or another he is gonna enter the Speed Force so, hey, why forcing it?
Harry's confession was pretty cool but not as much as Barry saying he would do the same if he was in his position.This shows how much Barry has advanced in being a hero. He has grown up.
And what about Iris. Since Eddie "died" she has been forced to be on the spotlight and hells yes, she has been very good at it. Now, unlike Last Season she doesn't mess thing up and that is cool.
As well as Harry, Joe was brilliant tonight and I liked the way the West family development was handled.
No words about tar-pit. He was a horrible villain and so easy to defeat, just through him something, Joe hits him and that's all. Ackward. Besides, a Man whi was killed the night the particle accelerator exploded and that seeks for revenge is old so, come on, develop something new. Plus, I am a Big Supernatural fan, and seeing Clay, the guy who killed tar-pit at the very begining was funny like, ok come on, he is a leviathan you dorks, he cannot be killed hahaha.
Anyhow, I liked the episode (aside from the villain), but the development of West arc and Barry/Harry/Joe was awesome.
Looking forward for next week's episode. That is going to be crazy like the Dingo até my Baby crazy. Can't wait!!!
Primal is an apt title. The show depicts primal violence, primal rage, primal grief. But what I was most surprised by was its display of primal empathy. Yes, the show is gorgeously and lavishly animated. There are shots that will take your breath away, and it knows when to rev up the engine and when to slow down and luxuriate in the stillness and beauty of the environment, much like Samurai Jack before it. Yes, it is a brutal and gory show- every hit has impact, and the fifth episode is bloody enough to make Mortal Kombat blush.
But the core theme running through the show is empathy. The animation pays just as much attention to the eyes as they do the action sequences, knowing that in a show without words, eyes are truly windows to the soul. A perfectly placed soft smile will melt your heart. And each episode returns to that theme of empathy. It'd be an easy excuse in a prehistoric story to say that at our primal core, humanity are monsters. But we're not- we're animals. Animals can be brutal, violent, ruthless. But they think and feel as well, and it is empathy that is the main characters' biggest strength.
It is empathy that leads them to bond and grieve together. It is empathy that leads Spear, the neanderthal, to help a pack of starving humans without second thought. It is empathy that diffuses a situation with woolly mammoths who did not want vengeance but simply the opportunity to mourn and honor their fallen. Spear and Fang the dinosaur's bond is what gives them strength, and the interconnectedness of life is reinforced even in its antagonists, whether in comparison like a group of bats and a spider working together to feed or in contrast like the group of apes that brutalize each other for the chance of brutalizing strong foes for glory. The protagonists even defeat the bats by leading them into the territory of a separate pack of beasts. Nothing is truly alone. The companionship of Spear and Fang is what sets them apart and strengthens them. Empathy is what keeps them alive. And it is that heart that elevates Primal from being not only something nice to look at, but an engaging work of art.
