A very successful horror decent atmosphere, it's just a pity that the end will be a more interesting end and find out how it will turn out, if they get out of the madhouse and if they survive at all, you won't know. All that remains is to watch the second part and hope that the unraveling of the whole film will come. But even so, a very successful horror with a decent atmosphere, my rating would be a bit higher, but for that end I have to give a mark less, so I rate seven points out of ten, but still a very well-crafted horror. Sorry my English is very bad.
It’s not a movie.
It’s just another bland, soulless mass product that’s primarily aimed at the Chinese market.
Now that WB is the only real studio releasing big movies, it really shows what a joke of a studio they’ve become during the last 5 years.
Not that they didn’t release crap before that, but at least there was something like a good Mad Max, Harry Potter, Matrix or Lord of the Rings film somewhere to be found in their slate.
It would seem Villeneuve and Nolan are the only real talents that are left at the studio.
For nearly every other film they make, they seem to think that appealing to the lowest common denominator will give them the biggest return on their investment.
I.e. the action scenes are more important than the story or the characters, and the scale needs to be huge, even if it looks tacky and fake.
3/10
Very cheaply made. Terrible acting and story. As usual, trailer is better than the movie.
no idea and no skill
Utterly disappointed. Movie felt very rushed and the editing was awkward. They skimmed right through any sort of world building. For example, literally zero explanation of why the Lin Kuei was sent to kill Hanzo or what the motivation is for Bi Han to align with Shang Tsung... or how he was able to live for centuries. The addition of Cole was completely unnecessary. MK is too rich with characters and lore that this addition is completely unjustified. The movie was stuffed with fan service and zero substance. No Mortal Kombat tournament actually took place and they had the audacity to make Shang Tsung say next time he’s bringing an army? Die hard Mortal Kombat fans should feel insulted by this movie.
If this movie isn’t evidence of the need to turn down CGI in Hollywood, I dunno what is.
For as many things as they got right, they got just as many wrong
Overall, the movie was kinda bad. It has some good easter eggs (tho some of them are nonsense), but also too many cheesy-one liners noding the games (you know, "flawless victory", "fatality", "finish him"), kinda force them into it just to look cool. The acting was meh (except for Sanada, who seems the only one who can actually act); the story was rushed and without too much development. I liked they included some less-known characters like Reiko, Kabal and Nitara. The only cool thing is that the keep their promise on the bloody/gore side, so at least we had that. No more than a 5 over 10
I'm supprised that this movie with no real story would be made with what seems to be an ok budget, based on the cgi. I'm not hopeful for the future of game movies based on this. Really suppriced they accepted such a week story. Guess they where ok with just the characters and their fights. Ohh well guess we all have different taste.
why sub-zero always leave his opponents alive? fr. and hasashi hanzo whatever attacks from back and two on one bhahahahaa...
Hot Take: this is the best Jaws sequel
This was definitely more for Godzilla fans than it was for critics. It was way better than the 2014 film that got Certified Fresh. The film is just badass. Not perfect but....bad ass.
They do over-do the family drama again though. Especially when the family drama makes no sense. Mark Russel (Kyle Chandler) blames Godzilla for the death of his son. He wants all monsters dead.
Mark’s wife Emma (Vera Farmiga) says screw mankind. The monsters will cure the planet of Climate Change. So yeah in another words who cares if anyone else loses family members. Due to her plan to unleash all monsters.
Her daughter Madison (Millie Bobbie Brown) sticks with her. Despite her mom teaming with some bad men with guns. Who kill some nice scientists right in front of her. So yeah, Mark is the sanest one in that family.
Even if there’s too much of the humans and a silly plot. This is the best of the Hollywood Godzilla movies. Critics are just wrong. One even said the Roland Emmerich version is better. What drugs is that critic on ?
The battles are some of the best done of any monster vs monster battle. Unlike the first film this one has a ton of Godzilla history to it. It shows him way more and shows the character great respect.
I will never go Mcdonalds.
This is how DC's Movies should have been made. It's action sequences are insanely awesome. Amber Heard is drop dead gorgeous like a goddess in this movie. Jason Momoa is born to play Aquaman. Perfect castings. Don't miss this amazing movie guys.
There was nothing enlightening here. I felt that the engineering from social, psychological, computational, and mathematical aspects were interesting and should have been explored more, since they essentially glossed over the misinformation campaigns running rampant on every social media platform the world over. Even if this doc would've focused on regulation, or the lack thereof, that would've been something, but they chose to not call any entities out, remain middle-of-the-road, and out of the fray. I think that this topic would've been much better served as a multi-part series that explored the various ramifications of social media, rather than 90 minutes of glossed over, big-picture fluff that didn't hit at the heart of any of the numerous implications caused by the inherent designs of social media platforms.
