I am incredibly grateful to Game of Thrones for this adventure I have found myself sucked into for some years now. I am grateful for all the emotions it brought me since day one, bitter and sweet alike. I am grateful for all the laughs, all the tears, all the jokes and gags, every single bit of it, I really am grateful and appreciative of it all. It's been just... wonderful.
That said, I am feeling robbed and betrayed right about now. This ending is arguably one of the worst series finales in the history of television and trust me I realize how bold of a statement that is. The terrible violations the characters have suffered this season, the lack of proper resolution to many of the plots and narratives developed over seasons worth of buildup, the seeking of shock value at the expense of quality writing... that and much much more solidified this as an absolute disappointment of a finale, as opposed to the marvel wrap it could've given this cultural phenomenon.
This episode does have its positives, as always the score, acting and cinematography are perfectly performed but I just do not think it's nearly enough to compensate for how lackluster the writing has been, as much as I wish they did. Oh well, sad as it may be, I'll just hold on to the good stuff and hope that GRRM's book, once finished, will tackle the ending in a more coherent, more respectful and more meaningful way. It's been real y'all...
P.S: I'll leave this here lest some people jump me again. This comment is a representation of my own personal opinion, I am entitled to one just as all of you are. If you enjoyed this season and felt this finale delivered what you were looking for then more power to you mate, but that doesn't nullify my opinion nor does it make yours any valid. If you want to discuss or challenge my views, I'd be more than happy to engage you on that basis but if all you have to offer are petty remarks then please keep them to yourself.
Bran: I can never be Lord of Winterfell, I can never be Lord of anything, I'm the Three-eyed Raven.
Also Bran: I'm the King.
My most beloved TV show got destroyed in a matter of minutes. The previous episodes of S08 at least gave me some kind of emotion, episode 05 was a flat line. This truly is a masterpiece, a masterpiece of destruction. They've destroyed everything! The character development, the story, the plot, the meaning of GOT, the writing of G.R.R. Martin. They've destroyed all the hard work put in all of these years, they've spit on everything. I'm not going to hate the show, it gave me so much, and it will continue to be my favorite, but i'm just going to pretend this last season was never made. I'm going to imagine all the possible theories, all the story plots that could have been made, and just hope the writer finishes the series some day.
Sesion 8 the waste of our time.
It's so much fun. It knows what type of movie it is and delivers. The story kept me on my toes. The ensemble cast is terrific. Chris Evans having a blast playing an asshole, Ana de Armas is great, and Daniel Craig playing a detective with a funny accent is a treat. I want to see this again knowing the plot so I can look for all the subtle foreshadowing.
After a rewatch I am even more impressed with how good the script is and how much is set up and paid off. This one is of the better movies of the year.
This movie outsmarted me at every turn!! I loved it. So fun.
I like most space movies and this one is no different. It is shot incredible well with some fantastic shots in space. The score and sound editing were great. Brad Pitt gives a terrific quiet performance. I can see why some would think this would be slow and boring but this held my attention the whole way and I wanted more.
Fantastic movie, in all sense sof the word. A contemplative space drama about a father and son of few words, and the metaphorical and physical distance between them. Great space action and a resonant message. One of the best movies of the year in my opinion.
What an extraordinary and beautiful journey this was. Thank you, Legion.
"A mechanical, soulless dystopian theme park ride to nowhere."
Criminally underrated.
In the age of Transformers-, Pacific Rim-, Godzilla- and Marvel-movies that is churned out every other month this is a great alternative Sci-Fi film. I loved the pacing and tone, but I understand that a lot of people that are used to the same formula and action every 30 seconds - it could be viewed as boring. It isn't. Brad Pitts performance is perfect and the driving force of this space adventure.
Visually stunning and with beautiful music, this hits almost every note with perfect pitch. A must-see for Sci-Fi fans and a must-buy for me when it's time for a blu-ray release.
That was a rather anticlimactic but fitting end to a show that has done amazing work with creative storytelling andgroundbreaking visuals. It has always been a pleasure to watch even though at many times you had no idea what's going on.
Brilliant performances from both actors! It was a fantastic story as well...full of drama and character development. All I can say is bravo!
Terrible season. I don't understand why D&D made us wait 2 years for this nonsense. Rushed and disappointing.
This show has made me cry multiple times. It would not be in its fasson, had it not done so in this beautiful finale. Additionally, this show tends to take music and visuals and warp them into something so amazing, that this finale "Mother" song made me cry while sitting in my car mechanics shop. I didn't care i was crying in public. I was moved. So damn much, was I moved. Thank you for an amazing journey, Legion. I hope you can break the cycle and come out better, baby David .....
