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The funny thing is that after the episode ended, I came here to give it some stars.
I am incredibly grateful to Game of Thrones for this adventure I have found myself sucked into for some years now. I am grateful for all the emotions it brought me since day one, bitter and sweet alike. I am grateful for all the laughs, all the tears, all the jokes and gags, every single bit of it, I really am grateful and appreciative of it all. It's been just... wonderful.
That said, I am feeling robbed and betrayed right about now. This ending is arguably one of the worst series finales in the history of television and trust me I realize how bold of a statement that is. The terrible violations the characters have suffered this season, the lack of proper resolution to many of the plots and narratives developed over seasons worth of buildup, the seeking of shock value at the expense of quality writing... that and much much more solidified this as an absolute disappointment of a finale, as opposed to the marvel wrap it could've given this cultural phenomenon.
This episode does have its positives, as always the score, acting and cinematography are perfectly performed but I just do not think it's nearly enough to compensate for how lackluster the writing has been, as much as I wish they did. Oh well, sad as it may be, I'll just hold on to the good stuff and hope that GRRM's book, once finished, will tackle the ending in a more coherent, more respectful and more meaningful way. It's been real y'all...
P.S: I'll leave this here lest some people jump me again. This comment is a representation of my own personal opinion, I am entitled to one just as all of you are. If you enjoyed this season and felt this finale delivered what you were looking for then more power to you mate, but that doesn't nullify my opinion nor does it make yours any valid. If you want to discuss or challenge my views, I'd be more than happy to engage you on that basis but if all you have to offer are petty remarks then please keep them to yourself.
Bran: I can never be Lord of Winterfell, I can never be Lord of anything, I'm the Three-eyed Raven.
Also Bran: I'm the King.
Man, what a poor episode, lackluster after lackluster. If this is the culmination of the time and interest myself and others have invested into Game of Thrones all of these years, then it is truly unfortunate and disappointing if not almost bordering on an insult.
Such a shame that this will be the legacy of a series that once took the world by storm with its brilliant storytelling and exhilarating plot twists, hardly recognizable anymore when it parades around in a pathetic shell of its former self.
I can't say I'm excited nor even interested in the remaining episodes, at least not when this season has taught me time and again to lower my expectations as much as possible, but I hope they will at least respect what this series once was and offer a conclusion worthy of its story. sigh
Great episode, but it didn't feel like Black Mirror. It's missing the sci-fi element, the dystopian topic, the futuristic technology aspect.
"Send the dothraki first since they are barbarians"
"Dragons are our heavy artillery let's keep them flying in circles without doing NOTHING for say 2/3 of the battle. Even if they all stop before a flaming trench and sit there nearly aligned for tenths of minutes. We can not win the easy way this must be EPIC"
"It's a massive invasion of Savage, quick and merciless undead but we like to walk orderly and calmly in libraries"
"By the way, libraries are still dead silent while people are being ripped to shreds outside"
"Hey, look, Arya slipped past 4.000 undead and learned Rey's air saber trick"
"Every major character gets to live even after being surrounded by dead. (jorah and theon were already half dead - oh yeah, theon, seems Arya waited in the shadows while you were impalled too. Go team.".
Totally out of place and unnecessary. This felt like when network TV shows used to spend an episode setting up one character's spin-off series. Absolutely hated this episode, and I've loved all the rest.
So in this big battle where "your favourite characters gonna die" they killed like 4-5 totally side characters nobody really cares about and defeated the night king in a lame ass way. Dissapointment is not even the best word to describe this episode.
[8.1/10] For the entirety of this season, Kim Wexler, and the audience, have been waiting for Jimmy McGill to genuinely deal with his brother’s death, to confront it in some way, rather than moving on as though nothing happened. From the season premiere, where he brushed off Howard’s tortured confession with a happy air, to last week’s raging out, we’ve seen Jimmy sublimate his feelings about Chuck and his brother’s death. We’ve seen him repress them, run from them, and act out because of them, but never really face them head on.
