Alice

Funny as hell and delightful rated R content. Was not disappointed.

Damn they needed to stuff that kid' mouth with something before going outside. Also, while it was mature of Carl to cover for that piece of shit Ron, I feel like he's going to regret it. Jessie is really unfortunate in the children department, isn't she. Oh and I'm giving up on Morgan. I manage to swallow down his idealistic, deeply flawed philosophy, but when he fucking extends it to others, don't just don't kill himself but stop others from doing it and actively sides with a fucking enemy, it's just unacceptable and beyond understanding. When it's not only his life at risk, he has no right to make that decision. So yeah, regardless of his mad skills with a stick, he doesn't belong in Rick' group. All in all, a great episode, but a bit underwhelming for a mid season finale.

what the f was that!? i almost died when i saw glenn dying again

I'm on s2ep6 and I don't understand why some people gave it such bad reviews.. The show had to evolve in season 2, I think the direction is just as interesting. I started with s1ep1 yesturday and binged it. I read reviews before starting new shows I binge so anyone considering watching this show.. It Is Fucking Awesome! And I watch alot of tv.

Ahhhhhh I've missed Bobby and Rufus so much!

Holy fuck Game of Thrones. Went in with pretty high expectations and you still managed to amaze me.

"I'm going to hack the FBI." YES!

i know a lot of yall are hoping for Even next season and the main reason ive seen so far is "representation for mental illness and lgbt" (which is literally what this season was) but even tho my ass is sapphic as fuck, i think im all done with white gays for now. having my fingers crossed for our lord and savior sana
UPDATE APRIL 10, 2017: HELL TO THE YES!! SHE GOT IT!! MY GIRL!! HELL YES

Lady Olenna owns the title of Queen of Thornes even when she's dying! #RIPOlennaTyrell

This show has a Jughead problem; he was one of the best parts of season one, but is currently insufferable.

IF YOU THROW ANOTHER MOON AT ME I’M GONNA LOSE IT

wendy's storyline was totally disposable

THINGS THAT MADE THIS EPISODE F*CKIN AMAZING:
- Getting to see the dragons in action was truly beautiful;
- Dany and Yara interaction was GOLD;
- The battle was very very very good. Tense and visually stunning. I couldn't breathe throughout it;
- Ramsey FINALLY being killed and ultimately by Sansa;
- >>>Sansa's character development!!!!<<<<
- Rickon dying as well was awful, but I can't say it was a wasted death nor a bad executed scene.

S06 was worth it mainly because of this entire episode. Still can't believe how good it was. I hope the finale is even better.

Wait... What?
But.. But.. but.. what about that stuff with Ray? He couldn't have done that from within, right?
I'm puzzled......

Not allowed to do a review yet but I'll say this:
This is how you do a superhero movie.
This is how you do a war movie.

And the best comment of the night: "It was amazing, it made me believe I could become Wonder Woman." -6yo girl

I'm a simple woman, I see Matthew Goode, I watch.

Maaaan, this episode was a mess, in both the best and the worst ways. Gonna start with what bugged me. This ep disregarded how the midseason finale had ended, and I like my continuity. I know Carl lost an eye in the comics, but how the fuck has he survived a shot to the head? Also it was a bit weird how walkers got that whiny little shit Sam just because he took a step to the side, and then they attacked Jessie for screaming like they could follow the sound to her vocal cords, instead of just attacking the general source which would be the whole group. Not gonna lie, I kept waiting for that whole nightmarish (and slightly ridiculous) sequence to end up being a figment of someone's imagination. Wolf having a sudden change of heart was a bit farfetched. But fuck that shit, I don't really care. Rick going berserk and everyone following him to clear up the streets was awesome. Daryl, Abraham and Sasha coming back at the right moment and saving the day by gunning down the dead fuckers and blowing shit up was... convenient, but also awesome, yeah. Fuck the nit-picking, this episode was the shit, definitely worth waiting and yawning during some of the previous ones. Keep it up.