-----Pink Floyd - Mother -----
Mother do you think they'll drop the bomb
Mother do you think they'll like the song
Mother do you think they'll try to break my balls
Ooooh aah, Mother should I build a wall
Mother should I run for president
Mother should I trust the government
Mother will they put me in the firing line
Ooooh aah, is it just a waste of time
Hush now baby don't you cry
Mama's gonna make all of your
Nightmares come true
Mama's gonna put all of her fears into you
Mama's gonna keep you right here
Under her wing
she won't let you fly but she might let you sing
Mama will keep baby cosy and warm
Ooooh Babe Ooooh Babe Ooooh Babe
Of course Mama's gonna help build the wall
Mother do think she's good enough for me
Mother do think she's dangerous to me
Mother will she tear your little boy apart
Oooh aah, mother will she break my heart
Hush now baby, baby don't you cry
Mama's gonna check out all your girl friends for you
Mama won't let anyone dirty get through
Mama's gonna wait up till you come in
Mama will always find out where
You've been
Mamma's gonna keep baby healthy and clean
Ooooh Babe Ooooh Babe Ooooh Babe
You'll always be a baby to me
Mother, did it need to be so high.
Absolutely a beautiful show. Great characters that were well acted. Amazing visuals and soundtrack. Had to rewatch sections to better understand how everything fit together but well worth my time. Thank you.
Watch Brad Pitt for two hours while he travels through the solar system to teach us we should not work too much while Liv Tyler is alone at home in your bed.
This is a film that should work - the story itself has a horrible crime at its core that should stir some emotion in a viewer, the performances in the film are all good and there is an interesting dynamic to explore. Yet, despite these elements, there is a strong feeling of detachment to the characters that prevents one from ever really engaging with the story. It is difficult to connect with the central protagonist at all, despite a good performance from Hill, as the film offers very little insight into his character. Furthermore, even without any knowledge of the crime itself, the central mystery of whether Franco's character is guilty or not is never really in doubt to a viewer. Strangely uninvolving
A visually stylish and elegant love story set in a fantasy world. I found the fantasy parts and world building to be much more alluring that the love story parts. Tilda and Idris were both great in their roles but I was never convinced about their chemistry and found it very random what both characters went for. My favorite parts of the movie were the flashbacks but I wasn't the biggest fan of everything in the present.
8.2/10. Almost every story about robots ends up being about humanity and personhood. The most unadventurous among them only confront the luddite question of whether an android could ever be sentient, could ever be a person, even though they’re made from circuits and gears rather than flesh and blood. (It’s a question that many great works, most notably Star Trek: The Next Generation have convincingly answered in the affirmative.)
But the best works don’t just interrogate the question of whether a robot can be a human, but rather use the idea of the mechanical man to try to answer the question of what makes us human. Films like A.I.--and make no mistake, it’s a quality film—ask deeper questions about what defines humanity, what qualities, practices, traits do we possess as a species that makes us unique, and uses an outsider and imitator to do so, in the same way that learning a foreign language can help us to better understand our native tongue.
Thus A.I. tells us the story of a young “mecha” child who wants to be a real boy. The film wears its Pinocchio influences on its sleeve, and to that end, offers an updated, sci-fi-infused version of that story. In it, David, an android child, wonders what it takes for him to become real, for him to become human.
The answer offered is an intriguing one – love. What distinguishes David from his mecha counterparts is the fact that he can “imprint” on his mother, that he can have an innate attachment to her beyond his own control. But it’s not the trite Hallmark Holiday version of love. The film presents something far more melancholy, far more heartrending, in its conception of “love” as an essential ingredient in humanity.
In essence, the film posits that what makes us human, our distinguishing feature, is our ability to love something so much that we yearn for the unobtainable, that we reach for simulacra and last gasps of things we can no longer have. The kind of love that makes us human is the one that makes our attachments run so deep that they survive the people we were attached to, that they drive us to try to recapture things we know are lost and can never be recovered.
That is the crux of this film. It repeatedly shows us individuals who reveal their humanity through attempts to revive their loved ones, to find something to fill the holes in their hearts left when they lost those closest to them. Monica, David’s would-be mother, accepted David as a fill-in for her own son who is in suspended animation after some disease or accident that ripped him from her. She is reluctant at first, but soon finds that David is a means to ease her pain, to make this inevitably misguided attempt to bring her child back in a fashion.
That motif is repeated when David finally makes it to his creator’s workshop, and discovers that he himself was made in the likeness of Professor Hobby’s dead son. He too is living monument to the attempt to hold onto something lost, because the love imbued in that person is too much for to allow his maker to let go.
Of course, A.I. is also interested in the morality of creating something that can love, that must love, and which we may not love back. The film’s opening act--which centers on the process of the Swinton family learning to love David, having their flesh and blood son come back to life, and then slowly but surely coming to the decision that David, for manipulated but understandable reasons of safety, no longer has a place in their family—is the tightest of the film. It tells a heartbreaking story of a young man becoming a fixture, becoming a part of a home of love, and then being put out when he no longer makes sense there. In particular, the scene where Monica abandons him in the woods, and he offers impassioned pleas and promises that he’ll be better, than he’ll be realer, to no avail, is utterly devastating.