Those feelings are at the core of “Winner”, the finale of Better Call Saul’s fourth season. The latest scheme from Kim and Jimmy requires Jimmy to cry crocodile tears at Chuck’s grave on the anniversary of his death, to get earnestly involved in the scholarship grants made in Chuck’s name, to loudly but “anonymously” throw a party for the dedication of the Chuck McGill memorial law library and seem too broken up to enjoy it. It’s all a big show, to attract as many members of the local bar as possible, in the hopes that word will get back to the committee judging his appeal for reinstatement as a lawyer.
It is an effort to put on grief, wear it like a mask, for self-serving purposes. The knock on Jimmy, the thing that held him back in his first hearing, was a lack of remorse or concerning or mournfulness about his brother. So he and Kim send every signal imaginable to the legal community, in lugubrious tones, that Jimmy is a broken man still shaken up by his brother’s passing, only withholding mention of Chuck because the memory is too painful to bear.
As usual, it’s a good plan! It’s hard to know for sure whether the signs of Jimmy’s faux grief make it back to the review board, but they at least seem to be effective on his immediate prey. And Kim is there by his side, shooting down his more outlandish ideas, workshopping his speech to the committee, and helping her partner mislead people in the hopes of regaining something that was taken away from him.
But the key to it all working is Jimmy’s speech to the review board. He goes in with a plan to recite Chuck’s letter to him. Jimmy wants to let his brother’s eloquence and feeling carry the day so that he doesn't have to put on that mask of true feeling and seem insincere. But he departs from the script. He improvises. He offers what sounds like an honest assessment of his relationship with his brother, the reasons why he became a lawyer, the difficulty of gaining Chuck’s approval, the truths about Chuck’s demeanor and the hardships their sibling relationship faced at times.
The the impact of those words is heightened by the karaoke cold open that shows Jimmy as needling but caring, Chuck as condescending but proud, and the two of them as loving siblings. It clearly moves the review board. It causes Kim to wipe away a tear. And you’d have to be made of stone to sit in the audience and not feel something as Jimmy offers what sounds like a heartfelt and honest eulogy for his brother and their relationship.
But it’s a canard, a put-on, a lie. It is an echo of similar faux-sentimental assessments from Chuck, and once again, I almost believed it. Jimmy revels in having put one over on the review board. His cravenness about tugging their heartstrings astounds Kim, underlining her worst fears about the man she loves. After tearfully echoing the passage from his brother’s letter, about his pride in sharing the name McGill, Jimmy asks for a “doing business as” form to practice under a pseudonym instead. Saul Goodman, scruple-free lawyer to the seedy underbelly of Albuquerque, is born out of the ashes of his brother’s life and name.
There was no truth in Jimmy’s seemingly sincere pronouncements. There was no outpouring of grief or real feeling in that confessional moment, or if there was, it was anesthetized and calibrated to be used for dishonest purposes. For ten episodes, we’ve been waiting for Jimmy to acknowledge what his brother meant to him in some genuine way, and instead, he gives us, the review board, and most notably Kim, what turns out to be just another performance.
It is, in a strange way, a negative image of how Mike behaves in this episode. When he speaks to Gus about Werner’s disappearance, he seeks mercy on his friend’s behalf, trying to avoid a mortal response from his employer. He pleads caution, forgiveness, the possibility of correction. But when he speaks to Werner himself, he’s colder, angrier, more taciturn and practical in the way we’ve come to expect as the default for Mr. Ehrmantraut. He too has a divide between the face he presents in his profession and the one he presents to his erstwhile friend.
But at least “Winner” gives us some good cat-and-mousing in that effort. For all the heady material in Better Call Saul, it’s hard not to enjoy the petty thrills of detective work and chases gone wrong all the more. Seeing Mike pose as a concerned brother in law, and piece together where Werner’s likely to be is an absolute treat. And the way he manages to loses Lalo Salamanca -- with a gum in the ticket machine ploy -- is a lot of fun.
