Not on Blu-ray? The fuck? This is one of the greatest family movies ever made. Gorgeously shot, fantastic soundtrack, funny jokes, wonderful performances, and a silly & fun story. I remember watching this when I was younger and just falling in love with it instantly. I highly recommend you see it. Find a copy and watch it. It's great.
You want to know the best thing about this movie?
Emma Watson turned down "La La Land" to do this...
Kevin Costner's reciting of, "Back... and to the left... back... and to left... back... and to the left... back... and to the left... back... and to the left," is now like implanted in my brain.
Surprisingly enjoyable, passionate film about redemption of the body through the soul. This isn't a Hallmark film that's cheaply made and thrown out into the market. I haven't read the original book, but the production quality and acting from up-and-coming stars like Logan Marshall-Green and Abigail Cowen steal the show. Sets looks great, cinematography is rich, and the film is paced decently even at it's 2+ hour runtime. Very bleak, taxing story that goes into some dark places; child prostitution, abortion, death, brothels, cheating, and more. It's a rewarding experience though.
That sequence where Glenn Howerton walks slowly through the house while the Mama Tried vinyl plays, and the killer follows behind him, makes this movie worth a watch just for that. A couple of unnecessary slow sequences, but goddamn, there's some nuggets of sheer brilliance locked in this movie. A little more work on the writing would've helped, but overall, the direction and choice of music was superb. I'll be revisiting this movie just for some of the great scenes scattered throughout.
The lowest of low. The editing is nauseating, the acting is atrociously bad, the stark contrast between reshoots and original photography are obvious, and the story is as devoid as life as you can ruin a such rich legend. How anyone can defend such an embarrassment from the studio has to stem from some blind brand loyalty. There is nothing passionate behind the lens, nothing resonating off the screen, it's a once interesting dramatic take on the story raped in to a 300 million disaster dumped on to Disney+.
In 2015, Hideaki Anno said anime as an industry is dying and only has about 5 years left, then it might go through a resurgence.
jump ahead 3 years
Evangelion: 3.0+1.0 is finally announced for release in 2020. OH FUCK. Anno is going to kill the entire industry by releasing the final Evangelion movie. The madman will do the deed himself. Just more of what you'd expect from the master.
These films are the ultimate pleb filter. How you can watch the last 30 minutes to this and not think it's the most amazing finale you've ever seen in a feature film is beyond me.
Watched it this time with my grandmother... yeah, really. To my surprise and amusement, she liked it a lot. After going on a personal marathon watching the later Saw movies, it's almost jarring how tame James Wan and Leigh Whannel's original is in comparison. Hardly any gore is shown and anything extreme is kept cut away or tastefully presented. This low budget endeavor relies a lot on the writing and fast editing from Kevin Greutert. It's already a classic, so I don't need to explain any details or make a recommendation. I remember my parents walked out of the theater, originally, in complete shock at the twist that came way out of left field. As giddy as I get at the sight of gratuitous and silly hardcore violence, I love how restrained and accessible the one that started it all is. Bring on Aquaman.
I'm surprised this one is rated so much lower than the first. I find it better. The writers have found their footing on what they want the franchise to be, creating a genuinely interesting crime thriller, just with loads of more gore than the previous. Tobin Bell makes for an excellent character, without having to overact like other villains in the genre, but it's the twist and story that's unexpectedly fantastic. One of the better written scripts for a horror film, every element comes back in some way. This is a classic I keep coming back to every so often, the characters are fascinating to watch. The score by Charlie Clouser is chilling and classic, completing the haunting tone. On top of which, I love the color palette of dark greens David A. Armstrong and Darren Lynn Bousman chose for this one. Each film seems to have it's own colors. The first had a blue and white scheme, the third a more brown and orange, the fourth and blue and red, and so on. It's oddly deliciously appetizing, in it's dirtiness. If you somehow haven't checked this out, you should. It's much more than what you would expect.