But it incites the middle act of David’s Pinocchio-like adventures, which prove to be the weakest part of the film. There’s thematic meat in the “Flesh Fare” portions of the film, which communicate the fears of a human population concerned that they’re being replaced by technology in a way that feels terribly prescient now. It also explores the way in which children are uniquely situated to earn our sympathies, that they speak to an innate sense of protection and preservation that manage to cut through even the chauvinistic prejudices of a bloodthirsty crowd desperate for mecha torture.
For the most part, however, these scenes feel like simple ways to fill in struggles between David being kicked out of his home, and him becoming a real boy. His adventures with Gigolo Joe and Teddy (who work as his companions in the vein of Jiminy Cricket) make gestures toward the larger themes of the film, and offer some red meat to science fiction fans both in terms of world building and gorgeous, otherworldly set pieces and sequences that still look superb despite being a decade and a half old, but mostly feel like less compelling detours to the larger story being told. Flesh Fare, Rouge City, and the sunken bones of Old New York are entertaining enough as standalone pieces, but don’t have the thematic coherence of the rest of the film.
That coherence comes in the film’s much maligned end game. While a 2,000 year wait and the presence of aliens may have been off-putting at first, they work as the true equivalents to the blue fairy that David is so desperate to find – the effectively supernatural force that can intervene and grant David’s wish.
And they do. What David wishes for more than anything in the world is to return to his mother, so the aliens revive her for one more day. It is in that final montage, where David gets to celebrate his birthday, to tell his mother his life’s story, to share in the joys and the pains of love and loss, that he truly becomes a real boy. What makes him so is the way that he shares in the efforts of Monica Swinton, and of Professor Hobby – his desire to recapture something lost, because he loves someone, and he can’t turn that off just because they’re gone.
His revival of Monica, his desperation to enjoy one last day with her, one last simulacra of where his love led him, shows that David has a soul, however you’d like to define that term. As the similarly precocious Lisa Simpsons once put it (via writer Greg Daniels) some philosophers believe that a soul is not something we are born with, but rather something we earn, through suffering, struggle, and acts that reveal our humanity. David has done all that and more, coming close to death, traveling great distances, showing his devotion and futile hope for millennia, in the hopes of being able to return to his mother.
So when he does, when he gets to spend that one last glorious day with her, it’s not just the culmination of the story, it’s his reward for his steadfastness, and the confirmation that he is a human being, in every meaningful sense of the term. It is moving when he hears the words he so desperately wanted to hear ‘lo those many years – that his mother loves him, that she’s always loved him. It is then that he not only becomes “real” but becomes whole, the gaping hole inside of him is filled. In the end, David wants without reason, he wants beyond reason, and like the little wooden boy who inspires him and those telling his story, eventually, his wish is granted, and he knows the profound pain and immense joy that comes with being a human being. The boy who was treated as much like a child as a person, turns out to be the last bastion of humanity, the legacy of our sins and our aspirations, at the end of the world.
George giveth, D&D taketh away.
A beautiful story, very well told, but the ending leaves me wanting. After everything in the main leadup to the crux of the movie, the ending was just underwhelming.
Nothing made sense, the characters were all boring, the dialogue sounded like it was written by an eighth grader, there's no real sense of danger or importance to any actions, the kindest way to describe the plot is that it was a poorly constructed rip-off of Star Wars: A New Hope, and there were way too many macguffins. The special effects looked neat but that doesn't make a good story. And the romance? There was more chemistry between Hester and the cyborg than her alleged love interest. Just... just awful.
This will really worth rewatching it. Every episode has a lot inside if you know how to look. Don’t listen to the ones who say the ending is not worth, a very decent and great ending it definitely has! I mean what were u expecting??? As I said before, writers are really insane and not from this world I suppose :)))
And thank you all helping me when I was human..
Legion feels like nothing else on TV right now. You might want to stop watching it between episode 2-4 but don't stop. It pays off. The show is legitimately terrifying and trippy as hell but maintains a balance between both. That Noah Hawley (Fargo TV show) is majorly involved in the making of Legion gives me hope we might have something great here. It's also a good thing the show is on FX who seem more willing to take a chance on shows regardless of low ratings (The Americans).
I thought the previews was the best parts of this movie, very disappointed, thought this was going to be better:(
Superb series.
- Original.
- Interesting story line.
- Impressive acting
- Surprising.
- An amazing look into the brain of a schizophrenic - or not?
- not a just-another-super-hero series
show is downrated..,i dont know why but i liked it and its amazing
Legion is a beautiful work of art!
one of the best TV series out there...
This movie is already hard to take serious because Jonah Hill is making a serious character but to my surprise the 1st act is quite solid. It's a shame that once you enter the 2nd act the movie just stumbles on himself and the 3rd act is completely non-sense.