Favorite Noir I've seen. Infinitely rewatchable.
This movie spoke more to me as a lifelong Lakers fan than it did a lifelong crime flick fan. I really found it more goofy than anything, but I had a lot of fun with it.
Emotional, meanspirited, heartfelt, and brutal all at once. Great imagery, great soundtrack, great set pieces. The closing bridge shootout sequence set to free bird is some of the most kino shit I've seen in my entire life. Anytime someone says Rob Zombie is a bad filmmaker simply point them to this one picture.
I quite liked this one. Not sure why it's taking so much slack here.
The opening scene is absolutely fantastic, so much so that the rest of the film doesn't quite live up to it. Still, a thoroughly enjoyable Vincent Price vehicle.
Wow, this is a good one. And by "good" I mean "bad". I have a real love of these independent z-flicks shot out in the boonies, and damn does this one deliver. Best 70 minutes of nothing I ever saw.
Enjoyable anthology film. The Black Cat was quite humorous.
Charles Laughton's performance was wonderful, certainly the highlight of the film. Just decent, otherwise.
One of the most incompetent films I've ever seen. I loved it.
Kinda boring and long. Not a whole lot of action, and then it just sort of ended. Expected better, honestly.
A perfect action film. Hardly an action movie, really. More of a drama. A perfect dramatic telling of the life and struggle of an American veteran who has returned home. Where the real war is.
If you ever want to explain modern America to somebody, show them this film. It's all you need to understand.
THE classic October slasher flick. Kids nowadays don't get it, I guess.
Possibly the greatest film ever made.
I can't help but think it's severely overrated, but it's still a solid slasher flick that helped revitalize the genre. For better, or for worse.
Maybe the worst movie I've ever seen.
Boring. Confusing. Nothing happens. The main character is from Delaware. I hate Delaware.
There are few horror movies that actually scare me, but this one is legitimately unnerving.
Never been a fan of this one. Visually it's stunning, but that's all it has to offer. I'd say I just don't "get" it, but I'm not sure there's anything to "get".
This is the first and by far the best of the "MTV era" of the Elm Street movies. I enjoy this one a lot, but it set a bad precedent for the next several Freddy films to come.
Most of the Elm Street flicks suck, but of the ones that aren't any good, I have the most patience for this one. The story is so bad it's almost nonexistent, but paradoxically, that works in this film's favor. It really just feels like a montage, and the various kills and set pieces are creative enough to keep me mildly engaged.
Really just a strictly worse version of House of Frankenstein. Not bad, but certainly a weak link in the series.
A clear step down from the near-perfect Son of Frankenstein, but still a great 1940s monster flick. Lugosi is possibly even better as Ygor in this film than in Son, and he really carries the film as Lon Chaney Jr. makes for a rather poor Monster when compared to Karloff or even Glenn Strange.
It was alright, I guess.
Possible influence on Carl Th. Dreyer's Vampyr? I've always thought so.
Genius self-parody. I think a lot of people missed the point of what Joe Dante did here.
Really exposed the emptiness of the art industry. Made me hate Jeff Koons. Made me hate everyone, really. The self-aware German-Jewish guy was the only person in the film I liked, I thought he was great. The retired artist was good too. The point of the film is not to make you like art, or anything. If that's what you want, look elsewhere.
Most based movie ever lmao
70s Narco crime done right!
Probably my favorite thing RLM ever did.
One of the greatest closing scenes ever filmed.