I will say, however, there were far better recommendations for how to combat this ever-present problem in the last few moments of the film, while the credits rolled. The director had the interviewees each list methods they utilize to prevent overexposure to the ills of social media to them and their families.
It was terrible on so many levels. Spiral is supposed to reinvent the franchise but I don't see any original idea in here. It rushes through a painfully predictable plot. Chris Rock is annoying as hell! He plays the worst detective ever, or he just can't act. The rest of the cast is weak. They don't have enough personality to make me care about. It also doesn't push the gore to its usual limits. The traps are very underwhelming and the torture sequences are too short. I don't even care if the victims will make it out alive or not. The twist is too painfully obvious, I literally saw it coming from miles away. The killer's trying to imitate Jigsaw voice is honestly laughable. He sounds so stupid and not even intimidating. It could've been enjoyable if there's no Saw thrown into the mix. This film clearly didn't meet the expectations.
Terrible.
Update to my original 2021 review with new 2022 content. Will Smith's slap was more thrilling than this movie!
Most based movie ever lmao
It is hard to come to a film like Psycho without at least some awareness of the likely surprises in store - the famous moment in the shower is so indelible in pop culture that it has lost its shock factor. Yet, in the context of the film it is still a surprising moment. What is so clever about Psycho is that the first half of the film suggests an entirely different genre and approach. Hitchcock creates a fascinating set-up and moral dilemma that keeps the audience intrigued so that by the time our heroine makes her decision to resolve this issue, you could be forgiven for forgetting the title of the film. But it is the arrival at the Bates Motel and Perkins’ entrance that immediately signals a change in tone, specifically a fascinating conversation between Perkins and Leigh in the motel parlour. It is Perkins’s nuanced performance throughout the film that suggest both a softly spoken innocence and a creepy underlying darkness to Norman Bates, and this is never more clear than in his introduction, as the focus of the audience shifts from Leigh’s character to Perkins. There is little to be added to the already iconic shower scene other than it is a masterclass in editing, music and performance (the shot that pulls back from the victim’s eye is still both horrifying and utterly mesmerising). The second half of the film could have struggled to live up to this and to a certain extent it does, but in the ensuing investigation, Hitchcock of course has one or two more surprises in store that are best left unspoiled and Perkins’ performance ensured that the loss of one great character would not be detrimental to the overall film. It is a shame the final scene feels the need to over explain the events of the film, but the final shot certainly leaves a great impression.
Belle... A collection of music videos glued together by a really badly written narrative.
Belle is one of the weakest animated movies i have seen in the past few years, and that makes me really sad, as a fan of the director i went into this expecting an 8 or an 9, but what i got is a 5 at best.
Belle has a interesting idea, with its reworking of the "beauty and the beast" and its child abuse themes... But it fails to build on its characters and to explain basic premises of its own world, making it for a very boring and bland experience.
Most of the things we thought would be relevant were completely ignored and absolutely useless, we asked ourselves watching "did she get some disease and now is unable to sing in the real world and that is why the U is an escape?" No, they never address this, she just fails to sing and vomits once because the movie wanted to i guess? They keep all her "friends" completely irrelevant and underdeveloped until the last quarter of the movie, so i basically don't care about any of them in the end, they never explain the socio economical structure of the U world... How does this work? They say the avatar is made automatically based on people physiognomy, but the avatars are crazy different in form and species, how can that be made from ones physiognomy? How is the invitation system decided? Who is invited and why? Why even have an invitation system instead of selling the app or freely distributing it if that ends up irrelevant to the story? Why show us a very interesting singer character on the start that rivalizes our belle if you are just going to forget her for the whole movie? How to know which avatars are AI controlled and which are actually people? Is it possible do die in U? If not, what is the relevance of all the conflict we see?
Belle raises too many questions and answer very little, it presents us with an beautiful and interesting virtual world but tells us NOTHING about it and how it all works, it presents us with futuristic technology in a world that seems stuck in the 2000s, it gives us many bland and uninteresting characters with only one personality trait each and develops none of them... There are so many problems, so many drawn out scenes... That it all gets boring and tiresome...