Lalo himself, though, really drags this portion of the episode down. He’s a little too cartoony of an antagonist on a heightened but still down-to-earth show. The fact that he crawls through the ceiling like he’s freaking Spider-Man was patently ridiculous. And his single-minded pursuit of Mike and ability to ferret details out just as well veered too far into the realm of contrivance. I appreciate the promise of greater friction to come between Gus and Mike’s operation and the Salamancas, but the bulk of Lalo’s business in this one was unnecessary, and kept Nacho, who’s been underserved in general this season, on the sidelines.
Still, it leads to a tragic, moving, heartfelt scene between Mike and Werner where what needs to be done is done. Between Werner’s naive requests to see his wife, Mike’s matter of fact resignation about what needs to happen, and Werner’s slow realization of the position he’s in all unspools slowly and painfully.
The upshot of it is simple though. Mike found a friend, and he has to kill him. There’s sadness in Mike’s eyes, evident beneath the anger that it came to this. There’s pain in Werner’s, and for yours truly, when Werner tells Mike that he thought his little escapade would result only in frustration but ultimately forgiveness and understanding from Mike, because they’re friends.
There’s not room for friends in this line of work, at least not under Gus Fring. Ultimately, it’s not up to Mike, and underneath the stars of New Mexico, at a distance, with a spark and a silhouette, we see him have to end the life of someone he’d rather let go, because it’s his job. Werner is the first man that Mike kills for Gus, but he won’t be the last. And it all starts with a man who made one mistake, that can’t be forgiven, because the powers that be would never allow it.
That’s what ties Mike’s portion of the episode to Jimmy’s. Jimmy delivers what is basically the Saul Goodman Manifesto to a young woman who was denied one of the Chuck McGill scholarships since she was caught shoplifting. He tells her that chances at respectability like that scholarship are false promises, dangled in front of lesser-thans to convince them they have a shot when they were judged harshly before they even stepped in the door. The system is stacked against you. The rules are to their benefit. So don’t abide by them. Make your success without them. Do what you have to do. Rub their nose in your success rather letting yourself be cowed by something unfair and biased against you. The world will try to define you by one mistake, but fight back and don’t let them win.
That’s a comforting worldview, one that lets the viewer off the hook to some degree. We want to like Jimmy. He’s affable. He’s fun. He’s good at what he does. It’s easy to buy in Jimmy’s own sublimated self-assessment -- that the white shoed system is unwilling to overlook less credentialed but hard-working individuals who’ve had missteps but overcome them, so he has to fight dirty. It’s tempting to buy into that narrative -- that the people with the power aren’t playing fair, so why should he? Why shouldn’t scratch, claw, fight, and cut corners along the way to getting what he deserves?
But the truth is that “the system” hasn’t done much to keep Jimmy down. Howard Hamlin wanted to give him a job after he became a lawyer. Davis & Main gave him every opportunity to succeed. Even the disciplinary committee is not unreasonable in questioning Jimmy’s penitence when he offers no remorse for the person he hurt with his scheme. Jimmy’s made plenty of his own mistakes, but it’s not “them” trying to hold Jimmy McGill down; it’s “him.”
That’s the trick of this season finale. Despite all the put-ons and subterfuge, Jimmy does genuinely reckon with the death of his brother, he just does it in the guise of unseen forces set against him rather than a cold body in the cold ground. It’s Chuck who tried to keep Jimmy from being on the same level as him. It’s Chuck who instigated the disciplinary proceedings that continue to be a thorn in Jimmy’s side. It’s Chuck who judged his younger sibling solely on his mistakes, who overlooked his hustle, who saw those missteps as all that Jimmy was or could be. When Jimmy rails against the system that he sees as holding him down, when he uses that as an excuse to color outside the lines, he’s really railing against the brother, and his feelings of anger and pain and grievance, that no longer have a living object of blame to sustain them.
Because Jimmy has to be the winner. If Jimmy is denied his reinstatement, if a young woman with a checkered past but a bright future can’t earn a scholarship in his brother’s name, if it’s ultimately judged that someone like Jimmy isn’t allowed to be in the profession of someone like Chuck, then it means that Chuck won, and Jimmy can’t bear that.
