this show is so fucking ridiculous the force of that plane would have ripped them apart gOD
so wally's totally gonna get mixed up with alchemy to get powers. also it's really strange to see joe's daughters kissing... on a serious note, let's be honest the change of scenery didn't do shit to how boring they are together.
How exactly do they plan to conclude all these plot points in one more episode?!?
I've loved this season, but this feels like it needs another 5 episodes at least!
First of all, its a pretty cool feeling knowing that you helped produce this film on indiegogo (or kickstarter, whichever one it was). I was impressed by how well made it was. It felt like a big budget movie.
Second, the story was great. A few things happened that I didn't expect to.
The only thing that I didn't like was the ending... It needed 5 more minutes to explain what the hell just happened. Connor said he's going to make things right. But nothing happened. He visits his mom's grave. Then what? He's back where he started, minus having a mom?
Did Garrett essentially replace Marcus with that deal?
Did Park not end up having powers? I definitely thought he was going to have powers.
So Nia got to visit her dad in prison. That's not really a happy ending for her, is it?
Maybe I missed something while I was watching...
So after all that they just let the rebellious clones walk away? I mean, anyone who has seen Rebels knows that Wolffe will eventually change sides, but did nobody else in his squad really had a problem with letting their #1 target walk away (Isn't "Good soldiers follow orders" still a thing due to the inhibitor chip?). How are they even going to explain that to their superiors? The resolution just felt poorly made.
On the surface this film is about a group of people who have been labelled “villains”, working together to save the world. But really, this film is about one man and one man alone, he isn’t strong, but yet he defies all odds and sacrifices his life to save his friends. His only power is his bravery, he is the driver of the van and the main character of this film, Milton.
This was really endearing, lots of cute moments.
In most other shows I'd find it ridiculous to have characters get married after knowing each other for only three days but everyone in TUA is just unhinged enough for something like this to work. And I'm always here for the "let's have a party before the world ends" trope.
I like that they finally gave new Ben some depth, took them long enough!
Reginald being nice (or at least pretending to) is totally weirding me out and I'm loving it.
Klaus is definetely carrying this season so far.
Everytime Allison spoke I could not help but roll my eyes. The adaucity to not even accept Viktor's apology which in no way she even deserved... ugh. Her emotions are very much justified, I don't blame her at all for grieving and being angry but after forcing herself on Luther and not even apologizing for it and then going on to murder Harlan in cold blood, I just cannot stand looking at her anymore. She's irredeemable.
I'm so disappointed... My partner is LGBTQ+, and I support this (equal rights for all human beings) with all that I am. Despite this, I hated the last fifteen minutes. It was devestatingly bad storytelling. The magic of their plutonic relationship just kind of fizzled away to nothing. It became a physical expression among beings that should be above physical nonsense. This doesn't drag them to earth, it just drags their characters into a more trivial and mundane place of existence.
It was a great season, but it's a 8/10 instead of a 10/10 now. They were so touching and wonderful as friends, without becoming a cliche rehashing of Romeo and Juliette.
What a thing to see... The season was so AMAZING... I loved it. But it ended on the weakest possible note. I can hear the Amazon executive in charge of all this screaming at Neil to add this scene in... And I can simultaneously can hear Terry rolling in his grave.
A fantastic short film that’s bound to become the major highlight of this season for most, while also likely to trigger some mentally deficient adults.
One of its best qualities is that you could in theory tell this story with a straight couple , and it wouldn’t lessen any of its emotional impact.
It’s such an original, creative angle for a zombie apocalypse show, and Nick Offerman/Murray Bartlett both deliver career best performances here. If their section was a bit more fleshed out, I genuinely think you could make a great indie/arthouse film out of it.
I also love how it portrays a hardcore Republican character without making him some incapable buffoon, we don’t get enough of that in movies and tv.
Ps: I’m pretty sure they used an existing piece of music during the marriage montage , I’ve heard it before but can’t quite place where it’s from
THEY PROMISED ME ZOMBIES AND ALL I HAVE NOW IS DEPRESSION
What a beautiful episode, I don't remember an episode like this for years, very well done, just perfect.
Which version do you prefer? The Game or the Show? I will have to go with the show, its more happy, kinda.
