You could call this a real cyberpunk anime.
A pretty abstract and philosophical story about identity and who we really are. It leaves the viewer questioning about more than just the series itself.
Juicy detail: It is rumoured to be one of the series that had an influence on The Wachowski brothers for The Matrix story. However I don't know if this is ever confirmed or true, and it probably was a minor one compared to Ghost In The Shell. After all it was aired only 1 year before the release of The first Matrix movie.
It is not for everyone, but if you have an open mind and like more gloomy and philosophical stories, it is definitaly worth it.
If you are interested in History this is a must see!
Actualy, this is a must see for everyone!
A pretty good summerisation of the history of the world in past 75 years, with the USA as a main line.
Update after the '2nd season' has finished (and therefore the series.)
Previous comment still stands, but after a while the need for explanation for first-time watchers dwindles (as would be logical) so we end up with an amazing series with some massive animation skill and top of your chair action.
If you liked this series, also check:
Fate/Zero (prequel)
Fate/Prototype (1 ep special about the original story, too bad this will never get a full story/series.)
Kara no Kyoukai/The Garden of sinners (Movie series)
And keep an eye open for (If ever released in the future):
Fate/Heavens Feel (confirmed for a movie.)
Fate/hollow ataraxia (sequel, no confirmation of a movie or TV show.)
This is one of those movies that will be viewed 30 years from now, and a must-watch.
The only thing bothering me is the lack of character background. For example: 'What are Neo's motives?' It doesn't hurt the movie though.
Oh, and the Revolution ending movie of course...
As a big Fate fan I love to see the Fate routes back on screen. This series has a more 'stepping in' pace and is clearly aimed at both existing fans and viewers new to the franchise.
This makes a very balanced series, but it can be a bit repetitive and boring at times for the older fans.
Luckily Ufotable throws in everything they got and artwork is so amazing you don't really get the time to get bored.
A lot of people call Zero better than the earlier Fate/Stay Night creation (which is about 10 years after Zero.)
Zero is better in technical terms, but it is also made 6 years later. The main reason why people call Zero better (besides the purist to the original story) is the leap in visual effect. However, when Stay Night came out in 2006 I was impressed by the visuals as well. It's kinda like comparing the 1st and 2nd Matrix movie in SFX. Therefore, those 2 arguments are not valid enough for me personaly to pick a better one.
Stay Night has a side with a more romantic part in it (which is a bit awkward sometimes) where Zero lacks a bit of mystery I did feel with the first series. But in the end they are both great series, and I would advice every anime fan to check both series out, starting with Fate/Stay Night (Always watch stuff in order of their release.)
In 'The French Dispatch' director Wes Anderson goes all out with his characteristic aesthetic, beautiful visuals, use of colour and attention to detail. The music is great, fantastic even at times. There are more top actors than you could find at an average Oscars party. And visually most of shots are works of art all by them self. It is rather unfortunate that Wes his attention to detail do not translate to a more coherent story as a whole, holding the movie back.
'The French Dispatch' contains three separate stories, only trivially connected by a fourth overarching story about a newspaper and its journalists (based on the origins of a real newspaper.) On their own, each story is serviceable, but unfortunately the guiding story is lacking enough substance to make it work as a whole. The at times rather dense dialogue, riddled with puns and metaphors, also do not help with avoiding confusion. Especially for the average cinema visitor. However, the jokes and puns are often positively unexpected and with a great show of comedic timing, even during otherwise non comedic scenes. And this is without having to resort to the type of subversive humor we so often see nowadays in blockbuster films.
The three stories on their own, especially the rather quirky first one about the convicted murderer, are all interesting and fun enough to make the viewer invested. And although each story is not likely to be strong enough in its current form to carry a whole film, I think they could have benefited from some more time. To give the characters some more and/or better introduction. It would also have the benefit of seeing some more from all the fantastic actors.
I would recommend to watch this movie at (a somewhat larger screen) at home, where you have the option to rewind. That way it is also possible to appreciate the many details in many shots and scenes.
With every movie Wes improves his meticulous and almost obsessive attention to detail in every shot. Considering the visuals; In 'The French Dispatch' he once again trumps every movie Wes Anderson has made before, including the well received 'Budapest Hotel' and his critically acclaimed stop motion films 'Fantastic Mr. Fox' and 'Isle Of Dogs'. Of course there is an ample amount of his characteristic centered camera work, straight angle moving and panning, and the painting-like sets in almost every shot. He plays with aspect ratio and switches between colour and black and white for significant portions of the movie. And there is even a fully (drawn) animated section, which is a lot of fun.
