Yole Decker

“Candyman” is actually one of my favorite horror films. Because almost everything fits together here. The movie is incredibly atmospheric, which is due to both the score and the great direction. The two sides of the big city are captured perfectly, and when main character Helen (Virginia Madsen) researches the Candyman myth in a social housing project, it gets downright creepy.

Madsen does her job really well, as does Tony Todd as the title character. What I also have to point out is that the movie actually has a few things to say. Topics such as gentrification and segregation are addressed. Overall, this makes “Candyman” a thoroughly exciting horror film that encourages reflection. That said, the sequels (except perhaps the 2021 one) can be skipped.

Super Fun and a glimpse into the America Trump and his supporters want.

Currently with a 50/78 rt split between critics and the audience. For a purge movie this was pretty solid actually, so I agree w the high audience score. 6.3 for me. Decent kills, a bit too much strobing effects in various parts gave me a bit of a headache though. Solid acting from most of the protagonists, the antagonists were caricatures and pretty lame. Worth a one time viewing for fans of the franchise.

Wow, where do I even begin with "Akira"? This film is an absolute mind-bender! It's not just an anime movie - it's a groundbreaking piece of cinematic history that has had a massive influence on both anime and sci-fi genres. The first thing that blew me away was the jaw-dropping animation. The dystopian Neo-Tokyo, with its gritty streets and neon lights, is just breathtakingly detailed and alive.

Then there's the story - it's chaotic, complex, and provocative. A tale of friendship and power that spirals into this intense whirlwind of destruction and rebirth. Tetsuo's transformation from a meek underdog into a terrifying entity is just heart-wrenching to watch. And Kaneda, caught between his friendship and the need to stop Tetsuo, adds a layer of emotional depth that really hits hard.

The themes explored are also compelling - power, corruption, the ethical boundaries of scientific experimentation, and the human capacity for destruction. This isn't your typical good vs evil narrative, but a thought-provoking examination of humanity.

And lastly, the music. It's just as iconic as the film itself, a fusion of traditional Japanese music and futuristic sounds that creates an otherworldly atmosphere. It's honestly chilling and adds so much to the tension and mood of the film.

In conclusion, "Akira" is a visual and narrative spectacle, an emotional rollercoaster that leaves you both thrilled and thoughtful. It's a film that pushes the boundaries of animation and storytelling. A true masterpiece that's definitely worth a watch, and then a re-watch!

Wait... so the guy is stuck in this clown costume, right? The amount of POOP that has accumulated in the back of his drawers is the single most horrifying element of this film.

Oh wow, I’m so incredibly disappointed in Lana. I genuinely believed she was better than this… I admired her, I respected her, I liked her. But alas, she just threw all her morals out the door and sold out for fame. How disappointing.
Now, with Grace dead, the only truly good person left is Kit. I really hope he will get a happy ending somehow… He definitely deserves it after all the horror and tragedy he’s been through while still remaining so sweet and innocent.

haven't seen the chinese version but as number one body horror fan i LOVED this episode

The boat scene is amazing. Did it cost half of the show budget ? And yet it's so stupid. 2 days to recreate in extreme conditions and at a x500 scale something that has been done once in a lab ? That was the only sure way to get a disk off that boat ? Really ? The chances something failed were huge. And even if it works... What were the chances that it would be naturally cut off ? That they would have time to react and destroy it ? That it would not survive the destruction ?

We still don't know what is Wade's agency, but it's looks like it's not top secret, and it's better than MI5.

The Sophon is a bit wtf, but it is great too, since it actually offers an explanation for almost everything:
- The blinking stars (but not why they did that for her only and no one before)
- The reason for stopping scientists. The "We'll only arrive in 400 years and by then you'll have the means to stop us, so we'll just cripple your science" is a pretty smart move.
- The broken physics of the first episode. It made no sense (if subatomic particle start behaving differently, reality itself falls apart), but since it's only interfering with lab results, that's a great explanation.
- How they communicate (but not who built the actual physical headset for the game. Though maybe it's not even doing anything. We've seen they can hack people's brains directly, like with the countdown, so we could assume they can put anyone in the game at any moment with or without headset)

Still a bit confused on their motives. It seemed like the Lord thing had been going on for decades, but on the other hand, real communication would have only started at the arrival of the Sophon, so about a month. Still, by being able to observe the whole of Earth, wouldn't it have discovered lying almost immediately ? At least we know they immediately started to kill scientists, so, were there ever a moment with good intentions ? And let's not forget the original message. Also, they actually may never have said they were going to save anybody, that could actually be entirely made up by the cult.