So the guy in the bed is Karolina's father and he was involved in Alex's dad's riches too. I'm liking the slow burn on this plot even if it still feels a little low ball compared to the comic. I understand they can't work it to the same level though. I liked the bonding with Chase and his dad but feels like a real 360 on his character in a short space of time.
Getting a 'crush on Nico' vibe from Karolina which fits the comics well too. Nice moment with the team coming together. All looking good so far!
[7.8/10] My favorite episode of the show so far. “Partners, Am I Right?” finally delivers the lived-in, layered dynamic between Clint and Kate that I’ve been wanting, while also delivering some top flight action, and making Kate’s family situation compelling for the first time in the series.
I’ll confess, I abhor the schmuck bait from the end of the last episode. If you’re going to have Jack hold a sword to Clint’s neck, it’s pretty cheap to immediately deflect into one big misunderstanding when you start this one.
Still, I’m willing to forgive it because the interactions between the assmeled are legitimately good here. I don’t know what the cinch is exactly, but Tony Dalton’s Jack is more recognizable as someone wearing the masque of the genteel bumbler while hiding a sinister side beneath. Likewise, I initially thought Eleanor took her daughter teaming up with an Avenger a little too much in stride (maybe it was just being starstruck.) And yet, the show assuaged my fears, having her take Clint aside and basically tell him “Don’t get my daughter mixed up i this dangerous shit.” There’s a patina of realism in this heightened reality in that. I’m increasingly suspicious that Eleanor herself may be involved in some malfeasance, rather than being hoodwinked by Jack, but it’s still nice to see her responding to all of this the way a mother might.
If that weren’t enough, II love love love the scene of Kate showing up to Clint’s place to spend the holiday together. It gives us a reason to like Kate a little more -- she has empathy for her would-be partner, knowing he’s been through a lot and wanting to make sure he’s not alone at a difficult time. In the same way, it makes us like the two of them together more too. The way they banter about trick shots and trick arrows, shuffle through holidays movies, and come up with plans using what turn out to not be dry erase markers is funny and endearing.
Things get serious too though. I’ll admit I forgot that, in the right hands, Jeremy Renner can be a damn good actor. As much as I enjoy the MCU, he hasn’t always had the chance to show that. But hearing him talk about sparing Natasha when he found her, processing what he’s lost and the depths he fell into when he became Ronin is powerful. Some of that’s thanks to the writing, which is better across the board here. But a lot of it comes down to Renner’s performance, which makes Clint an open wound who’s still living with his pain and trying to warn Kate off from it. Seeing him confide in her a bit, open up to her a little, helps cement the partnership in the episode’s title.
After indulging in some of the slack tide hangout vibe that, vitally, let’s us get to know these characters and see them together when they’re not adventuring, the episode also provides them each with solid missions and objectives. Clint strongarms Echo’s lieutenant, Kazi, with a persuasive argument that Maya’s personal vendetta against Ronin is a losing battle that’s going to lose both her and Kazi standing in the eyes of “the Boss.” For her part, Kate gets her own amusing set of interactions with the Larpers, using the connection to retrieve the trick arrows and secure themselves the studio/merchandise-mandated new costumes. One is dramatic and convincing, the other is fun and light, and it’s a good balance. (Hello Thanos fans!)
But the climax of the episode pays things off in a big way. Snooping through Maya’s apartment and discovering that she’s after Clint’s family ups the stakes here. There’s a threat here that goes beyond Clint himself putting his life on the line. The set piece itself is strong, with too many quick cuts for my taste, as usual, but a lot of hard-hitting action and neat wrinkles like Kate's ziplining adventure to liven things up.
There’s the added benefit of making this a four-way fight where who’s on whose side isn’t necessarily clear. Clint and Kate are a team, of course, but Echo has her own agenda, as does the Widow sent after our hero. The shifting alliances, coupled with Clint’s efforts to keep Kate out of harm’s way, makes for a unique dynamic to the fight.
Plus hey! Yelena! It’s nice to see Hawkeye paying off the tag from Black Widow. The debut is well-handled, with the masked assassin fighting like a widow and giving hints of who she is before the reveal happens. At the same, Yelena’s presence is a complicating factor, in a good way. She’s the sister of someone Clint is still mourning, and as he tells Kate, her mere presence means business has picked up. If Clint’s going to keep his word to Eleanor and stop Kate from falling into serious danger, then he has to dissolve their partnership almost as soon as it truly begins. That’s good stuff, which serves both the plot and the characters.