If a movie was only visuals, this one would have been rated a 10/10.
I absolutely enjoyed the music and music timing in this. Composer Alexandre Desplat (who often composed for Wes Anderson his films) made a score that was often subtle, while still reinforcing the atmosphere of the movie and the scene. I also noticed some parts where video and audio were carefully timed to match one another. On a few occasions the music felt like a temporary extra character in the scene, leading the atmosphere instead of only enforcing it, and I found myself actively appreciating it more than I usually do when watching a film.
With all the actors involved, and the limited time they are given, it is difficult to properly discuss acting as a whole. There are so many fantastic actors in this, but the lack of screentime for each of them makes none of them award worthy. I have to mention Benicio del Toro for his acting though. With his menacing performance he outshines most of the other actors. And that is with a cast like this very difficult to do.
Overall I enjoyed this movie a lot, but even though I would like to recommend it, it is difficult to recommend to most people except for people already familiar with Wes Anderson his work. It might be not accessible enough for the average person, with the separate stories and visual style. While for a film fan the story issues can be problematic. Its shortcomings are especially unfortunate, because it likely will be a cause for less people to watch it.
9/10 Better than the first one, as expected.
Warning: Heavy spoilers for people who did not read the 3rd book!
It was better than the first movie on many points, especially the ones I expected it to be. But it still has some flaws, besides the obvious ones the first movie had as well.
First off, the obvious ones: Both movies fail to capture the scale of Katniss' inner stife concerning Peeta and Gale, and the influence of the home front (especially her sister and the role her mother had in the family.) I think this will severely lessen the impact of her sisters death in the final movie in 2015, just like it reduces the relationship Katniss has with her two 'boys' to a more common love triangle than it actually is.
In defence of the screen writers: it is hard to picture this strife on screen without getting long voice-over monologues, drag the movie out too much and make it boring. Since this choice was already made in the first movie, it was only logical they continued on this path for consistency.
- Secondly, the movies lose a lot of strength for people who did not read the books. This is because of the lack (or scarce amount) of background information. For non-readers this makes the basic outlines of the story a bit farfetched. (Why are there hunger games? What does the capitol wants to protect besides its own decadence? How come the districts didn't revolt earlier? These are a few questions that are easily asked, but not properly answered.)
Plot Development:
That being said, the 2nd movie manages to picture the cruelty of the capitol a lot better than the first one. This makes sense from a storyline perspective, since from this moment on Katniss gets more aware of the full scale of the oppresion in all the districts.
They stay true to the book, without getting to much attached to it. Maybe the first half (the victory tour) is a bit rushed, but that's understandable to avoid stretching out the movie too much.
Personally I think the movie needed 10-15 minutes extra to create that extra bit of (emotional) impact and explanation for a few things (like said earlier) or leave out a few scenes completely. Examples are the jabberjails in the arena or the replacement of the old peacekeeper. Also the conversation Katniss has with President Snow in her Victory Road home was too rushed, and lost its impact.
They managed to make some parts of the story even more clear, and the ending is way more satisfying than what Collins did originally. Less open-ended and more of a step-up to the next movie.
Acting:
Except for Donald Sutherland (President Snow ) I thought all the actors did a better job in the follow up movie than in the first one. It was obvious that they grew into their characters over time. Especially Elizabeth Banks (Effie) was exquisit and the faces Jennifer Lawrence (Katniss) did were top notch. She might be a bit too sweet and confident for Katniss, but she pulls it off. Also new character Johanna Mason, pictured by Jena Malone, was a really good casting decision.
The actors managed to give strong emotions to their characters, while they impressively managed to avoid overacting. Something that could happen easily in this story. They also got a few whimsical lines and responses in there that will make you smile.
Visual:
CGI were great, as expected of a modern high budget movie. They did not overdo it, which is a compliment for movies with this allure nowadays, and looked realistic, sharp and terrifying. Great job especially on the subtle way how they made the poiseness mist look. The only CGI I did not enjoy was the Tsunami (so the wave ON water, not when it came out of the forest.) This felt a bit cheap.