I'M GOING TO BUY ALL THE TOYS RIGHT NOW, DON'T CARE IF IT MAKES ME LOOK LIKE A LOSER. THIS MOVIE IS SO DAMN WONDERFUL, I'M AT LOSS FOR IT'S MONUMENTOUS GLORY. THIS IS THE BLOCKBUSTER EVENT OF THE SUMMER, SCREW INFINITY WAR. SEE A NON-STOP BARRAGE OF INSANE MONSTER ON MONSTER ACTION. THE AGE OF KAIJU TAKING OVER HOLLYWOOD IS NOW.
You know that thing people do when they re-watch a movie to test if it was the initial hype or bias blinding them from objective deconstructing? Well, re-watching Mary and the Witch's Flower did the opposite, it confirmed my hype. My rating is actually going up to my perfect-tier. I had tears in my eyes during the credits. Any film that can do that automatically gets five stars, because that is so hard to do to me. I don't like to think I'm cynical towards movies, but at the same time, I think movies have to earn their emotional pay-offs, I hate being cheated. I don't at all feel cheated with Mary. I had minor problems with the script the first viewing, but on a second-view, I don't have those problems anymore. I absolutely adore this movie, I hope more people can see this. Because this was a Fathom Events, we got a sneak-preview after the movie showing concept art for Studio Ponoc's next movie. I'm so happy the movie was a success to further their studio along.
Easily one of the best movie making documentaries ever to be created. Even if you don't care for Zombie's movie, the level of detail that was put into this FOUR HOUR bonus feature is astounding. I want to keep reliving the first time watching. Just a seriously fantastic compilation. Screw those nerdwriter1-esque video essays on Youtube, if you want to actually get into making movies and understanding the business for real, watch this now. It's like you're experiencing everything in real time.
Would anyone of my followers like to see me take on the Star Wars movies before the crap-fest Han Solo spin-off comes out? I have some thoughts I could get off my chest, but it'd take awhile to write.
Just going to throw this out there: I like The Phantom Menace.
Holy crap, I need to make a video comparing this movie to Toy Story, 'cause some of the plot elements and even lines of dialogue are identical to the Toy Story trilogy. That being said, the movie itself is just above average. Decent music, pretty good animation, and some genuinely funny moments that bring this rip-off to enjoyable-enough levels.
The most underrated comedy of all time. I mean that.
This has non-stop hilarious skits every minute and every single one hits their mark (Minus one). Each one tackles a different modern topic, ranging from movie critics, to identity politics, to terrorism, to advertising, to celebrities, black people, white people, etc. No one is left behind in this satire of epic proportions. It seriously had me rolling with laughter throughout the entire movie. Steven Seagal as Cock Puncher needs to be a real movie.
I adore this movie. I love it more than Spaceballs.
I guess SeaWorld likes being portrayed in horror movies. This and Blackfish. It's insanely fucking stupid and it's an insult to the original JAWS, but that's what I love about it. It has fun with itself.
Paul: So writers, what should we do for the 3rd film in the series now?
Jim and Bob: I know! Let's put the shark in SeaWorld and have it attack tourists.
Paul: Get the hell out of this room.
Jim and Bob: leaves
Paul: We are so using that idea.
I actually really like this movie. It's actually very enjoyable. It's a fucking shark loose in a theme park. What more could you ask for? But this movie does get actual points for the music and the shark animatronic. Both are done extraordinarily well and there are some genuinely creepy moments with the shark.
Damn, I just rewatched several parts of it, and I forgot how good this actually was. I was on the Genisys hype train for quite awhile, but once it wore off and I looked at the staying power of each of the Terminator films... this is the most memorable Post-Terminator 2 sequel to come out. Nick Stahl actually does a great job of continuing the lonely and paranoid character, John Conner, and I actually prefer Arnold's performance here over Genisys. The downright depressing and almost hopeless attitude the movie has makes it a rather fitting entry into the series, despite it being not directed by James Cameron. That ending with the nuclear bombs going off is actually bone-chilling. One of my favorite moments of the whole series. The story repeats a little too many beats from the previous two, but it works them around in a way that feels new and fresh. The action is a blast, the crane sequence being the peak of the first act, and there's lots of great moments. Overall, very good movie that I underrated for awhile there.