9.5/10. There are times when I feel jaded as a viewer. When it seems like despite the breadth of films out there, that I know most of the tricks, to where while I can appreciate a film's achievements in sort of a detached way, when I can even be engaged and invested in something, it doesn't necessarily reach me in the way that movies did when I first started watching them. The scope of appreciation has widened, but the emotional resonance feels muted, because I can't help but see the strings.

And then a film like Room comes along.

And Jack sees the expanse of sky for the first time. And Joy hugs her parents after not seeing them for seven years. And Robert can't even look at his grandson. And Nancy tells her daughter that she's not the only one whose life was destroyed. And Joy tells her mother that if she hadn't been taught to be nice, she might never have gone with Nick. And there's a supreme, heartbreaking look of guilt on her face when a reporter asks if she should have given her son up while in captivity. And Jack walks in on his mother's suicide attempt. And Nancy hears her grandson say "I love you." And Jack sees a real live dog, and makes a real live friend, and cuts his hair to give his mother his strength.

And I wince and I laugh and I cry and I gasp at this beautiful, devastating, intimate, life-affirming film. This is why we make movies. I love popcorn films, with the fights and flashes and epic feel, and I love the big dramas, with their scope and their sense of grandness and the talent on display, and I love those classic film comedies that mix the absurd and the irreverent and the memorable into a single hilarious package. But the films like Room simultaneously so small and so personal, yet so powerful and affecting, have a special place. These are, as Robert Ebert once put it, the empathy machine that is film working at peak efficiency, taking us into the lives of people who have suffered and been unfathomably wronged, and carries us with them as they carve out a way forward.

I didn't know I wanted a film that feels like a cross between Oldboy, Life Is Beautiful, and Boyhood, and yet the elements Room shares with each--the sense of isolation, the loving way in which a parent tries to distract their child from a continuing tragedy, the slice-of-life, impressionistic depiction of a young boy's innocence--come together to form something absolutely tremendous.

That last facet of the film, the fact that it filters the entire experience through young Jack's eyes, is a stroke of brilliance. There's a matter of factness, a certain directness or even blitheness to the way children experience the world. Using Jack as the lens through which Room tells its story renders those events not only realer, but plainer, imbuing them with the unvarnished perception of childhood. The way the film is able to get into Jack's head, to allow the audience to view these horrors and steps to recovery through his eyes, is its greatest strength and most impressive achievement.

By the same token, Brie Larson as Joy deserves all the accolades she's received for her performance here. While still a prisoner, she carries herself with such an air of both utter resignation and quiet resolve, someone who's been beaten into submission but carries on with whatever she has left. And once she returns home, the guilt that consumes her, the anger that she has for the world that kept turning without her, are palpable in every moment without fading into overwroughtness.

The film can essentially be divided into those two halves. The first is the story of Jack and Joy in Room, of the way that Joy makes unbearable circumstances livable for her son, the way that she copes and shields Jack from the horror around him, and how Jack strains and struggles to understand the idea of the world beyond those four walls, to where he can, eventually, help the two of them escape. The second half is far less intense, but still endlessly intriguing and affecting. It's a quiet domestic story about how people recover from that sort of trauma, both Joy who feels the opposite of survivor's guilt and second guesses herself, and Jack who is exposed to a big scary world, the depth and breadth of which is entirely alien to him.

But throughout both halves, there is such a pure emotional truth in each moment, from the simple joys that Jack enjoys within the home he doesn't realize is a prison, to his anger and resistance at having that fantasy shattered, to Joy's dispirited but resolute attempts to keep him happy and healthy, to the realistic, painful difficulties parents and children face when rebuilding a family seven years after a tragedy, to the wonder and fear a small boy has for what lies beyond the garden gate, and the unmitigated joy at every step taken toward some cobbled-together normalcy. Room is a beautiful, heart-wrenching, intensely personal film, that takes an unflinching yet uplifting look at how people cope and come back from the worst that our world has to offer.