You notice the movie is by a different director, but nothing changed dramatically. Again, he jumps from 1 situation to the other a bit fast in the first part, and convo's are a bit cramped in because of the relatively fast scenes with information. So this can feel a bit messy. To make up for this, the arena scenes are detailed and beautfull. There are some interesting peek-throughs (deep shots) that keep the direct environment visible, and even one from a first person perspective. Not a fan of some of the close-ups though, they felt a bit cut-of at times.
Oh and costumes, great costumes that is, but A LOT of costumes :P
Sound:
I didn't really get up in your face, but managed to get the theme through to you at the important parts. Since I haven't paid attention to it in particular, that's all I have to comment on it unfortunately.
Enjoyment/Overall:
Great movie to watch, just like the first one. Has a good balance between action, stories, character development and originality. Depending on what kind of movies you like, the first half could be experienced as rushed or maybe uneventful, but the second part makes up for it in both cases.
All the flaws mentioned earlier are for the most part minor flaws, and do not compromise the movie for the most viewers.
ps. There were 2 'beeps' for the f-word when I watched it in cinema. I am interested if more people had this, and if someone knows if that will be on the DVD/Blu-ray too. Usually those words ain't censored in my country.
Arguably one of the best Marvel adaptations. Too bad it was canceled and ended with a major cliffhanger.
The series is absolutely not comparable to the weak sauce of the movie with the Fantastic Four.
This is an amazing movie.
Sets the bar for 2015, now we just have to see if 'the big ones' (Mad Max, Jurassic World, Hunger Games and ofc. Star Wars) are going to beat it. Maybe I'll write an extensive review later.
The filming makes this movie worth to watch. There are some exquisite scenes, especially noteworthy is the (seemingly) single-shot scene where the main character has to rescue the pregnant lady from a building where the resistance fighters and immigrants hide and keep her captive. This while the building is surrounded by soldiers and tanks from the UK army.
Note: I edited this comment bc i did not agree with my opinion from that time anymore, and I could not delete it fully.
As soon I completed this amazing series, I understood where the title from episode 1 came from.
Following is a short combined review of the first 5 X-men movies, with the focus (of course) on this last one.
I just did a rewatch of the 5 X-Men movies released so far, this one easily tops all the previous ones.
Even though continuity is something they just don't seem to be able to manage properly in the X-men (cinematic) universe, and this movie also has its issues with that, it does not wreck this movie and is more of a sidenote than anything else. Mostly because the movie in itself (besides some smaller plot holes made for entertainment purposes) is very well worked out.
While the first 3 movies had some superior actors to the last 2, the stories are a lot better thought out. Popularity of the franchise with the mainstream cinema goer has gained a lot too since then, therefore its budget is much bigger as well (except for the 2006 'The Last Stand' which also had a massive budget.) This means bigger and more intense special effects.
I am of the opinion that Avoy and Fassbender are doing a great job on screen with their respectable character, but they do not top the iconic McKellen and Stewart, who are also present in this movie btw. It is hard to compare though, since the former have to play them at a younger age when the characters had a lot less experience than their older versions in the first 3 movies.
Talking about a recast; Mystique/Raven also got a new actress in the previous movie. Where it was first Rebecca Romijn who took up her role, she is now replaced with the (now massively popular) Jennifer Lawrence. I am a big fan of her work, and she does very well in X-Men too. It is only a massive compliment to Romijn that I think of her performance of Mystique as even better.
I found it sad that those 3 older (to me better) performances needed to work with way weaker movies and scripts.
With saying all that I also need to say that with supporting roles from Ellen Page, Evan Peters and Peter Dinklage this cast is without a doubt the better one overall.
The 2 newer movies, and especially this one, get more time in setting up a story and take time in character development and better timed dialogues. The movies are about 30 minutes longer than the first and the third one, but the rushed feeling in the second one proved that this is not a guarantee for a better movie. There seem to be more sets, more changing situations and every shot, scene and setting seems better worked out with more attention to detail. And all this without getting hopelessly lost in a confusing back and forth plot. Which is quite the accomplishment considering it contains time travel!
With a 3rd instalment on the way (2016) I can only imagine what they have in store with us. Apocalypse and his 4 horsemen are coming (already giving us a glimpse of them after the credits) and we will get Jubilee!
