Get past the stupidity, and the absurdity of the tech, mechanics and science; and you'll find it both cute and entertaining to watch this little "ess-car-go"!
I laughed my socks off. I wasn't wearing any but still. I enjoyed Captain Underpants way more than I expected! I think this is for both kids and adults a fun movie with the lesson that we should never stop laughing or having fun, as well as be nice to each other. At the end of the day, we all just want a little company and love.
I loved the style it was animated in. Quite different from the usual but very unique and funny. There were small jokes all over the place, which is something I always really appreciate. Just gives it an extra touch to see little plates in the background with a drawing or a joke on it.
I really enjoyed it and highly recommend everyone who doesn't back down from a different kind of animation to watch this.
That daughter father part was just delightful... even the mother with the other son was pretty cool.
Sheldon can be so exhausting lol.
Turns out this is the very first thing I watched in 2019.
This is going to be a very short review: if you like Ellen, watch this. It's pretty damn funny.
As someone who never watches her show but has seen plenty of clips on YouTube, I've always found her entertaining but probably didn't really picture her as a stand-up performer. As this special shows, I was wrong - entertaining from start to finish.
Besides "Up" & "Kung Fu Panda 1+2" this is one of my favorite Animations.
It's a bit diffrent from all the other animtated movies. Just like in "The Office" the characters talk partially direct into the camera.
Love it!
This episode is superb. Love these two parts.
First:
FORNELL: Napalitano's always been a step ahead of me. Every informant, every agent I get close to ends up like that kid downstairs. No one's that lucky.
GIBBS: He's got a mole in the Bureau.
FORNELL: Or someone with access to my operations.
GIBBS: Why not take it to Internal Affairs?
FORNELL: They can't help me.
GIBBS: But I can?
FORNELL: Realizing how sad this sounds, you're the closet thing I have to a friend, Gibbs.
GIBBS: You dying or something? Okay, not dying. Is this some part of a twelve step program?
FORNELL: Look, are you going to help me or not?
GIBBS: I'm thinking about it.
Second:
JIMMY: (INTO PHONE) And Gibbs, you hurt my boy, I'll kill your brothers, your uncles, your father...
JIMMY: (V.O./FILTERED) ... and after their funerals, I'll kill you.
GIBBS: (INTO PHONE) No brothers, no uncles, my father passed years ago. I do have three ex-wives whose names and addresses I will gladly fax on to you. (SFX: HANGS UP PHONE)
GIBBS: Oh. He hung up.
Such a sad story. You can feel for them.
The fact is you're good.
The best.
When you're as good, it's something as you are when you can make a difference like you can you just don't quit.
[9.5/10] “My man!” So much to love in this one. The main story is so much fun, with all the humor the show wrings from the weak details of the simulated world (I love the pop tart driving a toaster bit). The aliens’ inability to deal with nudity, the expectedly great performance from David Cross, and using complicated crowd instructions to overwhelm the computer’s processors are all great elements. Heck, even the “simulation within a simulation” business, and the glee with which Rick and the aliens one-up each other, makes for an inventive and enjoyable adventure.
But my favorite part is Jerry’s story. The fact that Jerry not only doesn’t realize in the low-CPU end of the simulation, but has his most meaningful and fulfilling life experience in it, walks the line between tragedy and comedy so perfectly they should invent a new theater mask for it. The broken processing gags are familiar to anyone who’s played a glitching video game, and Jerry’s obliviousness to everything, and his emotional journey projected onto these blank slates, is just brilliant.
Overall, it’s noteworthy how confident and command R&M was out of the gate here, with a fun sci-fi adventure with an unassumingly dark bit at its core.
My man! This was such a hilarious episode, and everything involving the father was incredible. The glitching and simulations was such a creative concept!
“Nobody exist on purpose, nobody belongs anywhere. Everybody’s gonna die, come watch TV”
the ending was the best tbh
Awesome twist. Really hoping this is not a one of a kind thing.
"Alright, Morty. Don't break an arm jerking yourself off."
What a wonderful twist at the end! I loved the interaction between dumb Rick and Jerry. That wrecked me lmao.
this was a great episode, so impressed with the show.
Wubba lubba dub dub! We're back! And a great first episode back too.
Man, this episode is so great. From the simple little game they play at the arcade to the wonderfully made original song, this episode was top-notch. Good job for Morty’s first real kill!!
The main story with Rick, Morty, and Summer was great. The show showed off its sci-fi creativity chops with Rick dating Unity (hooray for Christina Hendricks and Patton Oswalt as a borg-esque collective), and Summer's do-gooder issues with trying to fix things were a great comedic twist. I loved the line "First race war, huh?" and all the Unity-related gags were great and inventive for both Rick and his grandkids. The Jerry/Beth storyline didn't work as well for me, though it did deepen Beth's character a bit, which was nice. Lots of laughs all around. Then, things get serious.
Rick's suicide attempt with the background music was, as this show occasionally is, heartbreaking. It's always powerful when shows like this show the well of emotion behind all the absurd humor. Quality episode for sure. Probably an 8.5/10 (the Beth-Jerry stuff dragged it down a bit).
