No me hace sentir orgullo haber visto esta película, la vi con el mismo morbo de la mayoría de los espectadores. Me incomodo de todo tipo de maneras, visualmente es impactante, más de una vez tuve que retirar la vista de la pantalla, y moralmente también me incomoda, no creo que le hayan pedido permiso a los familiares de las personas fallecidas para exhibirlos de esa manera. Me habría molestado si el cadáver de un ser querido saciará el morbo de un puñado de curiosos nipones.
Sin embargo creo que tiene una relevancia al mostrar un fragmento de la vida (válgame la expresión) en esa Colombia Salvaje. Es testimonio invaluable, no hay nada parecido, por lo menos no a mi alcance (y que bueno), por lo que se debería preservar como parte de la historia audiovisual, cruel y descarnada del mundo.
Definitivamente no se la recomiendo a nadie, no creo incluirla en mi lista de “Películas que tienes que ver antes de morir”, pero sí en la lista de “Películas que no debieron ser filmadas pero ya que lo hicieron no hay porque destruirlas, prohibirlas y negarlas, es parte de la historia del planeta Tierra.”.
A truely unique documentary. Not only does the director talk to some of the people responsible for mass murders of commies in Indonesia but he also enlists them in a project to make a movie about their experiences. They then go on and even mix together diffrent genres (musicals, ganster film, etc.) for their story. This gives it a rather surreal vibe but it underlines the thinking of the perpetrators. The way they openly - without regret - talk about their past actions is disturbing. Needless to say there is a climax to the movie and it's all captured with just the camera rolling. I now might also know how "sick to the stomach" sounds like. Well worth for some astonishing scenes and it only occasionally drags on.
As of now, there seem to be three different versions: a 115 minute cut for the festival release, a directors cut of 159 minutes (the one I watched and belive is really the real one (matches RT)) and another one that is unfinished and apperantly is shared in Indonesia (official screenings are not permitted there). The last one has some credits/scenes in it which were removed for the "proper" release for security reasons (many credits have been listed as anon).
Minari is an emotionally engaging and beautiful film. I had just learned this film existed a few weeks ago but since this film was getting such high praise I went into this with pretty high expectations. This is such a gentle yet emotionally straining film, it’s truly a special experience to watch. The plot is great it’s an entertaining and deeply engaging story. It starts off as a story that has been told before but becomes much much more. The pacing is great from the first scene until the credits role it’s well paced. The acting is great Steven Yeun and Yeri Han give great performances. Yuh-Jung Youn gives a fantastic supporting performance, she is easily one of the best parts of this film. Alan S. Kim and Noel Cho give great child performances as well.
The direction is fantastic from Lee Isaac Chung, his direction is incredibly impressive and you can tell he was very passionate about making this. The script is great it’s a memorable and very well written script. The cinematography is fantastic, this film is full of shots that are so beautiful it’ll make your jaw drop. There is a certain shot where Jacob and Monica are watching the kids playing in the hospital waiting room and the camera focuses back and forth on the two faces. That one shot perfectly captures the story of the characters in less than a minute. The editing is great and the score is great as well.
The comedy is very subtle but when there is comedy it’s wholesomely funny. In terms of the Oscars there’s a strong possibility that this will sadly be overlooked/snubbed. If this did get it’s deserved attention from the academy I feel this would probably get nominated for Best Picture, Best Original Screenplay, Best Cinematography, and Best Supporting Actress: Yuh-Jung Youn. The ending scenes of the film are very emotional and the last shot is just brilliant. Overall Minari is wonderfully wholesome and emotionally engaging film that is truly a special movie.
(9 out 10)
if you've ever wanted to see scarlett johansonn choke on a cake then this is the film for you
Stunning film from Kelly Reichardt. Wendy and Lucy still remains my favourite of hers but this ran it extremely close. The way Reichardt shoots the Oregon landscape and the nature within it is absolutely beautiful.
At it's heart it's a tale of friendship among those that set off for America's West Coast to find their fortune. Not unlike something like There Will be Blood. But it's done with so much grace and compassion that the viewer is floored by the two main characters' affinity with each other.
There's a reveal in the very first segment of the film too, which just reinforces how good a filmmaker Reichardt is to pull this off. John Magaro's performance is also noteworthy. Great film.
I'm surprised that this film has a relatively low rating on Trakt. I really enjoyed the futurism, the themes of disillusionment and identity and the philosophical themes explored.