Great show, I've grown more and more respect for it over the years. But it's not going to be around in the current form for much longer I'm afraid. Season 5 already has a change of (regular) cast members.
The great acting, good soundtrack and solid storyline alone would already make this film a pretty good one. But the depth of the story and background of the characters gives this movie an extra layer that a lot of 'coming of age' movies lack.
First off, the acting is superb. Every character that has some role in this movie, even those without lines, is casted perfectly. The 'bad guys' and 'bullies' are not played out as villains, or stereotypes (except for the no name students.) There is no ultimate good guy, not even the main character. It looks on screen as if the characters hang out outside of their working hours as well. This resulted in the cast behaving so naturally that it didn't feel staged.
Having said all that, I have to give a special shout out to Ezra Miller who did such a good job that he probably would have played everyone from the screen whith any other cast.
The storyline is very realistic, even though there are a few turn of events that might make you wonder if you would've done the same. But remember this is a coming of age story, and making mistakes are a big part of growing up.
It does not often get predictable. Even the 'does he get the girl' part was not set in stone for me. The first schoolball is probably the most cliché part in the movie, and some of the camera techniques used. But hey this is not an art house film. :P
Every character has it's own complicated background story, but because they do not spell it out for you in full detail it makes the characters more human and appealing. It is as if you are getting to know them while the main character is getting to know them, and the obstacles within himself too.
This realistc setting and chemistry between the actors made me memorize my own time in High school and the friendships I have made there and how we/I used to be.
There is a line at the end of the movie that made this even more relevant since realized I thought something along those lines too back in those days:
"I know these will all be stories someday. And our pictures will become old photographs. We'll all become somebody's mom or dad. But right now these moments are not stories. This is happening."
I guess if you had a bad time in High school you wouldn't have had those feelings of course. But in the end it makes saying goodbye (and especially the goodbyes in this movie) more emotional. The characters are aware of the future, and what awaits them. Luckily the movie lets you fill in what could happen afterwards for yourself.
An out of the box character driven movie with amazing performances all over. The movie is carried by the philosophical debate about (the hypocrisy of) how society is raising and viewing kids, so for the ones not interested in some deeper themes this movie will fall flat or could even be misunderstood. It is not so much a critique on society as it is thought provoking, and you might end up somewhere in the middle of the two positions of the argument. You could argue both against and in favour of the main character (played by the always amazing Viggo Mortensen) where every character in this movie has been written and portrayed as realistic as they can be.
At its core the movie is about parenting, education and the way society places itself superior to the outcast, and how the outcast always has to fight these conformist systems. Since (western) education and way of life has almost become a religion in itself, it isn't easy to live in (or raise your kids in) when you disagree. Something this movie illustrates the best in its more extreme moments.
Its runtime is a bit longer than you'd think necessary, however the slow pacing of the movie makes room for the rather big cast to breathe a little and not hastily skip over the decision points or thought process of the characters. It rotates intense emotional moments with moments of light heartedness and world building. This makes time for actually taking the audience along with the thoughts of the people that have the most development.
Oh and the cinematography is surprisingly well done too. I found myself both laughing and almost tearing up in 1 single shot. The emotions are very well captured and the use of light, costumes and props is exceptional.
The end really left me wondering if the kids could fly out and become these promising people their parents set them out to be, but something tells me that it won't be that simple.
This small, incomplete review holds no real spoilers.
Jennifer Lawrence turned up the acting switch a notch. Might be her best performance till date overshadowing 'winter's bone' while showing her great talent and potential of her becoming a movie superstar (if she isn't already bc of her internet popularity and looks.)
This part was more balanced as the last movie, and sets the emotional trigger on sharp for the finale next year.
Again a compliment to Elizabeth Banks who captures the role of Effie amazingly well. Even though she originally wasn't supposed to be on screen until the finale, the creators and writer Suzanne Collins decided to let her replace Plutarch's assistent so she could be in this movie, which was a wise decision imho to use a familiar face in stead of a unknown side character.
I was a bit disappointed about the lack of influence of Natalie Dormer, but we might have to wait for the last movie for that to happen.
Sidenote: It is harder to find a movie without Julianne Moore nowadays, than one with her lol.
There is a lot of conversation, the biggest part due to this being the politics part in the story. This is a big part of stories base after all, and is important in its message.