That, was weird. Little made sense in this one. Even if it's interesting to see the story progress, for a show that started about very smart people, with complex stories and concepts, this episode is a full-time shit show of stupidity.

Why did they not bother making it look like a suicide this time ? Specially since he was tightly playing with another player. And that the mastermind personally knew both of them.

The ... the what exactly ? It's not clear what agency they're working for. Anyway, basically Wade and Clarence to simplify. They did not think that it would be very suspicious to infiltrate her as if the alien lovers didn't just murder her friend ? Well, turns out that they don't think it's suspicious, which is even weirder.

They just gathered all these people they want to recruit and they just go full cult on them directly, without any prior warning or explaining. I mean we left at "it's an alien species that needed a place" and next time it's already "we welcome our new alien overlords". WTF. Are all the new recruits supposed to be into that shit immediately ? The "lol, it's weird it makes us look like a cult" remark is priceless. Girl, if it was only that that make you look like a cult... Also announcing the San Ti are coming to save us, while talking to people who have been through the game and have seen that they're actually just escaping their own world.

Then there's the raid. Ye Wenjie just tells everybody to calm down and let it happen because it's the Lord's will. But most are not cult followers, they're potential new recruits that have no idea what is happening and why they're involved in it. Why could they calmly obey ? Then they just immediately single out the mole and make her a target, again: what. the. fuck. How insanely stupid is that ?

Now about Evans. Looks like he's been talking and reading stories to the Lord for years, probably decades. Are you gonna tell me that it's never come up that stories are not real ? That he never once spoke with metaphors or in an imaged way ?

It kinda look like it's made to be a turning point, maybe make us think that the aliens had good intentions before, and that's when they realize they need to get rid of us, but... the first message was actually "shut up, it's bad for you if we find you", so...

So yeah, everyone turned stupid in this episode. This really feel like a letdown after the start... Hoping this was just a bad writer and doesn't go on this way.

@aars26 A light year is a unit of distance, not time. That’s how far you can travel in one year at the speed of light. So they’re traveling at 1% of the speed of light which is still extremely fast.

Again the game part is really fun. Except... if it's a planet around 3 suns, it's a 4 bodies problem, not 3. And nobody notices that ??
Not clear how the multi player mode works nor whether the opponents scientists are players. The computer army is fun.

Well tried for Auggie. The countdown can actually return, at the point where it was. Is that automatic, from a future timeline ? Or is she spied on constantly ?

We haven't seen much of the cancer guy yet, I don't even remember his name. Betting he's gonna end up on the bad guys side.

Saw it coming for Jack. Interesting that not only cameras but also people around can't see. However it will be pretty hard to make this one look like a suicide. How do they expect Jin to react though ?

Clearly, red flags all around. They interact with two populations, players and scientists working on projects they want stopped, and both can end up dead. We had the first contact warning. The fact that Evans calls it "Lord" is not good either. Assuming they want to stop people working on projects that could help defend against them, but what about players ? Maybe they have a way to turn them ? Or they just lie to them with pacifist talk ?
There's still a slight possibility that there could be two factions, but it's rather thin right now.

Hope there's a bit more than that, since the expectations and the possibilities are often way better then the actual solution, but it's already pretty good. A bit afraid that this stops the game, which was the more fun part.

A Killer Paradox: A Gripping Crime Thriller with a Unique Twist

"A Killer Paradox" is a K-drama that will keep you on the edge of your seat from the first episode. The show boasts a unique and intriguing plot that breaks away from the traditional crime thriller formula. Here's what makes it a must-watch:

1. A Refreshingly Different Premise: Unlike most crime shows where the hero is a detective or vigilante, "A Killer Paradox" throws you a curveball. The protagonist, Lee Tang, isn't your typical hero. He's an ordinary guy who stumbles upon a strange ability - he can kill corrupt and evil people with just a touch. This unique twist adds a layer of moral ambiguity and complexity to the narrative, making you question the lines between right and wrong.

2. Stellar Performances: The cast delivers exceptional performances, bringing the characters to life with depth and nuance. Choi Woo-sik, known for his roles in "Parasite" and "Train to Busan," shines as Lee Tang, portraying his internal struggles and conflicted emotions with remarkable subtlety. Son Suk-ku, who has impressed audiences in "My Liberation Notes" and "Be Melodramatic," is equally captivating as the detective hot on Lee Tang's trail. Their on-screen chemistry is a highlight of the show, keeping you invested in their cat-and-mouse game.