Overall, this is a winner of an outing which kicks things into gear. The dynamic between Kate and clint has never been clearer or more compelling or more endearing, and with connections to other events across the MCU, we’re getting meaningful developments for Clint as he processes the events of Endgame, while orienting Kate within a wider world.
So the nuke detonation was contained inside the tunnel? no radiation leak? anyone here into the science of nukes? :grin:
Sure, having the Russians and Czechs speak their native language would have been the realistic choice...but I'm feeling generous, I'll let go ...I'll enjoy the show as the creators want it to be.
It's a good end to this chapter. Where multiple other shows ended on cliffhangers, I'm thankful The Blacklist didn't this season...phew.
Season 10's plot seems obvious now, and it sure will be a very interesting one.
Vera is such an underrated character. The rawness of his hate, anger, and depravity is boundless. The acting was brilliant. Honestly, deserves more screentime of not for the fact we all hate him which is a testament to how good he is in this role.
Eternals really changed the whole MCU. This is a new take on a whole new mcu film without the same old formula. And I kinda like how divisive and deep, dark they went for this. There's so much complexity in each character that I know people can identify with, it's everything the other mcu films could've been. Fuck rotten tomatoes.
Owen Wilson is excellent. Let’s hope he is in more than just 3 episodes.
Poor Mikkel and poor Jonas. So damn heartbreaking.
Also, it was so cool how the teens from 2019 looked the same as they did in season 1. Were Jonas and Magnus wearing wigs? It was weird cause Jonas' face looked rounder and younger. However they did it, bravo. That was impressive.
But, how on Earth did Martha not realise how different Jonas looked? No one can grow an inch of hair in the span of a few seconds! Even papa Mikkel noticed. Step up your game, girl!
I'm not sure I yet understand why old Mikkel had to commit suicide. What's the correlation between him dying and his younger self being taken to the past? I don't get it. It's not like jis dad being alive would prevent Jonas from time traveling, right?
The writing is great, you have a story that keeps you interested. You only get dripplets of information each episode. On top of that you have great action sequences. This show continues to improve with every episode.
We know that Omega is very important but I don't think it was on of the Kaminoans who hired Fennec. That would be too obvious, wouldn't it? It's someone we haven't seen yet.
By far the best episode of the season, even the last few seasons.
The stakes of the story actually feel real, they remembered that Barry is the main character and didn't spend too much time on the side characters, and the action scenes were superb.
They also remembered things like 1. He needs to constantly eat cause of his metabolism. 2. He's a genius scientist and 3. Going super fast has consequences to non-speedster stuff. They don't make a big show off of any of them but simply remembering those things in general is more than they've done since season 3/4.
All in all this feels like the showrunners actually remembered how to make The Flash again, even if we get it only for an episode.
And it just so happened to be in the episode which Iris isn't part of in any way. Hmmm... almost like there's a connection there.
Not as solid as I hoped. It's confusing for sure, but they could have done so so much more with this concept and world. But they didn't. It has left us with a story that is interesting, yet unrelatable. Things move way too fast and I would have preferred a longer runtime because it is that intriguing. And while the ending is great, the way that Nolan tries to merge the two viewpoints isn't done well. Leaving me feeling like my dad when he watches Transformers (2007) and asks who is who.
It needed to be simplified a little more because everything else is amazing. The effects, the overarching story, the acting. The music, however, is terrible and overblown to give a sense of action when there isn't enough happening. The only part where it worked well was in the final fight, but even then it needed to be quieter.
The cinematography is good as always, but I feel it is lacking compared to Nolan's previous work.
When it comes to action and the draw to this movie, the reversal shots. They deliver, but they are too and far between. It gives us great scenes of reversal action, then one drawn-out segment at the end that doesn't feel rewarding as like I said before, it isn't merged well.
This movie may grow on me more after a second viewing, but it left me in a state that I don't wish to see it again any time soon. It is not fun enough to see again, it is not engaging enough to associate and learn from. Something that Nolan has done well at in the past is his ability to leave questions with the audience after they finish his films. Here, it just provides answers and left me unsatisfied in that regard.
