I'm exhausted. This tension, the politics, the intrigue, even to the last second. So much is happening in this episode. So much concealed under such elegant garments.
In one way I look forward to the finale next week, however I'm not sure how they are going to fit what I was anticipating to be in this episode into the last, unless it is a 3hr episode, but I think it won't be such.
The other way I'm looking forward to the finale, is I no longer will need to invest all my emotion and attention in this concentration of spectacle and the craft of each Actor performing to perfection their role, and appreciating each word, glance, and interaction with their counterparts in such a magnificent, stunning location.
I'll be ready for this finale but until then I'll be soaking in what I've watched today. What a pleasure it is to witness what the Arts can deliver if given a proper opportunity.
Thank you to the Creators, Actors, Crew, and Those That have painstakingly brought this masterpiece to us.
The conundrum has set in... I desperately want to see the last episode now, but I don't want it to be the last show. 10/10
Definitely a big departure from the books. Not horrible for it though; it's been an enjoyable watch, for the most part. It falls off a bit the last few episodes. I think people who haven't read the books will have an easier time enjoying it maybe than people who have and can't get over the fact that adaptations are a thing and changes are made. Doesn't make them bad, necessarily. Also, how about of all those beautiful, naked, rehydrated Trisolarians (or San Tinos, I guess?) in episode 2. Didn't get that image from the novel, I'll tell you what :tongue: As for any comparisons with the Chinese series, it was definitely truer to the source material and I'm usually the guy saying, "They should have made a limited series out of (insert novel here), this movie didn't do it justice at all." But damn, the Chinese series was so unnecessarily long and drawn out. It really could have used some trimming in the adaptation and editing phases; pacing was dreadful. This series may be a big departure from the novels, but it was done with the author's blessing as he understood the need to make it appeal to a wider, international audience and more accessible than the source material may have been for some people.
This makes me miss 90s Alexander Payne. The Holdovers is a warm blanket film, and while it's one of the better films in that 'genre', I think it’s hard to argue for this being better than just fine. As per usual with Payne, its biggest strength is the (comedic) voice that's found in the dialogue, which is maybe surprising because he didn't write this one himself. The performances by Sessa and Giamatti are also really good, and I appreciate the effort of trying to capture the 70s through its filmmaking style. It's bound to become a new Christmas favourite because of the warmth and sentimentality, most of which is rightfully earned (he goes a little overboard with the score, but it's not a dealbreaker). I was thinking a lot about Dead Poet's Society when watching this, and the emotion here definitely feels more authentic by comparison. However, it just doesn't have much of a story to tell. There's not enough conflict or thematic depth to fill the overlong runtime here. The character dynamics, while not awful, feel familiar and safe. This leads to a problem that can be found in a lot of films like this, which is that filmmakers don't want to go to a place that's challenging or bold. The end result is recommendable, but if you'd take Payne's stamp out of it, this would be called out for being a schmaltzy Hallmark film.
6/10
Round 3 of Gareth Edwards proving he’s a great visual director that doesn’t know how to breathe life in his scripts. Its best asset is easily the worldbuilding, combining influences from other science fiction material to create a new world that feels fresh. The technical execution is also really well done, with its cinematography and CGI being among some of the most visionary stuff I’ve seen since Avatar 2. Unfortunately, the sci-fi concepts this is working with are stale, it’s all stuff you’ve seen before and the movie doesn’t know how to put its own creative spin on it. Add to that a bunch of characters that aren’t written in the most compelling way (as well as bland, understated performances that will keep everyone questioning whether JDW is actually a good actor), and you have a movie that’s already pretty dull from the start. Now, a big saving grace of Rogue One and Godzilla were their strong climaxes, however that’s not the case here. Instead, The Creator starts to rush to the finish line, which leads to the big emotional beats not hitting the mark. It’s like the pacing of this movie is constantly either rushing or dragging, annoying my inner Terence Fletcher in the process. Overall, while I’d love to champion this as the savior of original science fiction, there’s not much more originality here than a typical franchise film. I don’t want to call Edwards another Zack Snyder, because I think he’s certainly more talented, but he’s suffering from the same problems and doesn’t seem to learn from his previous mistakes.
5/10
And then it was CANCELLED by the end of season 1 with only 10 episodes. I've come to believe that the TV industry has become spoiled by the low cost, low budget, low quality invention of Reality Shows. It seems that any new show that comes out, if it doesn't kill the ratings the first season and in some cases I've seen the first 3 episodes, the TV Executives kill it. This show had some real potential and could have gone in so many directs, hell the whole first season was like a roller coaster ride of suspense and discovery and twists at every turn. I love a show that when you start to think you know what's going on, something else happens that makes you say, "NO Fing Way"! So sad that the TV industry has forgotten what commitment, loyalty and belief to a show is and that it may take some word-of-mouth and the like to gain larger audiences but if you kill it early, you'll never know. I guess it really is all about the money but then again maybe the Internet and online programming like Netflix (and others) will start to change all that with better shows.
Denis Villenueve. A solid lineup. A different take on first contact. I loved Sicario but went in expecting a cerebral epic sci-fi.
That was a mistake.
Good things:
- Some really nice visual scenes
- Interesting aliens Calligraphy aliens!
- Clear theme of communication is omnipresent
- A neat score that might be awesome in a different movie
Bad things:
- The acting
- The lack of emotional reaction to ALIENS! The students asking to turn on the TV, all of the main characters
- Lack of useful characters Only the aliens and Louise actually did anything the entire movie.
- Supporting characters are very stupid in an attempt to foil the main character slightly
- Very clumsy exposition. Genre-typical news reports, voice-overs, dumb characters asking stupid questions.
- Very slow pacing. This worked in parts of Sicario, but didn't work in this movie because there was no tension. The main characters never seemed remotely threatened.
- Lousie showing up at school thinking everyone will be there after aliens arrive and there's a state of emergency
- Why can't you translate alien language like you can translate Farsi. This is a paraphrase but in the spirit of what Colonel Weber was saying.
- Useless love interest when the costars have no chemistry.
- Ultrasecure military base lets someone steal a ton of explosives and put it in an ALIEN SPACECRAFT without anyone noticing.
- Many unbelievable plot points
- Poor dialogue Let's make a baby - real quote
- Poor handling of the major plot points Looking through time seems to undermine the fact that the aliens need help. Why did one have to die if they could see the future? Why did only one die when they were right next to each other?
- Very heavy handed moral messaging that didn't align with the rest of the movie.
- Why couldn't Ian also see into the future as he studied the language, or any of the others?
Overall extremely disappointing. I'm honestly surprised critics or general moviegoers like this. The premise was very good. It's a real shame the execution failed so miserably.