Loved it loved it loved it loved it. Oh, and did I say that I loved it? This is yet another brilliant movie from Marvel and a fitting follow-on from the events of Endgame. Funny, action packed, and a little emotional, this will bring a smile to any Spidey fan's face. Holland is great, Gyllenhaul is mysterious and the rest of the cast excel too (can somebody please give Martin Starr's character his own movie?)
Stick around for the mid-credits for an unexpected cameo.
Not quite as charming as homecoming but still a super fun movie. Tom Holland is the perfect Spider-Man. He has a great arc with all the recent events of the MCU. Jake Gyllenhaal plays a great Mysterio. The effects look fantastic. Lots of good humor and action. Not as much high school drama but there still is some. I'm looking forward to seeing more of Spider-Man in the MCU with the mid credit stinger.
So we reach the end of Phase Three, and what an ending this is. Not as epic in scale as Endgame and not as good as it either. But, this to me, is better than Homecoming. Better arcs, a better realisation of character and overall an excellent way to represent story through visuals.
For some Mysterio has been poorly represented in recent media. But here, he is done so well and the abilities are Doctor Strange visuals of good. While still not copying anything we've seen yet. This allows for great tension and using trust against the characters that I don't think has been seen in the MCU since The Winter Soldier.
Tom Halland is Spider-Man. There's no denying it, he was born for this role as Robert Downey Jr was for Iron Man. Which makes this story sink so well into the narrative when it all comes down to loss and how to avoid falling into stress and anxiety's grip. Which makes this an important movie to follow Endgame. Wrapping everything up nicely and even starting some great elements for the future.
So yes, there are end credit scenes in this movie. Two of them. But instead of not caring about a bit of strapped on humour, stay. These scenes are vital for the future of this series of films. Plus, there is an added bonus for those who are fans of the original Sam Raimi trilogy.
So yes, it is a good movie. But there are flaws. For one, there is the whole convenient timing and placement of things. Which I thought they were going to explain but never did. The story does feel like a bit of rehash of Homecoming and how the motives of some are shown, and that was my biggest gripe.
This film is funny, has good action, pretty well-done CGI and amazing performances from all its cast. This movie deserves to follow Endgame and closes Phase Three fluently. Spider-Man: Far From Home is a great movie and has given me hope for the future of Marvel's plan.
8.6/10
[8.5/10] There’s a great deal of call and response between Spider-Man: Far From Home and its predecessor, Spider-Man: Homecoming. The web-slinger’s first MCU movie centered on Peter Parker being relegated to “Friendly Neighborhood Spider-Man” when he aspired to be an Avenger. In this one, he’s straining to enjoy a normal life while being pushed and prodded to fill the big shoes of some big names. Once again, Peter tries to live up to the shining example of Iron Man, while facing off against someone who sees Tony Stark as a wretched usurper to be toppled instead of emulated.
And once more, Peter Parker, and by extension Spider-Man, has to come of age, figure out who he is and where he fits into the grand, globe-threatening events that imperil his friends and into the pantheon of heroes defending the Earth against them.
Far From Home anchors itself on the pressure and difficulty of that quest. With the backdrop of an international jaunt, the threat of friendly pretender to the throne, and perils of navigating the post-“blip” high school social scene, Spider-Man feels overwhelmed. He has to try to live up to the legacy of his idol rather than try to earn his notice, to deal with the expectation of being Spider-Man, rather than to get people’s attention as the wall-crawler. The personal struggle grounds both the globe-trotting adventure and the goofy humor that are nicely marbled throughout the film’s runtime.
That’s the most impressive thing about Far From Home -- it is so many films at once, without ever losing the unity of purpose or tonal consistency. It is a superhero movie, with the appropriate number of bad guys, twists, and colorful clashes. It is a travelogue, with Peter and his classmates zipping through a number of picturesque European locales. It is a coming of age story, one that takes advantage of the shadow Tony Stark casts in a cinematic universe built around the character. And it is, assuredly, a comedy, full of the sorts of silly laughs that keep the film feeling light and fun despite its world-threatening stakes and the personal difficulties at its core.
That last part will stick with viewers as long as Peter’s personal journey will. A recent article asked where the blockbuster studio comedies have gone, and you’re looking at it! (Er...reading about it.) Whether it’s Martin Starr stealing the show as Peter’s sad sack, high spirited teacher, the adorably silly teenage romance between Ned and Betty, or the simple physical comedy of Happy Hogan flailing a shield at an attacking drone to predictably weak results, there’s ample chuckles to be had. Beyond the MCU’s usual quippiness, there’s a lighter, more flopsweat-y tone to Peter Parker’s adventures that makes these Spidey films winning outing.
Far From Home also wrings the humor from the awkward interactions between teenagers. Part of what makes the film work so well as both drama and comedy is that its kids feel like kids. While a love triangle between Peter, M.J., and suave newcomer Brad feels a little contrived, for the most part, the movie walks the line between the heightened realism of comic book flicks, and the recognizable pains and absurdities of youth well. The trials and travails of friendship, romance, and expectation are all relatable here, even if outfitted with spandex and explosions.