7/10
At this point I guess anything is possible so I'm going to say Dembe is Katarina Rostova!
The very end was a little goofy. What happened to Grace is Cal’s fault. He even told Angelina where the extra key to the house was.
Much better than the season premiere. Yet I am still missing Ralph. Grant Gustin even blocked me on Instagram just for saying they should at least replace Ralph.
This episode is better than it has a right to be. Since the show isn’t as good as it once was. Feels like the show should end soon.
This was better than last years finale. I'm not sure about Donna. Is she dead? Can she really be killed that easily? A little bit dead? Does Raven think she can raise her?
I am getting tired of the groups standard tactic of everybody standing or sitting around while 1 or 2 people go fight.
This finale feels like not just a finale for Season 2, but Season 1 as well. It wraps up the plot that has been worked on since Season 1, and in some ways turning it to full circle, e.g. Butcher's quest for Becca, A-Train subplot, Hughie's self-discovery, and the rest of The Boys's relationship with each other.
As usual, The Boys does the best job when they take a jab on current corporatist-political climate.
“People love what I have to say. They believe in it," Stormfront confidently said. "They just don’t like the word Nazi." A racist superhero is Vought's darling - one that casually screams lingos like "white genocide" to young boys. Seemingly contradictory considering Stan Edgar, who would be target of racism, is Vought's CEO. But Edgar insisted that it is not about him. "I can’t lash out like some raging, entitled maniac," Stan Edgar responded as he smiled when confronted on what he did, "That’s a white man’s luxury." Anger drives demands for securitization. Demands for securitization drives demands for Compound V. Vought just "play with the cards we're dealt." Like Maeve's bisexuality that Vought plays, racism is just another card to eventually drive profit. Be it racism or empowerment, they are all smoke and mirrors.
But of course the thickest smoke and mirror is not a mere woke capitalism - something we can already obviously see. The thickest smoke is one that makes us think that within this war of attrition, another hero existed, and they would fight for our cause. We follow them as they march - our symbol of hope. This episode reveals something that has been foreshadowed very early in this season: "it's a fucking coup from the inside," said Raynor, before her head got blown into bits. Neuman, an obvious parody of Alexandra Ocasio-Cortez, raised into the spotlight as an opposition toward Vought and Homelander. But as it is revealed that it was her who was blowing people's head, and she has blown the church leader's head too as soon as she knew he has files on supes, it is revealed that she is actually a controlled opposition by Vought. Like the politicians who hail from Democratic Party, a part of ruling oligarchy, The Boys takes another jab that we should really never trust heroes, be it in the form of supe or another.
This reveal is also a very nice setup as it closes the arcs on Season 1 and 2, and prepares for another arc coming in Season 3. It gets interesting as I had myself asking, "can Homelander end up being our hope now?" This sort of dilemma is what piqued my interest in The Boys; we can't really easily label one as evil and another as good, as - like in real life - today's enemy can be tomorrow's ally, and vice versa.
That being said, I do not think this episode is a perfect ten. Butcher's quest for his wife, for example, was quite unsatisfying. Becca, despite having a lot of screen time, does not possess actual agency, and more like a side character who happens to be involved in Butcher's bigger story. Despite revolving around his infatuation with his supposedly long-dead wife, the way the subplot climaxes leaves much to be desired as Butcher seemingly sidesteps Becca's death. How would Butcher reconcile with such heavily emotional feeling, after years of losing her, finding her, and now he is losing her again? How would Ryan, her son, react to the loss of the only guardian he ever knew in all his life? Those questions remain unresolved. We get to see more time of Hughie and Starlight bonding - while it resolves the tension in their relationship, there is not much resolution or development going on in that aspect.
In addition to that, while watching girls trio beating up Nazi is fun to watch (though it seems to lean more on the cathartic side too much) - and especially funny since it is another parody at Marvel, the forced "girl power" scene in Endgame - Maeve's appearance seems a bit too convenient, deus ex machina that resolves not just the issue with Stormfront, but also Homelander. The Boys has been sort of weak in the last three episodes in employing deus ex machina, something I wish could be worked on more on the next season.
All in all though, this is a much better finale than Season 1's.
Stormfront is all about female empowerment but also a sadistic racist? Damn. This show really isn't afraid of anything and I love it xD Can't wait for the moment she gets killed by Kimiko.