3. A Visual Treat: The show is visually stunning, with captivating cinematography and a distinctive color palette that perfectly complements the dark and gritty atmosphere. The editing is sharp and keeps the pace dynamic, ensuring the story unfolds seamlessly.

4. Not Just Action-Packed: While the show boasts thrilling chase sequences and suspenseful encounters, it also delves deeper, exploring themes of justice, morality, and the consequences of taking the law into one's own hands. This thoughtful exploration adds another layer of intrigue to the story and provokes thought-provoking discussions.

Overall, "A Killer Paradox" is a refreshing and well-crafted K-drama that offers a unique perspective on the crime thriller genre. With its captivating plot, outstanding performances, and stunning visuals, it's a show that will stay with you long after the credits roll.

Minor points to consider: Although the show excels in many aspects, some viewers might find the pacing slightly uneven in the middle episodes. Additionally, the eight-episode format could leave some wanting more, hoping for a potential second season.

Despite these minor points, "A Killer Paradox" is a highly recommended drama for fans of the genre and anyone seeking a suspenseful and thought-provoking viewing experience.

So far, it's not been a bad season, per se - the cast are great (even KK is enjoyable as the bitch of a PR) - but the story doesn't seem to ever progress. I hope the second half ramps things up significantly otherwise it's going to be a very forgettable entry in the AHS series.

Honestly they shouldn't have split this season into two parts. They should have just waited to air it until they had the full season filmed.

Finally a decent horror film from Netflix! I think this one is effective, creepy and genuinely unsettling. It's about the struggle of an undocumented immigrant, Ambar. Her mother has recently died. With very little money from her new job, she ends up staying in a boarding house, where the unsettling cries and eerie visions begins. It incorporates supernatural elements into this real-life horror incredibly well. It starts off really slow, in fact I tried and gave up like 3 times. But I tried to stay until the end this time and I'm glad I did. It gets better as it progresses and I really dig the overall atmosphere. Some scenes are too dark but they did the hallucination scenes very well plus there are a couple of surprises that'll keep you the entertained. Cool monster design, some decent gore, lot of ghosts showing up too but no annoying loud sounds which I greatly appreciate. I also like how minimal the sound is. Cristina Rodlo is excellent as a lead. She's sympathetic and easy to root for.

Very scary and sometimes shocking horror flick based on the eponymous PC game: a girl, burned nearly to death because the village elders think she's the devil's spawn, takes revenge on the whole town of "Silent Hill". The ending (the return of Rose and Sharon after the destruction of the Church in Silent Hill by Sharon's "Twin") is somehow strange: are they both dead and live in a parallel world or why can't Christopher see them?

Enjoyable adaptation. Had horror, suspense, and a fair bit of drama too - guy below must've been watching a different movie...

Best movie based on video games

This treasure of quality atmospheric horror is flat-out one of the best films I've EVER watched. It's now almost been 10 years since it was originally released and I've only grown to appreciate it more as time moves on. No other such movie has peaked my interest in real events such as Centralia and Chernobyl quite like this one. It's not a turn-your-brain-off and enjoy jump-scare popcorn shit-fest like some recent studio releases in the past couple of years. This right here is an extremely rare case. Not many movies come out like this anymore. Think about it: It's a video game adaptation that's good, a horror movie that's more about the tone than the scares, and a think piece that requires some thought while watching. Even today, I'm still learning new things about this movie and it's production. Roger Avary, who most know as the co-writer of Pulp Fiction, was the lead writer alongside director Christophe Gans, both of whom are extreme fans of the video games, which is very important in making a faithful yet standalone adaptation. The two amazingly put together such a great ride. GoodBad Flicks made a fantastic video summarizing everything you should know and why you should watch it. I recommend this movie hardcore. It's an underrated and underappreciated masterpiece.

GoodBadFlicks' video: youtu.be/CfEnsMWYisI

One of my favourite horrors. So creepy when it first came out and it still is.

Excellent film, not without faults, but I still love it.

This last episode was good. It cut out all that talking for the most part, but it was good; I'm happy my boy Rick finally got to see the rest of his family, and he snapped out of being part of the CRM. But watching Rick get pulled out of a heli by Michonne in the last episodes was savage as hell. But altogether, it was decent, tho lots of talking, but it was good.

I am surprised many liked this. I found it drug on and story just stretches because they don’t have a good script. Way too long.

It had some cool visuals, okay music, and fine acting for the material. Those are the only positive things I can really say. Every other aspect of this film was sub-par at best. This is in contention for the worst MCU movie I've seen.