Everyone keeps suggesting there is a paradox concerning the 5D future humans and their ability to save humanity in the past. It's really not a paradox at all. Everyone assumes humanity survived to ascend to the 5th dimension but how could humanity exist in the future if not for the actions of Cooper.. who was guided by future humans (begin endless loop).

Did anyone ever consider the other important character in the movie? Amelia Brand carried on with the rest of her mission (thanks to Cooper). I postulate that Brand used the human seeds as intended and set up a colony. A colony that would thrive and eventually evolve beyond human. Thus Earth is of little importance, and may have indeed died. These colonists, and the generations that followed, would have been told the story of a great man (Cooper) who saved them from extinction. With the ability to manipulate space-time, they would pay homage to their hero "God" by helping him in the past so he may fulfill the mission most important to him, to once again see his daughter. Plan B worked beautifully. But the 5d humans, having the power to bend space-time, decided there's no reason why Plan A had to fail.

The funny thing is that after the episode ended, I came here to give it some stars.

The meanest thing I could say about this movie is ‘Has extreme Don’t Worry Darling energy’.

I have never seen a movie more desperate to justify itself. It’s trapped in this endless neurosis over what it is- a blockbuster Barbie movie in 2023 by an acclaimed art house director that is fun but also deep but also earnest but also self aware but also but also but also. Every point it raises it brings up a counterpoint to before the audience can, every frame is trying to prove it’s not just product but art. It’s never just Barbie. It’s never confident or even comfortable in its skin. You cannot for a second be immersed in Barbie because it’s not a story so much as a visual dissertation without a central thesis, it’s a student film riffing on the big dogs hoping it’s underdog audacity will carry it but given a budget in the millions. It so desperately wants you to like it, to know it’s in on the joke too.

Everythng is an ouroboros here: an endless loop of argument and counterarguement feeding itself. Isn’t it shitty how the Mattel boardroom is full of men? Ah, but isn’t it cool how Mattel’s acknowledged it with this niche? And it’ll mythologize Barbie’s creator but uh don’t worry she did tax evasion we know that, now let her impart into Barbie the experience of all women. Barbie helps women, Barbie hurts women, Barbie is told to be everything so isn’t she just like women, but it is better to be a creator than the idea, and in the end, hasn’t Barbie helped all these women? Oh uh why is this blonde white Barbie the centerpiece of it all and helping not only her diverse Barbie friends but a Hispanic woman and her daughter? Don’t worry we’ll have the daughter call her a white savior! But don’t worry we’ll have the mom say she’s not! It’s fascinating to watch, honestly. It’s a film that wants to prove to you so so bad that it works but it doesn’t and it knows it doesn’t and it knows you knows. It’s Gerta Gerwig wrestling with taking this job for an hour and a half.

The cast is more than game and able. Margot Robbie is doing her damndest to find the heart and soul in this role, and there’s one scene with an old lady near the end of the first act/beginning of the second that actually works, for just a moment, more than any of the big third act soliloquies or montages with emotional ballads. And as someone who’s seen Blade Runner 2049 and Drive, this is the best Ryan Gosling performance I’ve seen. The man commits and delivers a surprisingly compelling and entertaining antagonist. The movie can’t quite reconcile what he’s done with his ending, or tie it into the themes- is Ken letting go of Barbie and the need to define himself for or against her symbolizing the need for men to do the same, and if so, why play it so lightly and sympathetically?- but that’s not his fault. And the supporting cast are entertaining, but you just can’t have big laughs with a movie that feels like it’s constantly checking in the corner of its eye after every joke to see if you’re laughing, grin stuck in place. It’s not as funny or as smart as it wants to be, and the sad thing is, it feels like it knows that too.