Beautiful scenery, great music and good acting. I have seen it twice now and it was just as good as I remembered it. Some really funny moments and a few thrills and chilling moments. But the way the movie is crafted and cut is just beautiful. Love the ending immensely, and since it's based on a true story - you can't really complain about it.
Absolutely fantastic. I will admit that I hesitated at first, but then I thought why not give it a try. Gloomy and eerie, but good at it. The music throughout the series is really well chosen; it fits perfectly well. The writing is also top notch, as is the acting. You can either have it in English sound or in German sound with English subtitles. Honestly I wasn't bothered at all with the English sound, so if that's your thing you will be able to enjoy the series just fine (maybe you'll also be slightly less distracted as opposed to reading subtitles). Personally I chose the German sound, as it felt more natural.
Honestly, give it a try. Might very well be the best series I've watched this year.
EDIT: Binged season 2 in a sitting. Just wow. This review doesn't do it justice. And the casting...I mean, I totally thought old Ulrich was the result of CGI or something. Season 2 is best thing I've watched this year and last year included (ever?).
Seeing a film that's won the Palme d'or at Cannes or Best Picture Oscar is like drinking a bottle of ridiculously expensive wine: with every sip you ask yourself over and over again if it deserves the price. Fortunately, Parasite is so good you won't be drinking very long because you'll be drunk on its power soon enough.
A film that crosses genres so many times it leaves a permanent mark, Parasite is a clever story performed wonderfully and directed to perfection.
Pawel Pawlikowski returns to the black and white 4:3 aspect ratio that worked so well with 'Ida'. This is a stunning film. Joanna Kulig gives a brilliant performance as one half of a couple faced with decisions and adversity in post war communist Poland. Based loosely on the Director's own parents, it's a devastatingly captivating love story involving music, tragedy and politics. Spanning 15 years, the film uses music to evolve the story and the phenomenal set design / ambience of the film really captures the state of flux that Europe was in at the time. Lukasz Zal's cinematography will live long in the memory. I need a few days to digest this one but I can't see it being beaten on my best movies of 2018 list.
Sandra Bullock has to be the luckiest person on Earth. If you accept this fact then you can enjoy this movie.
I did not expect to be emotionally blown away but here I am watching the credits, speechless. A truly human story. This film is gorgeous. One of the best looking movies I've seen all year. Alfonso Cuarón is a master behind the camera. Yalitza Aparicio does an amazing job, very impressive for her first role. This is a must watch. If you really immerse yourself, you will be in for a treat.
This is a beautiful movie. It is captivating, story unfolds naturally and realistically. Cinematography and sound design is masterful. Movie has some unforgettable scenes. One of them is so emotional I couldn't stop crying. This is Alfonso's love letter to all mothers.
Decent but not nearly worth all of the praise that it received
I remember seeing this when it first came out, it was unique, it was groundbreaking, it was well directed and well acted. Today it seems almost predictable, this does not make it a bad movie, just makes you realize how many other movies copied something from this one.
I need more. Like a thousand more.
Lost in Translation was a slow but beautiful movie. It's pretty understated and subtle, with very nuanced performances by Scarlett Johansson (whom I don't usually like; apparently she was 19 when she made this) and Bill Murray. Probably one of the best romance movies I've seen, though definitely not for everybody.
"You have no idea what I'm talking about, i'm sure, but don't worry, you will someday."
There are very few films that have had so much impact on me and that have made me think about the true meaning of our life. American Beauty is one of them. I've seen this movie for some time, but after several months processing what I saw, I'm just writing about it now.
American Beauty, for me, it's about the search for our identity and what really matters in our lives. After all, we only live once. And we should enjoy every minute to the fullest.
We should take advantage of life to focus on the things that really matter, the people around us, not material goods.
The screenplay is very well written, the direction of Sam Mendes is magnificent and the performances are perfect. The characters are very well set up and all of them have a purpose, the soundtrack is beautiful and the cinematography, wonderful.
American Beauty is, without a doubt, in my top 10 favorite movies of all time and it might very well be my number 1.
A one of a kind movie. Its visual power captures your senses and your interest from the first moment. Especially if you are a Van Gongh fan.
It focuses on an interesting part of Vincent's life (which also means you won't see the whole life of him if you expect a biographic documentary). You never get bored and its like you are part of the movie. In the end it leaves you with a calm and satisfying sensation.
All the actors are great. The animation is unique (and you see all the hard work to create all these oil paintings) and of course the music is a great asset for the movie.
Totally a must see movie for someone who seeks something different and also wants to have a taste of the life of this brilliant painter. Also a small piece of advice. It will boost the experience if you see some of his works first, especially his portraits.