And.... That makes me really sad, the music is GREAT, the visuals are BEAUTIFUL, the music scenes are AMAZING... But they are few and far in between and the rest of the movie... Is not interesting, they present us a nice duality of belle and the beast, but their interest in one another is so out of nowhere and forced that it doesnt feel even a little bit real or natural... There is a great scene that develops the characters and emotional connects, but it is only in the last quarter of the movie... When it has already lost all my interest and attention... and the plot of child abuse is ok and very important... But it feels shoved in... The main plot... Feels shoved in... Oh, and how they find the boy... Well, that was just the worst "investigation" bit i have ever seen...
I really wanted to like this movie, but there are just too many unanswered questions, just too little character development, and a plot that is just generic and bland enough to lose my attention... The visuals and music alone are not enough...
At the end, i feel like they made some really great music videos and didnt want to release it as just animated music videos, so they wrote a really bland movie around it and shoved a controversial and important theme(child abuse) to appeal to peoples hearts in an effective but kinda cheap way.
As much as I wanted to love this movie (and I would absolutely adore an art book, and the OST is amazing), it's a bunch of different plots mashed together and nothing is fully fleshed out.
By the end of the movie, you're left wondering if anything was really resolved and that's not a feeling I want to walk away with from an animated movie that seems to be aiming for a hopeful tone and acts like everything is better now. Amazing art, amazing singing, amazing songs, and could've probably done better as a musical. As it is, though, there were a lot of coincidences that push believability, a lot of plot points that weren't explored enough, a lot of major details that were never explained, and an open ending that doesn't really say why all the characters act like everything got solved.
I wouldn't waste my time watching it again, but if you regularly watch movies, it wouldn't hurt to see this once for the art and music.
It is a musical, not only a Cinderalla story. In it's category, you can enjoy the scenes, dances and maybe acting. But I am fed up with that SJW thing. It makes me loose the concentration on the main topic.
Honestly, what the hell is this?
is it really that bad?
What? No Milla Jovovich? Wouldn't be the same.
Milla Jovovich read this shitty script and saw the cast and she was like "HELLO NO!"
Ang Lee's "Hulk" is nuts. From the comic book panel effect to the insane and possibly chemically-induced performance of Nick Nolte, this seems closest to what a Hulk movie ought to be.
It truly seems as though Bruce Banner's transformations turn him from a normal skin-and-bone human being to an animated monstrosity born into the real world. When he turns Hulk, he looks like an animated freak straight out of a comic book. Call it primitive CGI if you want, but I think it works almost perfectly. It makes the Hulk himself scary. At times it nears "Who Framed Roger Rabbit" levels of "Toontown".
I don't even care about Eric Bana, Jennifer Connelly or Sam Elliott. Just give me the scenes with the massive, swollen Hulk leaping across the desert Southwest. His breakout from the military lab, his battle with tanks, his foot race with Army helicopters, it's all just a blast! Not to mention the brutal fight between Hulk and three deformed Nolte-dogs.
The only real drawback for me is an underwhelming ending battle between Hulk and his father, Nolte-thing. It's really hard to see what is happening in this sequence, even on Blu-Ray. The two are fighting in the clouds and underwater, I think. It ends so uneventfully. Maybe a bit to artsy of an attempt to wrap things up.
Too much drama not enough smash... And whoever edited this with all the sliding frames and split screens etc ruined the viewing experience.
These new Disney+ series are developing into the the modern, overbudgeted equivalent of direct-to-video films from the ‘90s.
In an age where popular and accessible television is continuously pushed to new and exciting heights (Daredevil, Money Heist, Ted Lasso, Stranger Things, Arcane to name a few), these recent shows banking on the Star Wars and Marvel brands feel amateurish, schlocky, and often read like bad fan fiction.
Look, Boba Fett in the original trilogy is nothing more than a visual.
He’s not really a character, I think he has about 4 or 5 lines, but he became popular because of his look.
You can’t just throw me in a story where he’s the main character and expect me to care without putting in the work.
It’s a show that operates in Disney’s new business model of throwing references, ‘member berries and empty spectacle on the screen, while the important and engaging stuff (character, story, drama, emotion, filmmaking) are reduced to an afterthought.
Granted, that’s pretty much the same problem that I have with a lot of IP related content from the past couple of years, but this show in particular feels so calculated, focus tested and cynical, it’s gross.
Even the production kinda sucks this time around (compared to The Mandalorian), it looks really ugly and washed out, more like Marvel than Star Wars.
Where is the voice of Jon Favreau?
Where is the voice of the director of Iron Man, one of the most character driven and vibrant blockbusters of the past 20 years?
This show is not even close to being up to par in just about every sense.