There is some great set design, cinematography, dazzling choreography, popping colors, and some fun high points. But I can’t imagine many kids liking it. And we’ve seen how conservatives have taken this movie. And anyone’s who’s progressed beyond the politics of. Well. A feminist blockbuster Barbie movie will find it cloying or condescending or just incredibly basic. It’s aimed at a very specific crowd who will buy what it’s saying, the liberals who see corporate feminism as progress, who agree that it’s just about a little change sometimes, who are ready for something just a little more complex than a SNL sketch. I don’t regret seeing it, because I was deeply engaged the whole time seeing it struggle at war with itself, in pain for its whole existence. It’s not a boring movie by any means. It wants to say everything before the audience can say it first. It’s the endpoint of The Lego Movie and Enchanted- the corporations interrogating and justifying themselves, and the cracks in this formula are too large to ignore. It wants to be so much, and the attempt is as darkly mesmerizing as a fly thinking it can somehow and someway metamorphize into a butterfly and suffocating and struggling in its makeshift cocoon, but this is one Barbie that fundamentally just cannot break out of its box.

I have so much to say about this show and how bad it is. If you want a excellent supernatural drama, then watch this BUT only from season 1 to 5. The fifth season's finale offers a great ending to the show and after that, everything is just plain bad. The plots stop making sense, they bring back characters just to kill them off and introduce new ones nobody gives a shit about. Think about everything that makes the show amazing, all those characters you love. Well, you'll be lucky if they decide to kill them off, because they managed to ruin Castiel and Crowley's characters to a point where I can't even stand them. Season 10's Crowley is just terrible, all he does is sit on his chair in his castle or whatever the hell that is (look i made a pun) and kill random demons. Regarding Castiel, a lot happens to him after the fifth season, sure, but his character just doesn't evolve. This is so irritating because i was such a huge fan of this show but now i feel like i'm gonna have to drop it.
I can only recommend the 5 first seasons, after that everything is just bad.
Just look at the gap between season 1-5 ratings and season 6-10 (or 11 now, since it has been renewed), and really the only people still defending this show are tumblr hardcore fans and shippers.

SO SO GOOD! It was funny, scary and amazing! Who can hate on this film, it's much better then everyone thought it would be, maybe better than the originals! Not a perfect movie but it is a really strong 9.

Is it just me or the second season is FAR better than the first one?

Everyone is so mad and I don't get it. You want the show to be sunshine and rainbows? You want the characters to start considering "oh but I don't want to hurt any of the viewers feelings". If you didn't see that coming, can't foresee just how drastic the Sansa/Theon story line may become, then you are blind. This is not a happy show, and this is not the worst thing I've seen on it.

If you're looking for an action and "turn brain off now" film, just don't watch it and spare us the 6-7 hearts review.

I for one, am very tired from 500$m crap like Indi Day and Marvel's poop. So I was very excited to watch this one.

This one is more like Spielberg's Encounters from the Third Kind. It's more about the characters in the film and the amazing journey they go through. It's mostly about the human behavior that will make you think.

While it's not an End of the World aliens movie like Battle: Los Angeles, it still offers great amount of military presence and plenty of stuff that's going on.

So if you actually want to care about an intelligent movie and use your head - go. Otherwise, go watch an X men.

Highly recommended for some audience 10/10.

2-feb-2017 edit: Just came out on Bluray and I saw it again. Definitely keeping my rating.
Watching again at July-2023, excited towards Dune II : Excellent. Excellent film. So called plot-holes listed here are negligible when the overall product is really thoughtful and masterfully crafted.

Watched again after a few years. Just upgraded his grade from 9 to 10!

The main actor is so perfectly cast! The writing needs some work, but when it goes with Matt Ryan, the show is flawless. I hope it gets a S2, because it has potential when they let it be. Also the comics are great, so with that source, there is a lot to work with. The thing is that Ryan is 100% Hellblazer, but a lot of the show is more like early Supernatural.

They promised the truth and omg did they deliver ! This episode changes everything about the show, I can't wait to see the rest of the season !

Where can I find more rare diamonds like this?