I really was surprised they used the 'Hanging tree' song in the movie, I kinda suspected they would skip it, and it was a great surprise and a good decision the didn't. It has a lot of importance for Katniss, since it depicts the struggle of the districts against the capitol, and her relationship with her family (mainly her dad) and later with Peeta.
Lawrence is definitely not a singer though, she doesn't have the voice for it hehe. Good thing they have computers nowadays.
Depending on how part 2 will turn out, I think they made a good choice in splitting the movie in two, even though it is probably done just for the cash and not for storytelling.
Good movie that makes you want to have kids yourself.
This show had so much potential, and already had a great first season.
Worst cancellation of 2014
With this movie, the Bourne Trilogy went instant classic. One of the best chase scenes I know of, a much deeper view on the identity of Bourne himself and the memorable 'magazine weapon' fight scene. Worth of a longer review, but I am too lazy today.
Simply great!
A family movie with a serious tone.
Best Disney Movie ever!
Great comedy, great sing-a-long music like Disney did best in the early era and a compelling story.
May the spoiler be always in your favour (this review contains spoilers.)
A great ending has come to the legendary hunger games series. A most welcome ending because we now finally will discover how the creators handled the death of Prim and the bittersweet ending of the book. Those were the two parts of this film I was curious about the most. My judgement is a 50/50 split between praise and expected disappointment.
After 3 movies and covering 2,5 book we have arrived at the endgame. The rebellion is on the capitols doorstep, and the climax of the story has arrived. During this build up there was a decent lack of focus on Katniss her sister Prim (as I mentioned in an earlier hunger games review too.) The importance Prim has to Katniss is shown a few times, but she did not get the appropriate attention for the average watcher to accept and understand that. Therefore the 'big explosion' didn't hit me as hard as it should have (and it didn't look like it hit many of the rest of the audience in the cinema.) But this was an expected point of criticism, and the actual execution of the big scene was done fairly well and a visual treat.
They did left the ending completely intact, with the harsh reality of a post traumatic stress syndrome after a war and poking around in someone's brain. It is an emotionally, nerve-racking but realistic ending, and I loved the books for it. I am thankful the writers had the gut to not change it.
Performance
Performances are once again fabulous. Effie (Elizabeth Banks) her role was mostly played out, so we sadly didn't get to see much of her. Neither did we of Haymitch (Woody Harrelson.) But it wouldn't be the Hunger Games without some of the chart emotional outburst by Katniss (Jennifer Lawrence.) She proves to the world that her fellow generation actresses are miles away from her level of performance. I even dare to say she is the best we've got currently have in all of Hollywood.
Donald Sutherland finally steps it up as president Snow and leaves the franchise with a great final act, giving the evil sceptre to the ever anticipating Coin (Julianne Moore) whome I have yet to see doing a weak performance. Peeta (Josh Hutcherson) and Gale (Liam Hemsworth) are just as great as they always were, even though we do not see enough of Gale to give his character a proper development. They just managed to do enough. Jena Malone as Johanna Mason was a delight, even though fairly irrelevant. The acts of Natalie Dromer as Cressida and the rest of the camera crew & squat underwent the same faith: Fairly irrelevant, but decent nonetheless. Most of the soldiers deaths were less shocking due to their lack of screen time, but there simply isn't enough time to set there character up in this stage of the story, so it couldn't be handled any other way.
Story
The story couldn't have been more relevant to current times. With a massive overlap with the refugees in Europe, the war in Syria and the political pre-election games in the USA, the accidental timing of the movie is perfect. Sometimes it felt like I was watching a speech they took right out of Donald Trump his program, used images from actual war zones and this made it frighteningly applicable to reality for me. The whole story is a fair warning to the current world situation, and one that shouldn't be taken lightly.
Having said that, the script did drop some stitches. Especially with the pacing. The middle part of the movie is going from one event to another lacking some proper motivation besides getting to the end of the movie. It did deepen the drama and gave room for great action scenes, but they had to sacrifice the strategic coherence we saw in the last film. It results in an ending that became fairly predictable, and a feeling that some (major) events were rushed (a weird feeling when you have over 9 hours of film in total.) Using shots during the execution scene, where Snow and Coin are in the same line of sight on multiple occasions, could have been handled differently too. I guess only a few people were surprised by the arrow's direction.