Despite the loss of his sibling, we only see Jimmy truly cry once this season. It’s not in front of the review board. It’s not in a quiet moment with Kim. It’s in his car, by himself, when the engine won’t start, when he feels stymied, when it seems like the forces Chuck set in motion will pull him under for good, cosmically confirming his brother’s harsh assessment of him.
There is grief in Jimmy McGill, pain caused by a severe loss. But that loss didn’t happen when Chuck died. It happened when Chuck broke his heart, turned him away, told him that he didn’t matter. As with others on T.V. this year, death didn’t mean the loss of a confidante for Jimmy; it meant the end of the possibility of approval, of pride, of the sort of family relationship Jimmy had always wanted and thought he might one day gain.
There is truth in those tears behind the wheel of an off-color sedan, a mourning in private to contrast with the show he puts on in public. And Saul Goodman -- the real Saul Goodman -- is born. Because if Jimmy couldn’t earn his brother’s love, then at least he can win, he can try to become what Chuck never thought he would, reach heights his brother never reached, no matter what lies he has to tell, what corners he has to cut, or who he has to hurt or deceive to get there. That’s Jimmy’s truth now; that’s his response to his Chuck’s death, and that’s the force that moves him from the decency and concern of the man we meet at the beginning Better Call Saul to the amoral, win-at-all-costs mentality that comes with the new name that distinguishes him from his brother.
I can't even begin to put into words here but the prosthetic and makeup division is not only good, it is groundbreaking. The bodies on the later stages of radiation poisoning were absolutely terrifying, it literally gave me chills in the spine, when it shows the firefighter and the wife inside the plastic.
Swerve swerve swerve. I can't say I'm surprised, it's what Westworld is known for however this felt less organic then before and more like we were intentionally lead down the wrong path just to have the big revelation in the end that we were wrong. Problem is none of it was surprising or inspiring, it didn't make you go "oh what???" like in season 1 when we found out William was the man in black, it just made you go oh whatever...
Maeve switched sides, saw that coming. Dolores wanted to save humanity now? Please... There's a man in black robot? Already knew that, don't care what comes from it. Don't believe Dolores is really dead, don't care if she isn't, don't believe William is either, don't care if he isn't. William didn't end up saving anything, Hale is a bitch again. The only real emotional part of the episode was seeing Bernard visit Arnold's family and that still wasn't even that spectacular. Bernard has the key... to what exactly? Everyone got their catch phrase in. This episode just showed the show's gone on too long and the story is all over the place. To think it's going to keep going feels more like a chore then something to be excited for. With any mercy they end this thing with a 3 or 4 episode arch in season 4 and be done with it.
Alas Westworld, this pain is all I have left of you.
"iF yOu ThInK tHiS hAs A hApPy eNDinG, yOu hAvEn'T beEN pAyInG aTteNtIOn"
Literally everyone except Daenerys got a happy clean ending.
This episode and this season as a whole have been a complete and utter disaster. the decline of storytelling quality from the last seasons is shocking. The show is barely recognizable at this point.
A character who wasn't a contender for the throne ended up on it even though they have done absolutely nothing this whole season, had lots of potential to make for a very interesting role but was ignored and swept aside then suddenly elected king.
Daenerys's character being completely butchered as she was turned from someone who never showed the slightest disregard to innocents' safety to someone who commits mass genocide and shows no remorse afterwards, all in the span of 2 episodes.
So many character arcs were neglected or wrapped up poorly. Jon being reduced to a secondary character with a combination of three sentences of dialogue, Jaime's development being thrown out the window, Cersei barely doing anything and then getting killed by bricks, Tyrion, the master tactician, turning to a gossiping idiot then getting promoted after he quits his job (seriously?)