Fucking finally!!!! The first GREAT episode of the season. I would be pissed it took 5 episodes for this season to actually get good but honestly right now I'm just basking in how good this episode is to be bitter. A tightly written well placed plot. Time travel/sci-fi logic that is seamlessly explained, makes sense and is logically consistent. Actually well explored and thoroughly rendered character work. The plot building off previous episodes as a natural extension to the conflict established from episode 1. Genuine deep meaningful pathos. I've hoping and praying and begging this show to do even a couple of these things so to get all of them all at once in one excellent fucking episode is like Christmas came early.

They better carry this momentum into an excellent finale cause I'm actually invested now

Unlike everyone says, "Wild at Heart" is far from being David Lynch's worst film. Actually, there is a part of me that even thinks it's a masterpiece. As a parody, it doesn't have the gloomy atmosphere of "Blue Velvet", but personally, I found it even more extreme and uncompromising. I understand that it could be a bit too much to handle though: the cartoonish characters and the cheap soap opera overacting that characterized Twin Peaks are not for everyone, and the pulpy sex and gore make everything feel even more grotesque. I mean, people's brains getting blown out, continuous Wizard of Oz references, and Nic Cage singing Elvis songs and dancing with karate chops at a power metal gig, all in the same movie! Retrospectively we can describe it as a Tarantino-style movie, but we should not forget that Tarantino was not even close to debuting at the time "Wild at Heart" was shot.

The plot is partly based on the pulp-noir novel of the same name, and is overall pretty straightforward: Lula and Sailor are two rebels in love who decide to hit the road so that no-one can drive them apart anymore. Lula's mother is an evil witch who sends a private eye and a hitman after them. Lynch decides to add all kinds of weird diversions along the way, with some of the craziest, creepiest characters he ever created. More than the original story itself, these diversions are the things that make the film truly memorable. Unlike "Twin Peaks" and "Blue Velvet", there is no light to balance the sleaze and darkness, no coffee and cherry pie after the nightmare. Lula and Sailor are naive and madly in love, but they just feel like cheap and shallow caricatures, you couldn't care less about them.

I understand that the movie aims at creating a world and characters rather than just telling a coherent story, but some focus on the plot wouldn't have hurt. Mr. Reindeer, the Durango gang and Marcellus Santos are iconic characters with their own story arcs, but the film forgets about them halfway through. Marietta even gets "erased" for convenience. Willem Dafoe as Bobby Peru is one of the creepiest Lynchian villains ever, but gets disposed of a bit too easily. It's like they shot what they could and then abruptly closed the film with a pre-made happy ending.

Regardless, the countless iconic scenes and over the top pulp still make "Wild at Heart" one of my personal David Lynch favorites.

–"It's a wonderful medium, isn't it? Bringing dead things to life."
–"What happens when it takes on a life of it's own?"

I went into this thinking it would offer stunning stop-motion animation segments but a boring cheap story but it's not the case, I enjoyed both. Stopmotion is about an artist so deperate to find her own creative voice that she ends up losing her sanity while searching for it. The story and themes aren't anything new but the execution is what makes it good and memorable.

I'm in love with the stop-motion segments in this movie, they're some of the best horror centered stop-motion segments i've seen in a while (Coraline and Mad God are easy inspirations here). Really creepy, disturbing, morbid, grotesque, unsettling stuff. We also get some of the best practical effects i've seen in a while; the wax face, the squirmish gore, the body horror, the miniature sets and figurines... so creative! That one scene where the two mediums (stop-motion and "real life") meet was the best sequence.

Really good central performance from Aisling Franciosi but the child actress (Caoilinn Springall) absolutely stole the show anytime she was on-screen, she's so confident and knows how to get real creepy. A decent creepy score and the sound is crisp. The dialogue is metaphorical and so is the story. There are some slow parts that could have been shorter and better handled. The sister wasn't necessary in my opinion. The twist was super obvious. Great ending. Could use a rewatch to make sense of everything.

An easy recommendation for any horror fan or practical effects freak!

These comments are trippin, this episode is incredible

These people commentating are idiots. Hold this episode up to season 10 and 11 and nothing comes close. Seth Gilliam shines in this. Fantastic.

There's a similar impact His House has to Incendies. The truths put to screen here have intense power dealing with the weight we put on those just trying to survive. I'm here for all the socially conscious horror. I anxiously await Remi Weekes's next project

I wouldn't entirely call it horror, not because it doesn't have horror elements, for it surely does, just because it wasn't necessarily scary. Not for the otherworldy ones at least, more so for the immigration system, and what they left behind.
I really appreciated this movie for showing us Bol and Rial's lives and culture, and especially appreciated how "normal" for them it was to just see. Really loved that.