"You're a big guy-"
"For you."
BANEPOSTING 5 YEARS AND STILL GOING STRONG, GUYS
Good intentions ultimately squandered by a really terrible script. The opening five minutes should've been the entire film. So much effort was put into replicating the house from the original film, and it only lasts on screen for a few minutes. No amount of homages can save this really cliched horror story.
My personal favorite of the Ghibli films. It's charming, it's adorable, it's magical, it's dramatic, it's heartwarming, and it's beautifully animated. One of the best animated films I've ever seen. Watch it now and you're heart will be filled with joy.
If there's one consistent quality factor to these movies, it's the score. For a film that prides itself on it's grotesque, ironic kills that are the showstoppers and ticket sellers of the franchise, the music plays it straight. Lots of haunting memorable strings. The script playing it so safe is what makes these movies just average, but the characters and their kills are what step the series up and apart from the crowd.
The Godfather Part 2 of animated films.
Unironically may be one of the most important films for 80's film preservation. No film captures the childlike spirit of that time than this sweet little film about a couple kids traveling cross country to a video game competition. The film starts with a little boy, Jimmy, walking across the deserted country road alone on his journey to get to California to properly bury his sister's remains, and by the end, is driving back with his family, happy and fulfilled. It's genuinely funny, heartwarming, and fun for the whole family. The product placement and Nintendo partnership is just an icing on the cake that adds to it's dated charm. This will definitely go in my collection.
Like Tommy said, "You can laugh, you can cry, you can express yourself. Just don't hurt yourself."
When they started comparing scenes from this movie to the original during the end credits, I nearly lost my cool in the theater. This movie is not just a masterpiece, but an important one. Everyone is invited to come live on Tommy's planet, where we all love each other, and the world is a better place to live. Anyone who has dreams should watch this movie. It's not just a humorous look at the strange creature that is Tommy, but an inspiration to those who want to make it big in any industry. It hits the mark on every technical level, but manages to tell a surprisingly mixed emotional fable, like, it's hard to believe this really happen. It's human behavior, as Tommy says in the movie.
I can't watch The Room the same way again. James Franco, you are brilliant, sir.
When Norman Bates ran in the room dressed as the dead mother while the soundtrack played, I legit got chills. I was disturbed to my core. I've never seen a movie so effectively freak me out that quickly and that deep. I almost started shaking when I saw that image.
He just wants to be your friend.
Jacob Chase has entered my shortlist for upcoming young horror directors. This was masterful. Roque Baños' score is some of his best work, even above his collaborations with Sam Raimi. While the timely message of our screens becoming a substitute for real life companionship, something that Pulse already tackled back in the day, turning the concept in to a creepypasta style horror film works wonders. The jumpscares are organic and inoffensive, the cinematography and use of the creature in his scenes are devilishly stylish, and little Azhy Robertson acted his ass off. The film handles his autism very tastefully, and I can speak to that since I have one brother who is exactly the same as him. It's a scary idea, that while his attachment and use for his devices are a necessity, they could be doing more damage than good beneath the surface; And that we've become overreliant on technology to solve our problems. I don't get what the backlash behind the film is geared at, but I think those are just looking for something to be upset about. The ending is what got me, nearly made my eyes water.
Writing out a review is too much for this insult to comics, audiences, and the film industry. Christina Hodson, Geoff Johns, and all the manchildren responsible for this nightmare need to lose their jobs. Easily the worst, most obnoxious film ever released theatrically on this budget. Thank God it's going to lose $300M at the box office. People are rejecting this slop.
After Terminator: Dark Fate, you all need to give this movie an apology.
I can officially confirm the mid to late 90's was the golden age of animated movies.