Visual & Music
I can be brief about this, it was phenomenal. The music was a tad less interesting than in the former movies, but still greatly timed and chosen. CGI and SFX was stunning. I was never a big fan of the the underground part, but the mutts were done amazingly well with so much detail and wrath it rightuously felt absolutely threatening. As they truely are one of the capitols most deadly weapons. Even though I knew something would happen in seconds, I still jumped by surprise a few times.
Overall
After all it is a movie with many perks and some tiny flaws that are very understandable. A worthy ending to one of the most important series of its genre.
A very original fairy tale. The unique animation might be off-putting for some, but it is something that makes the movie all the more magical. This is a lovely work of art for both young and old.
I see this new show is being compared to 'Black Mirror' often, both before and after it's release. It also looks like it is supposed to be something (entirely?) new that has not been done before. At least that is the impression I got from what the creators said about the show, and comments from critics and audience.
I can say it is a very interesting show to watch, but I cannot call it revolutionary. Also the comparison with Black Mirror goes no further than this also being standalone episodes with (maybe) a vague unconfirmed connection between the episodes (I am particulary curious about the gouls in " Suits" "Sucker of Souls" and "The Secret War") and a destructive post-apocalyptic fatalistic mood in many of the episodes.
The biggest virtue of "Love, Death & Robots" is also it's biggest problem. It's lack of an overarching tone in favour of basically treating every episode as it's own short film. This makes it possible to do a lot of different things with each episode, and play with perspectives, artwork, stories, genres, characters, twists etcetera. Unfortunately the differences in tone between episodes is sometimes so big it feels like not even the same series. From extremely dark self destructive themes to absurdistic and parody comedy that feels almost like ripped from a youtube channel.
Don't get me wrong, I enjoyed watching this series very much, and it got me engaged, thrilled and made me laugh louder than many other shows did. I sincerely hope we will get more seasons from this in the future. It is hard to make a good overall descirption of what this show really is though, because it can be all over the place. For me personally it reminded me most of the Animatrix shorts. Especially the steampunk and cyberpunk influences. Also the major differences in art from episode to episode is very nice to see, and exposes the viewer to a nice broad sense of expression. Some CGI episodes are not very well done, but others are absolutely gorgeous. And ofcourse the more creative animated episodes are worth it every time.
In the end this show is just a lot of fun to watch, if you can deal with the severe gore, violence and nudity. And/or if can enjoy the dark and absurdistic humour, then watch it. The episodes are very short (the longest is about 14 minutes, the shortest maybe 7? Yes, it is very much aimed at the short attention span genereation of now) it is not a big issue to sit through an epiosde or 2 you won't like that much. And the full season only takes about 2~3 hour to finish.
ps. When Topher Grace unexpectedly showed up, I laughed and I laughed hard :laughing:
I put off watching this animated film for a while since It felt very overrated to me at the time, but it was really very good and it surprised me.
Animation is pretty well done and they've got some good voice acting in there. It actually is a real magical Disney movie but in stead of magic it has code (which sounds nerdy, but it's just used as a witty tool to get that magic into a movie without magic.)
The only down side was the 'love' interest. There wasn't much time for any real focus in that part, but that's just nitpicking.
Well done!
Nb. Highly recommended as a re-watchable movie.
A brilliant '2001 space oddisee'-like real science fiction movie we haven't seen since the first Matrixx movie.
The idea for this movie is pretty simple, and so is the storyline for the best part. But somehow I cannot think of a single movie that did the same.
The strength of this movie lays in a combination of settings that are very unique, and all have an influence on the movie. The movie combines emotions, dick jokes, soul searching, love and friendship in a very subtle way.
A simple but strong movie!
A really fun show that never got the chance to develop itself.
The characters have great chemistry with each other, and each and every one of them has its own unique side without being cliché.
The writers managed to get some very good jokes into the show, and the timing of the actors is pretty decent too. Max is one of the highlights of the cast, and I think that if this would have run for a few more seasons it could've been as popular as New Girl or better.
The weak point is the stale position everyone is in, some of the characters are a bit overdone which leaves not a lot of space for different situations and jokes. It also happens from time to time that a scene is very forced and all actors are literally repeating their lines in stead of acting them out.
Surprisingly good.
I missed the motivation of the aliens a bit, but doesn't really matter.