So many plot points were discarded or turned out insignificant. Azor Ahai, Jon's lineage, The Lord of Light, Cersei's prophecy...etc
The whole White Walkers storyline being eliminated in one episode, then the whole Iron Throne storyline being eliminated as well in the end (FFS)
So much shit not making the slightest bit of sense. Dany's army multiplying, Arya's impenetrable plot armor, The North getting the independence while the Iron Islands didn't when they were the first ones to demand it, Drogon not killing Jon after he killed Daenerys, hell, the Dothraki and the Unsullied not killing Jon after he killed Daenerys, The point of the Night's Watch now that the WW are gone. Tyrion being in chains and holding up a presidential vote over who would run the 6 republics. HBO c'mon man.
Overall the pacing was too fast and inconsistent, the ending was rushed, anti-climactic and nonsensical. This couldn't have ended in a worse way. Kudos to D&D!
And here I thought the last episode was terrific. This was a near-flawless ribbon on the top of so many different arcs. And it's only the season's midway point.
Cotyar goes down a hero by destroying an infected Agatha King (taking "that asshole" Nguyen with him), Errinwright gets double-teamed by Sorrento and Anna and finally locked away, Mao is captured by Jim and forcibly knelt before Avasarala, Prax finally finds his daughter Mei, safe and sound, and Bobbie confronts a hybrid and finally gets over her PTSD of being defeated by one on Ganymede. Even Jim and Naomi made up and got back together after a risky tip of their hand to Fred Johnson paid off. And then a fucking jellyfish swam out of Venus' atmosphere... It's almost too much to process right away.
So much got packed into this hour yet it all flowed perfectly from one plot line to the other, interweaving where it made sense, and pushing the whole narrative forward in a believable way. This is how you make hard scifi.
The SyFy Channel is positively stupid for giving up on this exceptional piece of television. They really should be forced to change their network's name on account of it deliberately creating confusion for viewers.
Stephen Root... Danny Trejo... awesome cameos!
on the other hand, the gang of scooter-riding-calvin-klein-models look way too comical for this show --- wtf??
I found this to be mostly a unsatisfying ending.
Is this episode written by 16 years old?
This episode wanted to be Seven Samurai but ended up as that terrible The Walking Dead episode where everyone gets slaughtered (they're not though in Mandalorian, since this is a Disney series).
There is no development and no build up at all in this episode. Like the previous episode, everything is self-contained. All are introduced and resolved in this same episode. A lot of things happened in this episode but nothing actually contributes to the plot - except for exposition dump.
The bandit raid is a terribly weak, villain of the week setup. They just show up as some evil nuisances - no motives, no goals at all. The Mando teams up with an ex-rebel, which debunks a tired cliche, but at this point this feels like a try-hard attempt to make The Mando as a morally righteous hero. There is a half-assed attempts at romance here, but it feels forced as it happens so sudden. Despite being self-contained (or maybe because it is) the episode lacks closure by the end, and the nifty little scene regarding one stray bounty hunter seems like something that appears just because they still have several episodes to go.
The dialogues are terrible: it's a tonne of exposition dumps. I don't have any idea why the writers think it makes sense for the characters to suddenly ask a stranger, "when was your last time you open your helmet?" and, in return, open up a heart-to-heart "hey I got a tragic story" past to a stranger. The banters with Gina Carano's character is okay, but it feels like they have to slip backstory every now and then. As if they're not having a real, human conversation. Every dialogue feels so forced and hurried as if they have to make it fit into this episode.
Also, it seems like they have no idea what an AT-ST is. It's a vehicle, not a droid.
This is an absolute failure on all fronts and the fact it is so highly rated disturbs me. Easily the worst episode of this show, and this has singlehandedly destroyed any remaining faith I had for the rest of this series. What a disgrace.
I was ok with the poor character development when the TV series departed from the books. I used to like thinking it was a kind of alternate universe from the "real" one.
They struggled on TV to show daenerys as a spoiled and selfish girl instead of the woman who was learning to have patience and wielding power in a so goodhearted way it asked a high price from her in the books.
But nothing could justify her acts on this episode. After their utter and final SURRENDER she says "guess what I'm gonna burn them all". Not even aiming to Central tower. Just make an open air barbecue of the city. The breaker of chains, mother of the slaves, making all peasants BURN. There is no plot excuse. 7 years of character building thrown out the window.