But those are fun too! Beyond the gorgeous settings in Venice or Prague, the visuals of the film pop. Spider-Man himself has never looked this good in live action, flipping and thwipping through any number of impressive city scapes as the camera follows his balletic rooftop leaps and bounds. In sequences like a perilous ferris wheel ride, the editing team does a nice job of balancing the swirl and swarm of a supernatural threat with the personal stakes of two people in danger for us to latch onto.
And while some of the fully-CGI sequences have that “video game cutscene” feel to them, Far From Home takes advantage of Mysterio’s presence for some visual creativity. Inventive set pieces that send Spider-Man bursting through skyscraper-level “elementals” or rumbling through a nightmare that doubles as a tweaking of his deepest insecurities, see director Jon Watts and company showing off what their version of Spider-Man, and his coterie, are capable of.
What a coterie, though! In addition to the young cast, who are just as sharp and likable as they were in Homecoming, the MCU representative du jour is Nick Fury, who is understandably a little off in this guise, but whose dry wit and gravitas-laden pronouncement fit well with Peter’s anxieties about batting in the big leagues. Jake Gyllenhall does good work as Mysterio, both in his friendly older brother mode, and in his scheming, aggrieved former employee mode. The character has intrigue and, like Vulture before him, legitimate grievances with Tony Stark that add depth to his motivation even as he goes full mustache-twirl at points. The notion of the post-superhero, post-blip world demanding beaming heroes and outlandish backstories in order for anyone to be heard lightly deconstructs both the world of the MCU and the current cinematic moment, with Gyllenhall living up to each.
The most surprising heavy hitter here, however, is Jon Favreau as Happy Hogan, who does some predictable bumbling, and some flirting with Aunt May, but who ultimately gives Peter what he needs to move forward. With a central focus of both protagonist and antagonist claiming and living up to Tony Stark’s legacy, and constant visual reminders of the mark that Iron Man left on the world, Happy tells Peter the most important thing he could here: that Tony was a mess.
There’s a distance between the sterling image our culture crystalizes for its hero and the reality of who they were. There’s a comfort to Peter knowing that the real Tony Stark, the one who lived and faltered apart from pictures painted on murals, doubted himself and screwed up and made as many messes as he solved. Far From Home signposts it a little too neatly with its song cues, but realizing that his idol is flawed and human gives him what he needs to relax and do what he does best for the people he cares about, which makes him more like Tony than he realizes.
The scene also works as a benediction from Jon Favreau, who directed the first Iron Man film, for this next, Stark-less phase of the MCU. His speech, along with a winking opening report, is an acknowledgement that the films that spurred this massive media uber-franchise were not perfect despite their veneration and consternation, and that there’s plenty of worthy ground to cover in the movies to come.
That ground will be covered by a Spider-Man, and hopefully a distinctive crew of other heroes, who better understand their place in this world. Peter Parker leaves Far From Home a different person than when he started. As in Homecoming, he’s once again made peace with the space between where he is and where he thought he wanted to be, even if, as the post-credits scene suggests, there’s plenty more challenges, pressures, and menace to come.
The most I have smiled in any Marvel movie. So many things to grin stupidly about.
I thought this was a great example of how things will eventually catch up to you if you do enough bad things... I mean... Rick did a lot of bad things guys, this makes sense. It's also nice to see Rick get out of selfish mode and think about his family. Good finale. Great season. Went way too fast, I'll miss it.
-Hey, what are you in for?
-Everything.
[8.6/10] One hell of a premiere and one hell of a surprise. It delivered what I want from a show like Rick and Morty -- crazy, imaginative, absolutely insane sci-fi experimentation and adventure, with dark introspective emotional and character material to support it. The bits of the sci-fi weirdness, from Inception-like brain journeys to transferred consciousness to battles between disparate forces in space were colorful and mind-bending the whole way through.
But what I really loved about this episode was how it asked (and maybe answered) the question I was left asking at the end of the last episode -- what motivates Rick Sanchez? Is he a hero, as Summer thinks, a demon or crazy god like Morty thinks, or somebody whose motivations are just so opaque and arbitrary that he more or less defies that sort of characterization? The episode seems to give a troubling answer, one that pulls away from the way Rick was softened over the course of S2, but it spends most of the episode teasing you in either direction, making you think he's a hero or on an opportunist or an amoral crackpot or just a complicated guy.
I'm not sure I'm any more clarified on what he wants or what kind of guy he is than I was before (and Morty clearly still has its issues), but I love the way the show leans into that complexity, even amid the crazy science fiction wonderment and disaster taking place all around.
On the whole, this was one thrill of a surprise premiere that sets the stage for the rest of the season, changes enough of the status quo to make things meaningful, and delivers another exploration of what makes Rick tick, and how that affects his grandchildren, without giving any easy answers.