This is not the only problem in this episode. Arya is useless but survives inferno and has a magical horse appearing. Cersei dies in the most disappointing way. Euron just happens to swim to the EXACT LOCATION Jamie is.
Frankly I would not be surprised if D&D choose to end it next week explaining that all of it was a westworld simulation experienced by androids. Because the Deus Ex Machina limit has been breached a long time ago, and they keep forcing it.
I've really enjoyed the first 2 episodes, while others seems to more uncertain. But this is the first episode I've been worried overall about the series. The modern underworld story just isn't interesting enough - I was kinda hoping we would see more Boba Fett the Bounty Hunter, not this form of a makeshift leader.
The humans grafting droid parts onto themselves, is a new concept in the Star Wars visual world, to my knowledge but it was executed so poorly. It's the first time I've looked at anything in the Disney SW era, and thought, "that doesn't look like Star Wars".
I'm not sure where this series is really going but EP4 needs to pick up the modern underworld story in a big way.
Thanks to Melisandre we could actually see what the fuck was going on!
This episode was so dark, even the Night king's guard didn't see Arya coming...
My therapist will hear about this episode.
They didn't even need the Dothraki. Greyworm, Gendry, Tormund, Brienne, and Jaime killed like 2,000 wights each
The Night King was reduced to Tyrion level of Stupidity.
Confirmed death count: R.I.P
Edd
Beric Dondarrion (aka. Barricade Dondarrion)
Lyanna Mormont (Lyanna 'Giantsbane' Mormont. Killed a giant at the age of thirteen in the Battle of Winterfell. Her greatest and final act. And now her watch has ended.)
Theon Greyjoy
Jorah Mormont
Night King
Melisandre (Melisandre: "I will be dead before the dawn.")
99.8% of the Unsullied
99.9% of the Dothraki (Dothraki's flaming weapons slowly disappearing in the dark was the most terrifying scene EVER)
Confirmed living:
Ghost
Drogon
Rhaegal
Jon yelling at a fucking Dead Dragon!
Jon: We did it. We defeated the dead.
Bran: We don’t have time for any of this. Cersei has 4 elephants.
One of the Best part was the slow piano montage of everyone dramatically fighting to the last breath with a shot in the middle of Sam lying on the ground, sobbing uncontrollably.
RIP Azor Ahai Theories
RIP Night King
RIP Logic
RIP Lighting in the Episode
RIP Lyanna Mormont True King in the North
RIP Arya as a good character
RIP Melisandre the confused woman
RIP Theon protecting Useless Boy
RIP Jorah and Beric Defending Strong woman
RIP Good storytelling and 9 years of Hype
RIP Winter and the Long Night
RIP Me
None of the prophecies mattered, nothing was resolved between Bran and Night King, all eight seasons of build up and the NK dies from one quick stab. No surprising twists, no intelligent storytelling, the storyline ends like this. The whole long night ends in one battle.
The war council preparing for a siege, they send out their cavalry to die in the first 10 seconds, 20 or more wights surrounded every character, and yet every main character manages to retreat. Theon with around 20 archers managed to defend against a horde of wrights. We see Jon surrounded by a crowd of wights, and next scene there's no more wights left.
I think this time it's a bit of a stretch to say DB Weiss and David Benioff planned this well. By their own admission they've only known Arya was going to land the finishing blow for 3 years and when you account for the 2 year hiatus, that's just season 7. Even then, Arya got the job because she's a fan favorite, not because this is what she's been building up to. Her story never even had a hint of "White Walker" plot. I think Mel talking about shutting eyes forever back in season 3 was purely about her faceless man training. Mel said the "Blue Eyes" comment second in season 3 but they retro actively made it the last color while reiterating it this episode to force prophetic weight onto it.
From a story writing perspective this was not Arya's fight to win anymore than it would've been Oberyn Martell's. Her experiences made her a highly skilled fighter but her plot didn't set her up to be the savior of the realms of the living.
I don't get all those disappointed comments about how they suddenly making Daenerys a monster. I know that for some reason I'm obviously the only one who thinks so, but she was unlikeable, narcissistic sociopath since day one.
Hashtag no surprise.
Hashtag hope she dies.
Hashtag give the throne to Brienne.
sooo this was shit. The fact that everyone survived a battle no one should have is pure bullshit. and by everyone I mean the main characters.
I don't know what someone dying from radiation poisoning looks like, but what they showed this episode was absolutely terrifying. They looked like they were liquefying from the inside out. Also, the description itself was super unsettling. How crazy is it that energy can literally make your cells break apart?
Each episode I watch makes want to learn more and more about the true story. As a scientist myself, I find it so interesting and compelling. And I can't help wondering what we could do differently if something like this happened tomorrow. Would we act quicker? Is there a better way of containing a nuclear disaster? Everything considered, and if what they've presented in the show so far is true, the Chernobyl accident wasn't nearly as devastating as it could have been.
Another episode full of garbage writting and stupid choices. Worst last season ever.
The directors clearly think Naomi is the most interesting character, but she is absolutely the least interesting character and I abhor constantly being forced to watch her whine and flail.
Please no more scenes with Naomi. You have an entire universe so why do you have to focus so much on the most boring character of the show.
Should have rewatched the first season before this. Too me way too long to figure out who was who, who is related to who and who did what.
Other than that tough a fantastic season opener.
Melisandre: What do we say to the God of good episodes? Writers: Not today!
I feel like the writers are trying to insult people's intelligence this season.
Writer of the episode said that, and I quote ''Dany kind of forgot about Euron's fleet, but they haven't forgotten about her..'' She forgot. Everyone mentions the fleet 3 scenes before they show up and she was in that scene.
Not only did Dany suddenly suffer from concussion and forgot about them, she also couldn't see the entire fleet while flying high in the air. But tbf, they were hiding behind little rocks so she could not see them. Then Rhaegal gets hit 3 times in 3 tries, but when Dany goes straight at Euron (and does nothing) every arrow misses Drogon, of course. But then they destroy Dany's ships in a single minute, no misses there again, I'm afraid.
There were more bad things in this episode, like how no one else noticed Bronn (with big crossbow) in Winterfell, how no one asked for Arya's and Bran's help against Cersei, how Sam didn't ask Jon why he didn't help him in the last episode when he was lying on the ground, why Cersei didn't just kill everyone in that last scene, etc.. but the thing I hated the most was when characters were about to finally learn about Aegon Targaryen and then the show would just cut away from those scenes. We have time for those drinking games and romantic soap opera parts of the episode, but we cut away from Sansa's, Tyrion's and Arya's reaction about AT. Nice writing and directing.
The only scene that I liked and that reminded me of old GOT (S1-S4) was Tyrion and Varys conversation.. until Varys said that he'll betray Dany. Writers are probably going to kill him in the next episode because of that. In earlier seasons that character would never say his real thoughts, he would lie to Tyrion and then quietly spread info about Jon's true identity everywhere.
This is just.. sad.
Good things about this episode:
Varys is no longer useless;
Sansa playing the game of thrones to support Jon’s claim;
Gendry Baratheon;
I like the parallel they’re drawing between the two queens - Daenerys is going to lose her three children just like Cersei. But how does Euron have pinpoint accuracy against Rhaegal and then the entire fleet shoots bolts at Drogon and they all miss?
Bad things about this episode:
More shitty battle tactics - D&D said Daenerys just kind of forgot about the Iron fleet and Euron's forces. This is so stupid. Even if she forgot her advisers shouldn't have forgotten;
Entire scene with Bronn;
Cutting out Sansa and Arya's reaction to the big reveal, because they have to do some dumb jokes and establish Brienne/Jaime as a relationship even though they were already great friends;
It doesn’t make sense that Cersei had Dany and Drogon in the range of those giant crossbows and didn't take them out;
I guess we will never learn any more info on the NK or white walkers, which is disappointing.
Next episode: Jaime kills Cersei
Last episode: Daenerys becomes Mad Queen and Jon kills her
